Tag Archives: RED

Olympus Tough TG-5 Digital Camera 120fps 1080p!

Olympus Tough TG-5

Olympus is announcing the TG-5 rugged camera which is the replacement for the popular TG-4. It has quite a number of new features and what may be a first for this type of cameras; a sensor pixel density reduction from 16MP to 12MP. A welcomed addition that will ensure better low light quality with a BSI CMOS sensor and speedier data acquisition which lets it output 4k and 120fps 1080p video.

It has also a 720p 240fps mode and a VGA 480fps mode which makes it stand out in the slow motion categories. This camera seems to be aiming at the GoPro Hero 5, Yi 4k+ and Sony Action Camera markets with more features, better usability and the features you expect from a portable camera. It can also be used in drones with some creative placement due to its low weight of 250g with battery!

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NAB 2017 Sony & Panasonic Firmware Slowmo Updates!

NAB 2017 Sony

There has been a lack of big camera announcements at NAB 2017, with more and more saturation and less camera replacement by TV studios and Filmmakers there is talk of good enough gear already purchased for 4k and 2k/1080p production.  The Alexa, RED, Sony F55 and Varicam LT cameras released in the last few years already exceeds most delivery methods in quality and completely obliterates the compressed cable delivery streams for hove TVs.

However manufacturers like Sony & Panasonic have released information about new firmware updates that will improve high frame rate recording on some of their cameras as free updates. This in turn makes for a practical camera line refresh that gives more longevity to the existing hardware while permitting more high speed latitude to current owners.

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TIME 100 Pictures Remembers Edgerton

Time 100

Time magazine list of the 100 Most influential images of all time is a fantastic collection of visuals that encompass everything from nature, science, celebrities to world changing events. One of the images is the Milk Drop by Harold “Doc” Edgerton, the inventor of modern high speed imaging at MIT.

They have also created a mini documentary to go along with the image that you should check out. See in the link below:

http://100photos.time.com/photos/harold-edgerton-milk-drop

More images from Edgerton and his research at this site!

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Panavision DXL Makes 8k 75fps possible!

Panavision DXL

Panavision the company that brought you the Genesis digital cinema camera which many credit for jump starting true digital cinematography for the big screen has done it again with the Panavision DXL.  An 8k 8192 x 4320 camera capable of recording higher frame rates at that resolution than what many 4k resolution options have still to achieve.

The company doesn’t offer a table or indication of slow motion high speed frame rates in the specs as the maximum frame rate they tout is 75fps at 8K 2.4:1 (8192 x 3456) which is slightly shorter in the vertical frame than the full capability which maxes at 60fps at the highest resolution. RED is heavily involved in the DXL by supplying the sensor, color science, REDCODE RAW Codec and many design cues.

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Kinefinity Terra 5k & 6K Offer up to 225fps!

KinefinityTerra

The Chinese cinema camera company Kinefinity is adding two new models of cameras at this Year’s NAB event in Las Vegas.  The Kinefinity Terra 5k and 6k Models.  They differ in sensor and abilities with prices that just 5 years ago would have commanded much higher tiers.

Last Year’s Kinemax 6k and 4k graced our Camera Guide with a good showing now occupying 10th and 14th place but now they are aiming much much higher with better RAW frame rates up to 225fps in 2k and lower price points than most of the RAW capable competitors in the space.

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RED Scarlet-W Brings 150fps in 4k!

ScarletW2

The RED Scarlet has always had a stigma to it since inception. It was supposed to be a 3k camera for 3k USD back when it was planned. With a fixed lens and slow motion capabilities all while shooting REDCode RAW video. That camera never materialized and in turn the Red Scarlet with modularity was born. Not quite an Epic but also a lot more expensive than the original promise.  It however delivered the image quality promised but not in the slow motion front. That is however until today with the Scarlet-W camera.

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