Tag Archives: raw

RED Hydrogen Phone for High Speed?

RED Hydrogen Phone

So we have gotten a lot of speculative emails regarding the RED Hydrogen phone teaser announcement.  There are no real specs listed, only pricing which for Aluminum  $1195 and Titanium $1595 USD is no bargain.  It will be an Android phone with a revolutionary Holographic display capable of doing 2D-3D and holographic multiview which will be a mixture of the two.

The phone will also be a possible monitoring device for RED camera owners which will be able to control the cameras from the device.  If you are a RED owner it makes sense to have this as your phone and we expect most RED camera owners to own the device or pre-order. After all the phone will be the same cost as a breakout module for the RED camera which costs up to 70k ready to shoot in the highest spec configurations.[...] → Continue Reading Full Post ←

AXIOM Beta Camera Kit in Production!

AXIOM Beta

The Axiom Apertus camera project is progressing forward with the completion of 25 developer Beta kits to backers of the camera. It is a working model without a final case and with ongoing software development. The camera is functional and has a Sony E-Mount at the moment but with the ability to change the mount if needed. The camera color science is being coded by A1ex of magic lantern fame. It will be a possibility to use digital “Film Stocks” at the push of a button to be able to match certain looks.

The footage from the beta camera is quite good with excellent film like characteristics in a 10-13 stop range.  There is a cinema camera feel that is absent from other cheaper camera options in the ILC and DSLR Camps.  The closest look is that from Blackmagic Design’s Cinema camera options.  When it comes to frame rates the Beta camera does 60fps full HD out of the HDMI but not much else.[...] → Continue Reading Full Post ←

Canon C200 Cinema Camera 120fps Slowmo!

Canon C200

There is no question Canon has had great success with their EOS Cinema line of cameras. They continue to dominate the rental production market and even when they are overpriced compared to competitor’s options it is in a class of its own when it comes to Dual Pixel Continuous AF with Canon EF lenses which are plentiful and part of the stable of most serious camera professionals.

The latest iteration just announced is the Canon EOS C200 EF Cinema Camera which has some serious performance improvements over the current price/performance kind in their camera line. The new camera slots between the lower priced C100 Mark II and the more professional 4k C300 Mark II. However the C200 records in 4k RAW Light format which gives 15 stops of dynamic range with all the benefits of RAW editing with some compression.[...] → Continue Reading Full Post ←

NAB 2017 Sony & Panasonic Firmware Slowmo Updates!

NAB 2017 Sony

There has been a lack of big camera announcements at NAB 2017, with more and more saturation and less camera replacement by TV studios and Filmmakers there is talk of good enough gear already purchased for 4k and 2k/1080p production.  The Alexa, RED, Sony F55 and Varicam LT cameras released in the last few years already exceeds most delivery methods in quality and completely obliterates the compressed cable delivery streams for hove TVs.

However manufacturers like Sony & Panasonic have released information about new firmware updates that will improve high frame rate recording on some of their cameras as free updates. This in turn makes for a practical camera line refresh that gives more longevity to the existing hardware while permitting more high speed latitude to current owners.[...] → Continue Reading Full Post ←

URSA Mini Pro Offers Pro Features and 120fps!

URSA Mini Pro

Blackmagic Design has announced a new camera today.  The URSA Mini Pro is a marriage of their higher end URSA camera with the still in the product line URSA Mini.  It offers built in ND Filters, 15 stops of dynamic range “which is huge for filmmakers”, tons of ports, in body buttons and controls and easy interchangeable lens mounts.

For our slow motion fans there is not a whole lot offered by the camera but there are some built in features.  60fps in 4k DCI and also at 4.6k full sensor resolution is very useful and keeps the trend with the 4k over-crank frame rates debuted in 2016 on several cameras. The other is 120fps at 2k windowed resolution which is passable but not ideal. However the slow motion on these cameras is high quality and seldom does it have artifacts.[...] → Continue Reading Full Post ←

Canon EOS 5D Mark IV Slow Mo Quality!

Canon EOS 5D Mark IV

We have gotten a few questions about the EOS 5D Mark IV when it comes to it’s 120fps 720p slow motion mode.  We covered it back in August but samples were hard to find back then; all that has changed and now we can rate and position the camera in our HSC Camera Guide ranking.  While it will not win any contests for resolution or frame rate we think it is a good all around camera with useful features for video enthusiasts.

The negatives like high price,  Moire & Aliasing prone slow mo resolution, huge inefficient 4k bit rates on an old codec, 1.74x crop in 4k recording and big system bulk still apply for this camera.  The Panasonic GH5 for instance destroys the 5D Mark IV in the video spec department but that is ok considering the 5D Mark IV is a stills workhorse with a full frame sensor first and an excellent AF and high ISO performance package.[...] → Continue Reading Full Post ←