Tag Archives: sony vs panasonic

Lumix TS7 First Rugged Cam Viewfinder Does 120fps!

Lumix TS7

The Lumix TS7 by Panasonic “TS7 in the US, Canada,  FT7 outside of North America” is a well-rounded package when it comes to pricing and features.  It is a 4k 30/25/24 ready camera and it can go underwater 31 Meters or 102ft plus all the cool ruggedized features you might expect on a camera of this kind like being crush-proof up to 220lbs/100kg and freezeproof down to  -10 °C / +14 °F.  It is a real alternative to smaller action cameras like the GoPro, Xiaomi Yi 4k+ and Sony Action Cam series.

The lens is a 28–128 mm 35mm equivalent 4.6x zoom range which is quite sharp across the range as we have seen from samples. The main issue with this camera is the small 1/2.3″ BSI sensor and the fact that it packs 20MP or a resolution of 5184 x 3888px which is a little too cramped to be ideal for low light or in our view underwater performance without added bright artificial lighting.  ISO goes from a low of 80 to a high of 6400 which probably is already pushing it too much.  This camera would have been a better bet with a 10 or 12MP BSI sensor to maintain some edge in low light for the competition.  → Continue Reading Full Post ←

GH5s Slow Motion Quality is Inferior to GH5!

GH5s Slow Motion

As expected based on early comments of the slow motion mode on the GH5s, the camera has pronounced aliasing “seen in this video by Max Yuryev” and softness the higher the frame rate goes. Even at 120p it is less detailed than the standard GH5.  It may be a function of supersampling in the higher megapixel  20MP GH5 vs the 10.2MP GH5s which is creating the new artifacts.

While the GH5s can shoot up to 192fps without cropping the sensor, anything above that up to 240fps it has a slight sensor crop which further decreases quality.  While the VFR mode on the camera is better than most cameras in the price range that attempt the feat, it is of note that the quality instead of increasing or remaining the same as the sister model takes a hit which may kill it as an option for slow motion needs.  We still believe the standard GH5 is the best Lumix option even when compared to the G9 in VFR mode. → Continue Reading Full Post ←

Sony PXW-Z90V Footage Starts to Show!

Sony PXW-Z90V Footage

We were excited last September when Sony announced a trio of Palmcorders based on their latest 1″ stacked image sensor. The FDR-AX700, the HXR-NX80 and the PXW-Z90V share essentially the same sensor and lens along with other common features but differ when it comes to codec bit rates, broadcasting output like SDI out and or HDMI but what interests us is the HFR high frame rate mode.

The Sony RX100 and RX10 series share the same 1″ stacked CMOS sensor in their latest iterations to these cameras but with a new form factor that is aimed at more professional shooters, there is a lot of expectations to see if quality has improved in Slow Motion.   We have gone thru the manuals on the cameras and have not been able to find the exact resolution specs when recording HFR but we estimate they are identical to the latest RX10 IV all in one prosumer camera. → Continue Reading Full Post ←

Panasonic G9 vs GH5 for Video Compared!

Panasonic G9 vs GH5

Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot.  The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.

The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise.  The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots. → Continue Reading Full Post ←

Sony RX10 IV & AX700 Slow Mo Samples Surface!

Sony RX10 IV & AX700 Slow Mo Samples

There is a lot of interest on the new Sony RX10 IV and new Sony FDR-AX700,  HXR-NX80 and PXW-Z90V Palm 4k Cam-Corders.   We have found a couple of new sample videos showing these cameras in action with HFR high frame rate modes. We estimate all four cameras to have comparable image quality in HFR mode but depending on the price a better overall codec with more detail retention.

However the best value out of all of them could be the AX700 which costs about the same as the RX10 IV but in a more professional body with lots of control that the SLR form factor lacks.  Also for a paid job you may be inclined to go with the more professional looking body to avoid judgmental stares. → Continue Reading Full Post ←

Sony Palm 4k Camcorders Have 960fps!

Sony Palm 4k Camcorders

Sony has released three new Palm Sized 4k camcorders on the wake left by the RX10 IV all in one  1″ Sensor camera, these new cameras aim to produce professional results in 4k and with the use of broadcast features like 3G-SDI in the case of the Z90V allow for real time ENG and EFP production.

These cameras have the same  sensor and buffer mode as the RX10 IV camera but in a more traditional non SLR like form factor. The FDR-AX700 at the lower end of the range lacks a Proper microphone mount and XLR inputs with volume controls but they all share the same specs in lens 12x – and internal codecs aside from broadcast features.  This includes the HFR mode which seems to be identical to the RX10 IV offering 120fps continuous and up to 7 seconds of 240fps near full HD and reduced resolution 480fps and 960fps. → Continue Reading Full Post ←