The Sony RX100 VII or also known as the RX100M7 is the latest in the stacked 1″ CMOS sensor line from the company in what amounts to another evolutionary incremental step without a real revolution. New is the impressive real-time AF technology from the Sony a9 professional camera now miniaturized into this pocketable beast with up to 20fps at full resolution and up to 90fps in high burst mode but for only 7 shots which is kind of a letdown as it is very limited.
The HFR mode in previous RX series cameras have been one of our favorites among the cameras released in the past few years by including truly usable 240p, 480/500p, and 960/1000p depending on NTSC or PAL mode selection with also the ability to trigger a pre and post record time to not miss the moment. This ability is akin to what a real dedicated serious slow motion camera can deliver. The problem is that the RX cameras are severely time-limited at 4 seconds quality priority time and or 7 seconds in shoot time priority.→ Continue Reading Full Post ←
The OPPO Reno 10x is getting a lot of attention due to the inclusion of a supposed 10x optical telescoping lens which uses a prism and a series of stabilized lens elements to create the first built in telephoto option on a camera phone. In testing, this turns out to be about a real 5x optical lens with very clever processing to generate even higher software magnification. However, you will be sad to know that the 10X version of the phone does not shoot Super Slow Motion.
The Regular OPPO Reno which is cheaper and lacks the 10X camera does shoot up to 1080p 240fps which is not class leading and there are as of this time no samples to speak of. We believe this phone uses slow motion as an after-thought spec and focuses more on the stills and 4k 60p video mode only on the 10x version which are a higher selling point. We still believe the OPPO Reno is a worthy phone for anyone wanting cutting edge optics on a phone but not as a slow motion contender.→ Continue Reading Full Post ←
The Z Cam E2 has finally started shipping and is now available for direct order at their site. The camera caught our attention for its low price of just $1999 and the high frame rate features of 240fps 1080p and 120fps 4k. It seems to be using the same 4/3 sensor as the great Panasonic GH5s but with extended features.
The camera company ZCam has also released some samples in a variety of scenarios so you can see what the camera is capable of. At first inspection, it is clear this camera is a clear step up from the Z Cam E1 which had some image quality issues. The E2 seems to go out of the box ready to produce class-leading imagery and offer some very nice high frame rate action. There are also some rumored comments that suggest the team is testing 300fps at 720p as an added bonus for future software.→ Continue Reading Full Post ←
The Sony RX100 VI camera has not reached the reviewers yet for a full in-depth look but the early press shoots did gather some slow-motion footage which shows the camera in action. We also got a final word from a good source that the camera has the exact same HFR resolution and timing features as the RX100 V which means there is no improvement in the quality of the image when shooting higher frame rates.
In fact, you may even get lesser quality footage due to the lens being now an 8x f2.8 to f4.5 lens 24-200mm (35mm Equivalent) which is much slower and by optical standards, it should trail the 2.91x f/1.8-2.8 Lens 24-70mm (35mm Equivalent) of the RX100 V. So you get a $250 price increase for a better AF system, better color in video, a better tilt screen which is now full touch and the ability to zoom 8x. If those things are important to you then the extra money may be worth it.→ Continue Reading Full Post ←
So nearly two years after the excellent RX100 V by Sony was released, which won on our recommendation for slow-motion camera on a budget for both 2016 and 2017, the new RX100 VI or the sixth iteration of this specific camera line has been announced. It keeps the same body size but out goes the fast f1.8-f2.4 lens of old which was surprisingly good for a now average f2.4 to f4.5 24-200mm equivalent or 8x optical zoom which is great as a do it all range. Many are not thrilled but we will have to see if the sensor advancements, the new 4 stop stabilization, and noise suppression works well enough to keep it an acceptable low light option.
Our main interest in these cameras lies in the fact that HFR mode or (High Frame Rate) has been a key selling point since the cameras first appeared. The RX 100 V improved resolution and recording time and we are glad to see that the new RX 100 VI maintains those specs. We estimate it will at least be the same 7sec in Shoot Time Priority and 4 seconds in Quality Priority.→ Continue Reading Full Post ←
The new v2.02 firmware update for the Panasonic EVA1 includes improved bit rates at a variety of frame rates like: 2k- 422-Intra Frame Recording 200M/100M Max 120fps (equivalent to 400Mbps) Which may improve slow-motion quality considerably by allowing more data to be saved instead of scrapped.
For digital recorder owners, there is a lot to be excited about as the camera will now output RAW data at: 5.7K/30p Full sensor, 4K/60p Crop , 2K/240p Sensor Crop. Since the 240fps mode saved internally exhibited very severe aliasing, moire and line skipping; the fact that RAW is now a possibility should bring the camera’s capabilities up a notch and deliver excellent slow-motion quality. We hope to have some samples of the RAW recording on the EVA1 in a future update.→ Continue Reading Full Post ←