The RED Scarlethas always had a stigma to it since inception. It was supposed to be a 3k camera for 3k USD back when it was planned. With a fixed lens and slow motion capabilities all while shooting REDCode RAW video. That camera never materialized and in turn the Red Scarlet with modularity was born. Not quite an Epic but also a lot more expensive than the original promise. It however delivered the image quality promised but not in the slow motion front. That is however until today with the Scarlet-W camera.
It has a 5K Full Frame (5120 x 2700) RED Dragon sensor with a 16.5 stops of dynamic range. That is some of the best DR numbers quoted for a motion digital camera. However the Slow Motion aspects of this Scarlet W camera are of note and the following specs should get your attention if you are on the market and have 10k USD for a body and 6k for the needed accessories to shoot with it in a ready package.→ Continue Reading Full Post ←
The camera has a slow motion feature set and while it is not earth shattering it is pretty respectable for what an under $100 USD device can deliver.→ Continue Reading Full Post ←
The edgertronic camera continues to evolve with firmware releases that improve the camera in many ways and patches bugs here and there that crop up while in use. The latest 2.1.5 firmware ads a very important feature for owners of multi camera setups which is called “Multicast Network Trigger” which is a pseudo Gen-lock feature that does not require cables between cameras directly and the network connection within the camera creates the interface for trigger sync among multiple edgertronic cameras.
Feature notes: “The camera supports being triggered by the receipt of a network multicast UDP packet. This is useful when you have multiple cameras that need to be triggered close to the same time but do not need to be genlocked. The advantage of triggering via a network multicast packet is extra cabling between the camera is not needed.” → Continue Reading Full Post ←
Due to overwhelming user requests Microsoft has finally added with an update to its Windows 10 Camera app the ability to shoot slow-motion video on some Lumia smartphones. The feature is not terribly groundbreaking as it is limited for now to 120 fps at 720p resolution. However this may open the door to higher frame rates like 240p and 480p in future devices as now the feature is not completely ignored. Windows 10 Phone users rejoice, well until the platform fully launches in the near future.
Microsoft: “Slow-motion video has been one of the most frequent requests we hear from people using the Camera app on Windows Phone and Windows 10,” Microsoft says. “So, we’re happy to announce that you can now capture slow-motion video with Camera for Windows 10.”→ Continue Reading Full Post ←
So you have an iPhone and want to get the best video possible out of it. Should you stay with Apple’s camera implementation or should you branch out and look for better capture apps? Those that do the best job at compressing your footage and extracting the utmost quality from it.
For years the App to flock to if you own an iPhone is the FiLMiC Pro for iPhone, iPad and iPod Touch by Cinegenix. It was used in the Zacuto revenge of the Camera shootout in 2012 to capture the segments with the iPhone which rivaled, according to the audience of judges, cameras much stronger in specs and capture quality. It tied with the Canon C300 and beat the Sony FS100. That test was highly subjective with a lot of light to fill in the soft spots of the camera, however that did not detract from the fact that FiLMiC Pro did an amazing job at delivering a more grade-able and professional looking footage than Apple’s stock implementation on the then iPhone 4s. You can see the test here!→ Continue Reading Full Post ←
The Sony A7S II had a lot to live up to considering low light performance and it has so far been exceptional. But the question about slow motion quality lingered as to a new Spec of 1080p 120fps would perform compared to the previous 720p 120fps and to regular 1080p 60 video. New video tests have surfaced that show how good and or limited the new slow motion spec is on this camera. Many will be satisfied with just the 4k video at astounding levels of ISO which short of the Canon ME20F-SH with 4 million ISO it is the best second option with more resolution at a Max ISO of 409,600.
The Slow motion spec seems to be somewhat limited in quality compared to normal video on the Sony A7S II with a reported 20Mbit/sec for 120fps which is the 100Mbit/sec camera spec stretched 5x to playback at 24p. 20 Mbit is’t that bad considering it is 1080p and the artifacts are well controlled. There are some here and there including some compression macro-blocks if you search for them but for the vast majority of users the camera has a very good slow motion mode built in; albeit at 120fps as it will go no further up the frame rate scale.→ Continue Reading Full Post ←
