Tag Archives: Slo-mo

Slow Motion Watch May 2018!

Slow Motion Watch May 2018

There have been some jaw-dropping slow-motion videos produced so far in  2018 and we want to showcase a small but excellent sample of them in Slow Motion Video Watch. Thank you to our readers for many of these submissions, we really appreciate your help in finding much of this footage as the sheer amount of quality material produced would make it much harder to select the good ones.

We have some incredible magnet work, weapons, military artillery, hockey, gymnastics and also the recent royal wedding in full display. It is also encouraging to see the widespread adoption of slow motion in phones as handsets like the Galaxy S9 & Xperia XZ2 start to inundate the video sites with user samples. It goes to show that good planning and a well-executed shot is possible even with time restrictions and limited hardware. Send us your samples or finds on our contact page! → Continue Reading Full Post ←

Lumix TS7 First Rugged Cam Viewfinder Does 120fps!

Lumix TS7

The Lumix TS7 by Panasonic “TS7 in the US, Canada,  FT7 outside of North America” is a well-rounded package when it comes to pricing and features.  It is a 4k 30/25/24 ready camera and it can go underwater 31 Meters or 102ft plus all the cool ruggedized features you might expect on a camera of this kind like being crush-proof up to 220lbs/100kg and freezeproof down to  -10 °C / +14 °F.  It is a real alternative to smaller action cameras like the GoPro, Xiaomi Yi 4k+ and Sony Action Cam series.

The lens is a 28–128 mm 35mm equivalent 4.6x zoom range which is quite sharp across the range as we have seen from samples. The main issue with this camera is the small 1/2.3″ BSI sensor and the fact that it packs 20MP or a resolution of 5184 x 3888px which is a little too cramped to be ideal for low light or in our view underwater performance without added bright artificial lighting.  ISO goes from a low of 80 to a high of 6400 which probably is already pushing it too much.  This camera would have been a better bet with a 10 or 12MP BSI sensor to maintain some edge in low light for the competition.  → Continue Reading Full Post ←

Chronos 1.4 Software V0.3 RC1 Released for Testing!

Chronos 1.4 Software V0.3 RC1

The Chronos 1.4c Team has been ramping up software releases with the latest v0.3 RC1 being dropped just a few hours ago.  Be aware that this is not mission critical stable software so only use on your own testing and not for recording once in a lifetime events.  The big fixes are in the color pipeline and how the camera handles pixel color especially red tones which were a little pinkish in previous software releases. It seems the entire color acquisition pipeline has received an overhaul. This should improve the color rendition on all objects plus the added benefit of less tweaking in post.

There are also several UI improvements like the ability to clear some warnings, move the button layout pane around the main interface screen and the ability to auto-save clips after shooting.   HSC will be testing the new software and report back when we get some new images.  We are preparing a color test to see before and after the software update and how much color has improved with the release. → Continue Reading Full Post ←

fps4000 Camera Available for Rent in the UK!

fps4000 Camera

The fps1000, fps2000 and fps4000 projects are alive and well and are progressing forward with a unified hardware base. We are not able to share information the current state of the project other than it is advancing to a ready to ship point in the future to all outstanding backers. The fps4000 camera is able to be rented now in the United Kingdom at this website for £150.00 pounds a day plus VAT & Insurance.

We are awaiting a 4k version of this camera in the future and the current fps4000 looks to be evolving to include a Sony Infolithium standard battery which also looks like a grip of sorts.   You are able to rent it with a micro 4/3 mount or a Canon EF if needed. Some may point out that if its available for rent it should be ready to ship but these cameras are engineering non-mass production samples that are still evolving. The rental house also helps the project by testing and finding issues with the camera with the help of production users, that can be corrected before final production. → Continue Reading Full Post ←

Panasonic EVA1 Firmware Update 2.02 Frame Rate Improvements!

Panasonic EVA1 Firmware 2.02

The new v2.02 firmware update for the Panasonic EVA1 includes improved bit rates at a variety of frame rates like:    2k- 422-Intra Frame Recording 200M/100M Max 120fps (equivalent to 400Mbps) Which may improve slow-motion quality considerably by allowing more data to be saved instead of scrapped.

For digital recorder owners, there is a lot to be excited about as the camera will now output RAW data at: 5.7K/30p Full sensor, 4K/60p Crop ,  2K/240p Sensor Crop.   Since the 240fps mode saved internally exhibited very severe aliasing, moire and line skipping; the fact that RAW is now a possibility should bring the camera’s capabilities up a notch and deliver excellent slow-motion quality. We hope to have some samples of the RAW recording on the EVA1 in a  future update. → Continue Reading Full Post ←

Z E2 Camera Rumor of 4k 120fps!

Z E2 Camera

The Z Cam E1 which delivered excellent quality 4k footage from a tiny package and was able to do 720p 240fps frame rates “at less than ideal quality”, however,  a new Rumor from 4/3 Rumors here shows a Twitter message that hints at a new Z E2 m4/3 camera that is able to do 120fps at full 4k resolution.  If this turns out to be true it could yield further performance improvements in 1080p and 720p along with higher quality that could be usable.

As far as linear specs go a 120p 4k pipeline could in theory yield 480fps 1080p and 960/1000fps 720p without going out of spec. As we have come to know over the years, however, it is usually wrong to extrapolate these specs to the maximum possible metric as the sensor or memory could be bottlenecks that limit the performance. So this rumor could have some legs to it and NAB 2018 could be the show that makes 4k 120p a regular feature for cameras. → Continue Reading Full Post ←