The full specs are official now and the OnePlus 6 is now considered a flagship phone by any measure you can throw at it. It has massive memory, speed and a price that will not break the bank at just $529 USD for the smaller capacity 64GB version. It has dual cameras and 4K shooting at 60FPS, 1080p at full 240FPS, and our favorite spec 720p at 480FPS.
Gone is the 960fps spec of phones like the Samsung Galaxy S9 & Sony Xperia XZ2 but with the added benefit of shooting 1800 frames of it which translates to 60 seconds playback “1 Minute” at 30p on the OnePlus 6. So an entire usable minute of slow motion at 720p will be a welcomed addition to any slow motion fans and while quality will have to be seen and analyzed, it already makes for a better overall experience than the 0.2 seconds recording of the competition.→ Continue Reading Full Post ←
The newly announced CINEMARTIN FRAN 8K Camera claims some huge numbers in terms of resolution and performance. Up to 8K (8000×6000) RAW / Uncompressed 12 Bit video capture at 24fps and up to 96fps in 2k & 1080p for high frame rates but more on that later in this post. There is only one image of the camera we were provided with and that is the RED Brain like rendering above which sports a mounting port which in the lab is fitted with a Canon EF Mount which is preferred among cinema oriented users especially if it is an active one.
FRAN also offers in the spec sheet 15.5 stops of dynamic range at 12 bit which competes directly with the best cinema cameras out there. CINEMARTIN claims the camera will come in below the competition in price while offering a true global shutter sensor with no rolling shutter distortion. Using a 4/3 sized sensor at 50MP with 48MP being used for 8k Capture it may seem overkill when it comes to low light performance. It may be able to deliver resolution levels never before seen on cinema cameras but low-light will surely be a hurdle for the camera to overcome.→ Continue Reading Full Post ←
Z Cam the relatively new Camera company from Shenzhen, China has announced the Z Cam E2 at NAB 2018 MSRP $1,999.00 USD. It is not a direct replacement for their ambitious but half-baked Z E1 m4/3 camera which costs $399. The new camera is a beast specs wise with up to 120fps 4k and full HD 1080p at 240fps. The codecs will be H.264 and H.265 at 10 bit but no RAW support so far which might be acceptable if the codec is clean enough and their promised Log Flat curve preserves the estimated 13.5 stops of dynamic range.
The camera is still being developed for a June 2018 estimated ship date. It lacks a back screen and relies on a Wifi or Gigabit Ethernet link to their dedicated control application. They intend to support iOS devices and or a PC client. No mention of Android support or Mac which should be included in order to maintain the widest compatibility. We feel lacking Android control is a big deal and should be promised in a future update. It is also unclear if the camera will be possible to use by using a touch screen field monitor which probably will not be the case. Using an iPhone or an iPad as the control interface is probably the best use case.→ Continue Reading Full Post ←
Yes the BMPCC 4k looks like a DSLR crossed with a late 1990s digital camera but it’s insides are not only powerful but could also mean that you can essentially afford two units of this camera instead of a Panasonic GH5s for example and get similar quality with the added ability to shoot RAW and power an XLR microphone directly from the camera with phantom power. Bang for your buck!
As for fast frame rates the camera can shoot 4k 60fps & 120fps 1080p in full RAW or Apple ProRes codec options. We sure wished the camera could shoot 240fps in full HD and 120fps in 4k even while time limited. It would have placed the camera in a much better position on our list due to its $1,295.00 USD price tag which is really the best value for money in a camera today. Well for September 3rd which is the actual ship date which may or may not derail your purchasing plans.→ Continue Reading Full Post ←
The new v2.02 firmware update for the Panasonic EVA1 includes improved bit rates at a variety of frame rates like: 2k- 422-Intra Frame Recording 200M/100M Max 120fps (equivalent to 400Mbps) Which may improve slow-motion quality considerably by allowing more data to be saved instead of scrapped.
For digital recorder owners, there is a lot to be excited about as the camera will now output RAW data at: 5.7K/30p Full sensor, 4K/60p Crop , 2K/240p Sensor Crop. Since the 240fps mode saved internally exhibited very severe aliasing, moire and line skipping; the fact that RAW is now a possibility should bring the camera’s capabilities up a notch and deliver excellent slow-motion quality. We hope to have some samples of the RAW recording on the EVA1 in a future update.→ Continue Reading Full Post ←
After several camera announcements where slow motion was a main feature instead of an afterthought, things have been calming down until the next wave which will break closer to NAB 2018 from April 7th to 12th in Las Vegas. There will probably be quite a few announcements in the professional space which is mainly where things heat up when it comes to higher quality resolution at higher frame rates.
We expect Sony to steal the show with probably the a7s Mark III which by any measure will probably retain the low light king title for the foreseeable future. If the a7 III released recently is any indication then a lower megapixel sensor anywhere between 12-16MP Full Frame with the same technology in a stacked sensor will give us a camera so capable that room for improvement will be mainly on the ergonomics, interface and higher frame rates going forward.→ Continue Reading Full Post ←
