Tag Archives: professional

Fuji X-H1 Aims to Compete in Pro Video!

Fuji X-H1

The Fuji X-H1 just announced does a lot of things right; It has a 200mbps 4k codec in UHD / DCI, 120fps Full HD which from the initial looks of it looks gorgeous and it finally has the 5-Axis Stabilizer on the sensor 5.5 stops worth that had eluded Fuji cameras for two years now.  It even has a new Eterna color profile which makes it easy to color correct without being too flat or too processed.

However, the X-H1 is based on the same 24MP X-Trans APS-C sensor found on the X-T2 which while overall good, it has problems with color moire and fine textures due to the processing on the unconventional RGB pattern which has 4 adjacent green pixels and differs quite a lot from Bayer sensors. See this article from PetaPixel comparing both technologies here.  But as far as video mode is concerned it looks to be a good contender to options like the GH5 and Sony 7 series. → Continue Reading Full Post ←

Sony PXW-Z90V Footage Starts to Show!

Sony PXW-Z90V Footage

We were excited last September when Sony announced a trio of Palmcorders based on their latest 1″ stacked image sensor. The FDR-AX700, the HXR-NX80 and the PXW-Z90V share essentially the same sensor and lens along with other common features but differ when it comes to codec bit rates, broadcasting output like SDI out and or HDMI but what interests us is the HFR high frame rate mode.

The Sony RX100 and RX10 series share the same 1″ stacked CMOS sensor in their latest iterations to these cameras but with a new form factor that is aimed at more professional shooters, there is a lot of expectations to see if quality has improved in Slow Motion.   We have gone thru the manuals on the cameras and have not been able to find the exact resolution specs when recording HFR but we estimate they are identical to the latest RX10 IV all in one prosumer camera. → Continue Reading Full Post ←

Panasonic EVA1 Ships Starts to Show Footage!

Panasonic EVA1

The Panasonic EVA1 camera has started to ship to pre-order owners and some footage has started to show on the web.  The camera seems to be very good at low ISOs and up to ISO 5000 it defends itself well. After that banding and heavy noise starts to become a problem.    One thing to keep in mind is that the 5.7k sensor is intended to supersample for 4k to deliver unbelievable detail levels while having a detrimental effect on super high ISO.   The dual native ISO settings of 800 on the low end and 2500 ISO on the high end help the camera achieve dependable noise free and extremely clean footage in those modes.

The camera can also shoot up to 240fps full HD and or 2k super slow motion video and use it’s improved sensor specs to reduce rolling shutter. The camera should be able to deliver excellent high frame rates in good light but it seems the slow-motion option offers lower quality in codec and also in noise control. We have no clue what is causing this but it is apparent from the samples that detail and quality take a hard hit in these modes. → Continue Reading Full Post ←

Panasonic G9 vs GH5 for Video Compared!

Panasonic G9 vs GH5

Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot.  The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.

The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise.  The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots. → Continue Reading Full Post ←

ZENMUSE X7 By DJI has 3.9k 60p!

Zenmuse X7

DJI has announced the Zenmuse X7 camera for the Inspire 2 Professional Drone.  The camera shoots in Cinema DNG RAW which allows for the utmost quality for the demanding videographer with up to 60fps at 3.9k resolution. Interestingly it does not support 4k at that frame rate as probably there is a hardware limitation for that last few rows of pixels to be saved at that quality.

Of note is the 4k DCI spec up to 30p and ability to shoot and save in Apple ProRes in 4k and 2k with more option in H.264 and the newer H.265 codecs.  The biggest deal, however, is the ability to shoot 6k in DNG format at 6K: 6016×3200, 23.976/24/25/29.97/30p, 12-bit, full FOV.  This is a first for a drone camera of this size and should be the ideal format for ultra resolution seekers. → Continue Reading Full Post ←

Sony RX10 IV & AX700 Slow Mo Samples Surface!

Sony RX10 IV & AX700 Slow Mo Samples

There is a lot of interest on the new Sony RX10 IV and new Sony FDR-AX700,  HXR-NX80 and PXW-Z90V Palm 4k Cam-Corders.   We have found a couple of new sample videos showing these cameras in action with HFR high frame rate modes. We estimate all four cameras to have comparable image quality in HFR mode but depending on the price a better overall codec with more detail retention.

However the best value out of all of them could be the AX700 which costs about the same as the RX10 IV but in a more professional body with lots of control that the SLR form factor lacks.  Also for a paid job you may be inclined to go with the more professional looking body to avoid judgmental stares. → Continue Reading Full Post ←