The short but to the point footage shows what will be slow motion clips produced with the new OnePlus 6 handset. You can see that a lot of care has been taken to shoot professional looking footage that will showcase the high frame rate capabilities. We are not sure if the resolution aliasing we are seeing is from the phone quality or the video compression.
Considering Sony and Samsung have similar artifacts OnePlus will look good on smaller screens but not ideal blown up on a monitor or TV. Professional lighting is no substitute to real line resolution for footage. We should know more as May 16th launch date approaches and we will be gladly surprised if the phone is capable of higher resolution slow motion recording than the competition with better recording time which has been the Achilles heel for these slow-motion phone features. 0.2 and 0.1 seconds is just not long enough for having a usable span of time.→ Continue Reading Full Post ←
The folks at OnePlus have been busy and by the looks of the recently leaked images of the OnePlus 6, it seems the phone is almost an identical looking handset to the iPhone X design with notch included. The invitation to the event on May 16th, 2018 for the unveil mentions “Live Life in Super Slow Mo”which we believe will be a 960fps slow-motion mode akin to that in the Galaxy S9 & S9+ or the Sony Xperia ZX2.
OnePlus has been one of the best performing handsets for Android users due to their use of the best components out there along with a streamlined ROM that does away with most bloatware on the main install. Users of these phones also routinely claim huge battery life due to the optimized nature of the background tasks. For Slow Motion, they have only been competitive on the mid-range but that will probably change if Slow Motion is a big feature on this new phone.→ Continue Reading Full Post ←
Last week the site The Information posted a piece stating the possibility of GoPro being bought out by Chinese electronics company Xiaomi which are the makers of the main competitor to GoPro in the same form factor with the Yi camera line. We liked the Yi 4k+ last year as it delivered pretty acceptable quality in 4k 60p in a GoPro like the body+enclosure design. We were not thrilled by the bit rates or the slow-motion quality but it was in the running for the best alternative action camera with a lower price.
If the rumors are true Xiaomi will be consolidating the Action camera market and improving the Yi camera line overnight by rebranding it to GoPro as the name might be just as valuable as the technology being acquired. Most of the current Yi camera products share the components with pre Hero 6 Black cameras like the Hero 5 Black as they were based on the Ambarella chips that GoPro used for a decade.→ Continue Reading Full Post ←
There is an aura over the Panasonic GH5s that has not been seen in a m43 camera possibly ever. It is mainly due to the outstanding low light quality in 4k 24, 30p and 60p that beats full frame cameras like the Canon 5D Mark IV and competes head to head until ISO 25,600 with the king of low light the Sony a7s Mark II. But as always, our focus is on the high frame rates which the camera also does quite good on.
The 4k 60fps quality is very close to the 30p quality which means excellent and you can shoot at 60p at night without worrying about noise. The 240fps mode which is a first for a Lumix camera in full HD means that the camera aims to compete with Sony RX series cameras that have stacked sensors. We believe the quality to be acceptable but not good enough to be broadcast quality as stair stepping jaggies are all over the frame with the occasional moire pattern on fine detail that can break a shot.→ Continue Reading Full Post ←
The Z Cam E1 which delivered excellent quality 4k footage from a tiny package and was able to do 720p 240fps frame rates “at less than ideal quality”, however, a new Rumor from 4/3 Rumors here shows a Twitter message that hints at a new Z E2 m4/3 camera that is able to do 120fps at full 4k resolution. If this turns out to be true it could yield further performance improvements in 1080p and 720p along with higher quality that could be usable.
As far as linear specs go a 120p 4k pipeline could in theory yield 480fps 1080p and 960/1000fps 720p without going out of spec. As we have come to know over the years, however, it is usually wrong to extrapolate these specs to the maximum possible metric as the sensor or memory could be bottlenecks that limit the performance. So this rumor could have some legs to it and NAB 2018 could be the show that makes 4k 120p a regular feature for cameras.→ Continue Reading Full Post ←
After several camera announcements where slow motion was a main feature instead of an afterthought, things have been calming down until the next wave which will break closer to NAB 2018 from April 7th to 12th in Las Vegas. There will probably be quite a few announcements in the professional space which is mainly where things heat up when it comes to higher quality resolution at higher frame rates.
We expect Sony to steal the show with probably the a7s Mark III which by any measure will probably retain the low light king title for the foreseeable future. If the a7 III released recently is any indication then a lower megapixel sensor anywhere between 12-16MP Full Frame with the same technology in a stacked sensor will give us a camera so capable that room for improvement will be mainly on the ergonomics, interface and higher frame rates going forward.→ Continue Reading Full Post ←