The Sony RX100 VI camera has not reached the reviewers yet for a full in-depth look but the early press shoots did gather some slow-motion footage which shows the camera in action. We also got a final word from a good source that the camera has the exact same HFR resolution and timing features as the RX100 V which means there is no improvement in the quality of the image when shooting higher frame rates.
In fact, you may even get lesser quality footage due to the lens being now an 8x f2.8 to f4.5 lens 24-200mm (35mm Equivalent) which is much slower and by optical standards, it should trail the 2.91x f/1.8-2.8 Lens 24-70mm (35mm Equivalent) of the RX100 V. So you get a $250 price increase for a better AF system, better color in video, a better tilt screen which is now full touch and the ability to zoom 8x. If those things are important to you then the extra money may be worth it.→ Continue Reading Full Post ←
So nearly two years after the excellent RX100 V by Sony was released, which won on our recommendation for slow-motion camera on a budget for both 2016 and 2017, the new RX100 VI or the sixth iteration of this specific camera line has been announced. It keeps the same body size but out goes the fast f1.8-f2.4 lens of old which was surprisingly good for a now average f2.4 to f4.5 24-200mm equivalent or 8x optical zoom which is great as a do it all range. Many are not thrilled but we will have to see if the sensor advancements, the new 4 stop stabilization, and noise suppression works well enough to keep it an acceptable low light option.
Our main interest in these cameras lies in the fact that HFR mode or (High Frame Rate) has been a key selling point since the cameras first appeared. The RX 100 V improved resolution and recording time and we are glad to see that the new RX 100 VI maintains those specs. We estimate it will at least be the same 7sec in Shoot Time Priority and 4 seconds in Quality Priority.→ Continue Reading Full Post ←
The short but to the point footage shows what will be slow motion clips produced with the new OnePlus 6 handset. You can see that a lot of care has been taken to shoot professional looking footage that will showcase the high frame rate capabilities. We are not sure if the resolution aliasing we are seeing is from the phone quality or the video compression.
Considering Sony and Samsung have similar artifacts OnePlus will look good on smaller screens but not ideal blown up on a monitor or TV. Professional lighting is no substitute to real line resolution for footage. We should know more as May 16th launch date approaches and we will be gladly surprised if the phone is capable of higher resolution slow motion recording than the competition with better recording time which has been the Achilles heel for these slow-motion phone features. 0.2 and 0.1 seconds is just not long enough for having a usable span of time.→ Continue Reading Full Post ←
The folks at OnePlus have been busy and by the looks of the recently leaked images of the OnePlus 6, it seems the phone is almost an identical looking handset to the iPhone X design with notch included. The invitation to the event on May 16th, 2018 for the unveil mentions “Live Life in Super Slow Mo”which we believe will be a 960fps slow-motion mode akin to that in the Galaxy S9 & S9+ or the Sony Xperia ZX2.
OnePlus has been one of the best performing handsets for Android users due to their use of the best components out there along with a streamlined ROM that does away with most bloatware on the main install. Users of these phones also routinely claim huge battery life due to the optimized nature of the background tasks. For Slow Motion, they have only been competitive on the mid-range but that will probably change if Slow Motion is a big feature on this new phone.→ Continue Reading Full Post ←
The new v2.02 firmware update for the Panasonic EVA1 includes improved bit rates at a variety of frame rates like: 2k- 422-Intra Frame Recording 200M/100M Max 120fps (equivalent to 400Mbps) Which may improve slow-motion quality considerably by allowing more data to be saved instead of scrapped.
For digital recorder owners, there is a lot to be excited about as the camera will now output RAW data at: 5.7K/30p Full sensor, 4K/60p Crop , 2K/240p Sensor Crop. Since the 240fps mode saved internally exhibited very severe aliasing, moire and line skipping; the fact that RAW is now a possibility should bring the camera’s capabilities up a notch and deliver excellent slow-motion quality. We hope to have some samples of the RAW recording on the EVA1 in a future update.→ Continue Reading Full Post ←
The Panasonic EVA1 camera has started to ship to pre-order owners and some footage has started to show on the web. The camera seems to be very good at low ISOs and up to ISO 5000 it defends itself well. After that banding and heavy noise starts to become a problem. One thing to keep in mind is that the 5.7k sensor is intended to supersample for 4k to deliver unbelievable detail levels while having a detrimental effect on super high ISO. The dual native ISO settings of 800 on the low end and 2500 ISO on the high end help the camera achieve dependable noise free and extremely clean footage in those modes.
The camera can also shoot up to 240fps full HD and or 2k super slow motion video and use it’s improved sensor specs to reduce rolling shutter. The camera should be able to deliver excellent high frame rates in good light but it seems the slow-motion option offers lower quality in codec and also in noise control. We have no clue what is causing this but it is apparent from the samples that detail and quality take a hard hit in these modes.→ Continue Reading Full Post ←