Due to reader demand, we are posting new slow motion samples for the Galaxy S20 line. We see just slight improvements over the Galaxy S10 in terms of detail and color but since the phones are the new flagship for the defacto Android international brand, there is a lot of weight in what it can do when it comes to the video mode. There is no secret that Samsung has stagnated in slow motion since the Galaxy S8 and the S20 is an evolutionary step with better reproduction and more intelligent capture but not really groundbreaking.
There is no increase in frame rates above 960fps at 720p and the resolution is not even true 720p as it is jagged and stair-stepped in detailed shots. We kind of see it as a 480p mode upsized to 720p. We do gain a 1 full second record time instead of 0.4sec on the S10 which is a big improvement even when the resolution is still kind of identical. It would have been great if Samsung could have done a solid and created a true 960fps 1080p Full HD Mode. We will have to wait for another crack at it on a future phone.→ Continue Reading Full Post ←
We were very skeptical earlier in the year when the R5 specs were just a rumor. Canon has not really been delivering powerful video features out of their Cinema line and we expected this new camera to be a crippled continuation of the trend. We were not only wrong but now know that Canon is banking the future of the EOS line on cameras like the R5 with features that really put it in a class all by itself.
The original video darling was the EOS 5D Mark II which made it possible to use the EOS line of lenses with a video mode that delivered good enough quality for the web and some careful productions. The camera had issues like severe rolling shutter and a tendency to moire and alias so bad that many shots were really ruined. However, the excellent Canon color quality and lens choices made it so popular that it really forced companies to change the video options forever. Now Canon intends to do as big a splash with the introduction of 8k video internally on the new camera.→ Continue Reading Full Post ←
With all the COVID 19/Coronavirus news it seems out of place to fret over smartphone maker decisions. However, we have to mention the latest Sony smartphones which prioritize photo and video quality with one gigantic omission. All of the new lineup from Sony the Xperia 1 II, Xperia 10 II, and Xperia PRO 5G lack super slow motion features. Yes, the 960fps 1080p mode is gone and the only spec remaining is a paltry 120fps 1080p Full HD pseudo-slow-mo frame rate.
If you recall in years past, the Sony brand was incorporating their Motion eye™ technology which pairs a sensor with ultra-fast memory on the same package to allow for large datarates and super slow motion capture. In the lab, the phones were able to shoot up to 1000fps at full 1080p HD with excellent quality. What came out in the Xperia phones was a somewhat odd translation of 0.1 seconds recording time at 1080p 960fps/1000fps which came out to be extremely short and a kind of useless feature. Now that has been abandoned.→ Continue Reading Full Post ←
The recently announced Galaxy S20 phone line has been making some waves with impressive specs especially related to the camera modules. As always we are only interested here in the high speed video specs here at HSC “not even the new 8k video spec” and the new phones are an improvement over the S10 and Note 10 lines. However, it is important to note that not all S20s will share the same slow motion specs and that is what this post is about.
You may think that the S20 Ultra 5G will be the easy choice here but it is hardly as straight forward as that. The amount of technology packed in the Ultra phone along with four camera modules and one of them at over 100MP means they prioritized photo resolution over video shooting in their sensor selection. The Ultra will not natively support the 960fps spec but default to only 480fps.→ Continue Reading Full Post ←
The Nissan GT-R continues to be unmatched in the high-end sports car world by offering a performance way above its price range. For the new NISMO GT-R 2020 they needed to film the car at full performance. After looking for solutions in the market it was immediately apparent that they needed a car with a rig system that could keep up with the new supercar.
As it turns out the only solution would be to build a custom GT-R with expert and Drifting world champion Mauro Calo, with camera rigs normally used in big Hollywood productions as you have seen in the Fast and the Furious series. Nissan decided to paint the car Matte black so it would not reflect on the other car’s paint and or create unwanted flares on camera lenses. The result is the best performing camera rig car ever made. It is capable of carrying a fully rigged camera system including but not limited to ARRI Alexa, RED Dragon, Sony Venice, Panasonic Varicam or high-speed solutions like the Vision Research Phantom Flex 4k.→ Continue Reading Full Post ←
Quite a few of our readers have asked for HSC to comment on the rumors of a Canon R5 Mirrorless camera that according to unsubstantiated information claims 120fps at 4k and 8k at 30p. The R5 may be the modern non-DSLR successor camera to the EOS 5D Mark IV and could become a major release for the company for this decade. As rumors go we can probably believe some of it but we have to be skeptical on the full specs because Canon has not shown the willingness to push the envelope as far for many years and has calmy let Panasonic and Sony take the firsts spots on video features.
We would love to see Canon go ahead and push the envelope with amazing video features that can revive the platform for serious video production the same way the 5D Mark II did back in 2008 when it took the video world by storm and made it possible to shoot quality video that looked a lot like the 5D still images that have dominated certain segments of still imagery business like weddings.→ Continue Reading Full Post ←