Now that Apple’s latest and greatest phone the iPhone 11 and 11 Pro Max have been out in the wild for a few weeks, it is time to revisit the performance of the slow motion video mode of this all-encompassing handset. The iPhone has always been a good slow mo performer but the new cameras and bigger lenses with more advanced processing gave us high hopes for increases in video quality and fewer artifacts.
The slow motion quality should be better across both the 11 and 11 Max since they share essentially the same system of optics and bionic chip. Quality must be identical except for the two or three camera configurations. One thing that separates the iPhone is that you can shoot slow motion in all cameras and not just in the standard wide like Samsung or other Android phones. This is one thing Apple wins in spades and we hope to see other manufacturers adopt as standard.→ Continue Reading Full Post ←
Ok let’s get the bad news out of the way which is that the iPhone 11 and 11 Pro all have essentially the same 120fps and 240fps of the previous iPhones on their main cameras which depending on the phone is two or three. All at 12MP and all capable of 4k UHD at 60fps and all slow motion capable at 120p and 240p at 1080p. So no new frame rates but a consistent capture across all cameras which seems unique compared to the competition.
The real new thing is the availability of 120fps at 1080p in the TrueDepth or Selfie front camera which allows for “Slofies” as Apple calls them. It would have been more impressive to have the full 240fps on the selfie camera too but they will save it for a future model. 120p is good and lets you shoot funny and compelling content. It is probably the best looking selfie camera image we have seen yet so Apple has an easy head start there.→ Continue Reading Full Post ←
The Introduction of the DJI OSMO Action camera marks what many called the ultimate silver bullet to counter the GoPro Hero camera line. It is an evolutionary step that takes most of what made the GoPro Hero Black series amazing and even goes further by improving in areas where GoPro has fallen behind. The Stabilizer seems better as is the addition of a secondary selfie screen in order to frame yourself while recording.
It gets the usual frame rates of 120fps & 240fps 1080p full HD and the 4k 60fps spec. None of these are revolutionary or groundbreaking which means this is a version 1 product for DJI. Phones, for example, are already in the 960fps and 1000fps spec even when they are limited to fractions of a second. A Camera like the OSMO Action could have gotten a bit of this slow motion prowess and differentiate from GoPro even further but not this time around. We have a few samples of the higher frame rates for you too look at and see if it makes sense to acquire this camera instead of other options.→ Continue Reading Full Post ←
Let us start by saying that we are huge fans of the Lumix line by Panasonic and their cameras in general. The GH5 is still a powerhouse of a camera for serious video work and the 180fps FUll HD slow motion is better than many others before or since at that frame rate while at 120fps is as good as the best Sonys out there. However, the recently announced Lumix G95 drops the ball in several fronts when it comes to really good video performance which has become a trademark for Panasonic.
The G95 has all the looks and character of a great hybrid camera but has a crippled video mode that may put off many buyers looking for the perfect intermediate camera. The 4k, for example, has a 1.25x crop on top of the nearly 2x crop of the micro 4/3 sensor. Making it a little larger than the area of a 1″ sensor. This will sacrifice video quality in the lack of supersampling and low light will suffer from the added megapixels.→ Continue Reading Full Post ←
Now that the Galaxy S10 has been shipping to customers for a couple of weeks we can now see a plethora of video samples showing the 240fps 1080p, 960fps 720p and 4k 60p high frame rate modes. We can clearly see a better compression on the new S10 samples compared to the Galaxy S9 in all modes. There is still some aliasing and moire but it is very well controlled.
Noise doesn’t become a problem unless it is very dark which means the Samsung noise reduction is doing an incredible job. It is maybe too clean as some detail seems to be flattened out to control for artifacts. All the Galaxy S10 variants shoot the same quality slow motion in the main camera module so if you want to only get the S10e for it’s lower price of $749 you get to keep the high-speed feature intact.→ Continue Reading Full Post ←
Blackmagic Design has been working behind the scenes to deliver yet one more professional camera solution that at $5,995 for up to 300fps in RAW recording at 1080p and 2k in windowed mode; makes it possible to have flawless image quality without breaking the bank. New Super 35mm sensor with 15 stops dynamic range with the ability to shoot at 120fps 4.6k full sensor RAW and 150fps at 4k UHD and DCI 4k makes it possible to really deliver on the slow motion promise for quality projects.
If you need more the 300fps 1080p and or 2k recording in the cropped windowed sensor should help you get that extra edge. It also records in Blackmagic RAW and delivers flawless looking 1:1 pixel footage with no aliasing or moire due to throwing away information. This camera has the capacity to really up your video game with these frame rate options.→ Continue Reading Full Post ←