The Youtube channel CRFTSHO has created a guessing video game that pits the Panasonic GH5 vs the RED EPIC Camera in a slow motion 1080p match. The fun is that even for the trained eye there is no easy way to tell which camera is actually on screen playing until you get the revelation footage which is the 2nd part of the game.
What is interesting about the results is that the RED Epic a camera worth over 10 times more than the Panasonic Lumix GH5 is almost indistinguishable and in some shots the cheaper camera is preferable in sharpness and detail. It probably has to do with the GH5 doing full sensor downsampling up to 120fps at 1080p vs the RED doing sensor windowed mode.
The British BBC has always been at the forefront of image techniques that revolutionize our understanding of the nature around us. Planet Earth II is the culmination of millions of hours of work condensed into 6 episodes showcasing the wonders of the natural and human built world. The news site Vox has created some mini segments that explain some of the techniques used to create the series.
Of particular interest is the use of slow motion 4k Phantom cameras, a Sony a7s for low light and the use of an IR sensitive RED Epic camera shooting at up to 300fps in complete darkness. The videos go into camera evolution as well as techniques perfected over decades. We encourage you to subscribe to the Youtube Channel for Vox Here and of course watch Planet Earth II which is a real majestic piece of modern documentary film-making.
The Chinese cinema camera company Kinefinity is adding two new models of cameras at this Year’s NAB event in Las Vegas. The Kinefinity Terra 5k and 6k Models. They differ in sensor and abilities with prices that just 5 years ago would have commanded much higher tiers.
Last Year’s Kinemax 6k and 4k graced our Camera Guide with a good showing now occupying 10th and 14th place but now they are aiming much much higher with better RAW frame rates up to 225fps in 2k and lower price points than most of the RAW capable competitors in the space.
The RED Scarlet has always had a stigma to it since inception. It was supposed to be a 3k camera for 3k USD back when it was planned. With a fixed lens and slow motion capabilities all while shooting REDCode RAW video. That camera never materialized and in turn the Red Scarlet with modularity was born. Not quite an Epic but also a lot more expensive than the original promise. It however delivered the image quality promised but not in the slow motion front. That is however until today with the Scarlet-W camera.
It has a 5K Full Frame (5120 x 2700) RED Dragon sensor with a 16.5 stops of dynamic range. That is some of the best DR numbers quoted for a motion digital camera. However the Slow Motion aspects of this Scarlet W camera are of note and the following specs should get your attention if you are on the market and have 10k USD for a body and 6k for the needed accessories to shoot with it in a ready package.
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