Samsung has released the Galaxy Note 10 and 10+ with even a 5G variant which was probably the most leaked phone of the year aside from the iPhone refresh coming next month. The phone has some beefed up specs and an impressive screen with a center cut upper camera punch-hole that love it or hate it is here to stay for now.
The video specs and photo specs look similar to the Galaxy S10 but with better color, dynamic range, lens elements and better overall video compression which looks very nice. The Galaxy S10 was no slouch in video mode but the Note 10 has the better compression and color processing that makes it a notch above. The slow motion spec remains the same as last year’s Note 9 and Galaxy S10 so Samsung is also stagnating in this respect.→ Continue Reading Full Post ←
We have a few developments to share in the high speed camera world. Things have been somewhat quiet in the phone front as the high speed component feature was relegated to a footnote in 2019 after a great 2017 and 2018 main spec treatment. We may get much better phone slow motion as memory size and speed increases while maintaining the same price range thanks to the fast pace of electronics development.
Sony just announced their latest RX VII camera which means that an RX10 and maybe a new RX VA version will show up before the year is over. We were not happy with the feature being stagnant in resolution and speed on the RX series for 3 years in a row now. Sure AF and overall speed have increased when it comes to other parts of the camera but the high frame rates remain frozen in 2016 specs. In the meantime, we have a few new things to show you.→ Continue Reading Full Post ←
The recently announced Octopus Cinema Camera with a modular sensor, mount, and other components could, in theory, become a customizable professional solution slow motion camera that is unencumbered by firm specs but by a fluid and upgradeable sensor and component path. The Axiom camera is also something akin to this but has yet to ship. The Octopus has in prototype form been fitted with a 4/3 sensor capable of up to 240fps in 2k RAW and a full-frame that allows 3k up to 100fps.
The body looks eerily similar to Phantom cameras with the white machined exterior with fans and ports protruding the body. While 240fps at 2k is not what we could call really professional slow motion, it is based on an open architecture in hardware and software that could window the sensor down and possibly offer more frame rates at 1080p and 720p for maybe a 480fps RAW capture in HD.→ Continue Reading Full Post ←
The newly released Canon G7 X III and G5 X II Powershot cameras are finally upping the stagnant slow motion features of these lines to a very 2014 spec of 120fps Full HD. Up to now Canon had capped the Full HD Performance at 60fps 1080p and a maximum of 120fps at 720p with a severe crop. There is no mention of a 240fps 720p spec which makes us believe that there is no 720p video option besides maybe a 30p mode.
Both cameras sport a 20.1MP 1″ inch Stacked CMOS sensor and DIGIC 8 Image Processor reminiscent of the Sony RX series. We estimate this might be the same Sony sensor employed but without the super slow motion capabilities of 480/500fps and 960/1000fps modes that have made that line of cameras a cut apart.→ Continue Reading Full Post ←
To better encapsulate the slow motion happenings of the web we are starting a new post type called Fraction/s as in “Fractions of a Second” that shows anything and everything related to slow motion that has happened recently. This is based on the fact that high speed imaging hardware releases have been stabilizing and slowing down compared to previous years. This way we can better cover anything small or large related to this craft.
Thanks to our readers who have submitted a lot of this information which sometimes escapes us. There is a lot of interest in slow motion related information but it is easy to get buried in the mountain of daily information. We hope that we cover many of these occurrences so you get to see them.→ Continue Reading Full Post ←
The Introduction of the DJI OSMO Action camera marks what many called the ultimate silver bullet to counter the GoPro Hero camera line. It is an evolutionary step that takes most of what made the GoPro Hero Black series amazing and even goes further by improving in areas where GoPro has fallen behind. The Stabilizer seems better as is the addition of a secondary selfie screen in order to frame yourself while recording.
It gets the usual frame rates of 120fps & 240fps 1080p full HD and the 4k 60fps spec. None of these are revolutionary or groundbreaking which means this is a version 1 product for DJI. Phones, for example, are already in the 960fps and 1000fps spec even when they are limited to fractions of a second. A Camera like the OSMO Action could have gotten a bit of this slow motion prowess and differentiate from GoPro even further but not this time around. We have a few samples of the higher frame rates for you too look at and see if it makes sense to acquire this camera instead of other options.→ Continue Reading Full Post ←