The FUJIFILM X-H1 which offers 120fps 1080p slow motion was a worthwhile effort to offer high frame rates that are usable to their video-centric base. It still was not as good as the Sony or Panasonic slow motion options due to aliasing, moire, and noise but with a little post work, it could be used with success in an edited piece. FUJI then with a firmware update for their stills flagship the X-T2 allowed the camera to now shoot the same 120fps 1080p slow motion which makes sense considering they use the same sensor on both cameras.
We are constantly looking for high-speed camera bargains and one of the best places to find them is on eBay where used cameras go to find a new home. It is hard to judge the actual state of a product until you use it but that is why you can ask questions to the seller and reach a deal if needed. You also have to take into account that many cameras get used in dangerous situations to record events where no human can be close to like on a rocket launch pad or testing artillery.
Make sure if you purchase a camera to be given a determined time to test it and make sure it is working as described. The whole point of finding these bargains is to save a boatload of money compared to purchasing them outright from the manufacturer. HSC is not paid a commission or promotion fee for these listings so make sure you do your due diligence before buying, we are not affiliated with the sellers. This month a few diamonds in the rough were found that could really bring an edge to your slow motion shooting. Let’s dig in!→ Continue Reading Full Post ←
Yes the BMPCC 4k looks like a DSLR crossed with a late 1990s digital camera but it’s insides are not only powerful but could also mean that you can essentially afford two units of this camera instead of a Panasonic GH5s for example and get similar quality with the added ability to shoot RAW and power an XLR microphone directly from the camera with phantom power. Bang for your buck!
As for fast frame rates the camera can shoot 4k 60fps & 120fps 1080p in full RAW or Apple ProRes codec options. We sure wished the camera could shoot 240fps in full HD and 120fps in 4k even while time limited. It would have placed the camera in a much better position on our list due to its $1,295.00 USD price tag which is really the best value for money in a camera today. Well for September 3rd which is the actual ship date which may or may not derail your purchasing plans.→ Continue Reading Full Post ←
There is an aura over the Panasonic GH5s that has not been seen in a m43 camera possibly ever. It is mainly due to the outstanding low light quality in 4k 24, 30p and 60p that beats full frame cameras like the Canon 5D Mark IV and competes head to head until ISO 25,600 with the king of low light the Sony a7s Mark II. But as always, our focus is on the high frame rates which the camera also does quite good on.
The 4k 60fps quality is very close to the 30p quality which means excellent and you can shoot at 60p at night without worrying about noise. The 240fps mode which is a first for a Lumix camera in full HD means that the camera aims to compete with Sony RX series cameras that have stacked sensors. We believe the quality to be acceptable but not good enough to be broadcast quality as stair stepping jaggies are all over the frame with the occasional moire pattern on fine detail that can break a shot.→ Continue Reading Full Post ←
The Z Cam E1 which delivered excellent quality 4k footage from a tiny package and was able to do 720p 240fps frame rates “at less than ideal quality”, however, a new Rumor from 4/3 Rumors here shows a Twitter message that hints at a new Z E2 m4/3 camera that is able to do 120fps at full 4k resolution. If this turns out to be true it could yield further performance improvements in 1080p and 720p along with higher quality that could be usable.
As far as linear specs go a 120p 4k pipeline could in theory yield 480fps 1080p and 960/1000fps 720p without going out of spec. As we have come to know over the years, however, it is usually wrong to extrapolate these specs to the maximum possible metric as the sensor or memory could be bottlenecks that limit the performance. So this rumor could have some legs to it and NAB 2018 could be the show that makes 4k 120p a regular feature for cameras.→ Continue Reading Full Post ←
Kinefinity the company behind the pretty capable and high-quality Terra cinema camera has announced in preparation for NAB 2018 the new MAVO 6k cinema camera in s35 and Large Format sensor options in the LF version. Along with the new body design and expansion options the camera will include ProRes 422HQ, ProRes 444 & ProRes 444XQ recording.
Kinefinity also has a RAW format “.KRW” and this has been updated to version 2.0 to support the new camera. This is akin to REDCODE RAW as the .KRW format can compress in RAW anywhere from 2:1 best quality lossless to 10:1 with more quality loss while maintaining the benefits of RAW like dynamic range, white balance, and higher bit-depth color. It also offers the possibility to record on cinema-DNG format In-Camera at 3:1, 5:1 and 7:1 compression. The camera has several high frame rate formats depending on crop resolution.→ Continue Reading Full Post ←