Tag Archives: release date

RED Hydrogen Phone for High Speed?

RED Hydrogen Phone

So we have gotten a lot of speculative emails regarding the RED Hydrogen phone teaser announcement.  There are no real specs listed, only pricing which for Aluminum  $1195 and Titanium $1595 USD is no bargain.  It will be an Android phone with a revolutionary Holographic display capable of doing 2D-3D and holographic multiview which will be a mixture of the two.

The phone will also be a possible monitoring device for RED camera owners which will be able to control the cameras from the device.  If you are a RED owner it makes sense to have this as your phone and we expect most RED camera owners to own the device or pre-order. After all the phone will be the same cost as a breakout module for the RED camera which costs up to 70k ready to shoot in the highest spec configurations.

→ Continue Reading Full Post ←

Panasonic EVA1 has 2k 240fps Spec!

Panasonic EVA1

The Panasonic AU-EVA1 Super 35mm Cinema Camera is a first for the company in several key fronts. For starters, it is abandoning the Micro 4/3 sensor in turn for a more industry standard S35 module which has a larger area and in turn much better light gathering power.  Gone also is the micro 4/3 lens mount which Panasonic favors and in its place a Canon EF Electronic mount which could have been called blasphemy to see this in a product line of this price range for Panasonic.

Since the sensor-flange distance is increased you will not be able to use the Micro 4/3 or 4/3 lenses you were using with an AF100 for example.  When it comes to slow motion this camera is no slouch with 240fps continuous recording to SDXC II v90 cards in both 2k resolution and full HD 1080p. It is also bringing it to the 4k 50/60p realm which now is becoming commonplace.

→ Continue Reading Full Post ←

Canon C200 Cinema Camera 120fps Slowmo!

Canon C200

There is no question Canon has had great success with their EOS Cinema line of cameras. They continue to dominate the rental production market and even when they are overpriced compared to competitor’s options it is in a class of its own when it comes to Dual Pixel Continuous AF with Canon EF lenses which are plentiful and part of the stable of most serious camera professionals.

The latest iteration just announced is the Canon EOS C200 EF Cinema Camera which has some serious performance improvements over the current price/performance kind in their camera line. The new camera slots between the lower priced C100 Mark II and the more professional 4k C300 Mark II. However the C200 records in 4k RAW Light format which gives 15 stops of dynamic range with all the benefits of RAW editing with some compression.

→ Continue Reading Full Post ←

Panasonic GH5 Firmware 1.1 Allows 10 Bit 60p 1080!

Panasonic GH5 Firmware 1.1

The Panasonic GH5 ushered the era of 10-bit video recording on a portable prosumer interchangeable lens camera for the first time. Panasonic promised some features which at launch would not make the cut but would be added when firmware was released that would improve the spec sheet.  The new 1.1 version of the Firmware will enable 10bit recording on 1080p 24p, 25p, 29.98, 29.97p, 59.94p & 50p all at 100 Mbps.

While the camera offered 10 Bit recording at 4k from the get go it was not available above 29.97fps which left the 60fps 4k mode out in the cold for the increased color space. The update and all subsequent ones will also do not allow 10 Bit to be used above 30p in 4k so the 60fps UHD spec will remain at 4:2:0 8 Bit color.

→ Continue Reading Full Post ←

GH5 Slow Motion New Quality Footage!

GH5 Slow Motion

The Panasonic GH5 has been the camera darling of early 2017 for video enthusiasts and the addition of 120fps, 150fps and 180fps full HD was one of the most awaited features for the camera. Earlier footage showed a decrease in image quality when using higher frame rates on the camera and the appearance of moire and aliasing was evident. It was still far better than what the GH4s 96fps mode was able to do.

Recent new footage has re-examined the slow motion VFR mode and while there is a drop in quality the 180fps mode is still usable for many applications due to it retaining a lot of detail compared to other cameras.  The image is loosing quite a lot of resolution in the vertical so it will not be true full HD when you compare with the up to 60fps mode.

→ Continue Reading Full Post ←

GH5 Slow Motion Pre Production Samples!

GH5 Slow Motion

The Panasonic GH5 is gathering attention all over the camera world by making inroads into the professional video production space with it’s truly professional image quality 4:2:2 10 bit and video oriented workflow. There is already talk of the BBC being able to use it for productions and that is no small thing considering how demanding their image quality needs are.

We have gathered the few Full HD 180fps GH5 samples posted so far from pre production cameras so you can judge for yourself the quality delivered in this mode.  From what we can see it is quite good at holding detail and sharpness compared to the GH4 but it still suffers from some moire and aliasing due to line skipping happening at some stage in the capture process.

→ Continue Reading Full Post ←