The Youtube channel CRFTSHO has created a guessing video game that pits the Panasonic GH5 vs the RED EPIC Camera in a slow motion 1080p match. The fun is that even for the trained eye there is no easy way to tell which camera is actually on screen playing until you get the revelation footage which is the 2nd part of the game.
What is interesting about the results is that the RED Epic a camera worth over 10 times more than the Panasonic Lumix GH5 is almost indistinguishable and in some shots the cheaper camera is preferable in sharpness and detail. It probably has to do with the GH5 doing full sensor downsampling up to 120fps at 1080p vs the RED doing sensor windowed mode.
There has been a lack of big camera announcements at NAB 2017, with more and more saturation and less camera replacement by TV studios and Filmmakers there is talk of good enough gear already purchased for 4k and 2k/1080p production. The Alexa, RED, Sony F55 and Varicam LT cameras released in the last few years already exceeds most delivery methods in quality and completely obliterates the compressed cable delivery streams for hove TVs.
However manufacturers like Sony & Panasonic have released information about new firmware updates that will improve high frame rate recording on some of their cameras as free updates. This in turn makes for a practical camera line refresh that gives more longevity to the existing hardware while permitting more high speed latitude to current owners.
Video ramping is not new, it is actually been here for quite a few years in cameras and widely accessible in modern video editors. The problem is that it is still a hard thing to do properly. You either get choppy results, artifacts or pretty amazing ones by chance or by sheer trial and error and are not easily repeatable. This is where Speedramp by Prolost.com comes in!
After effects has had Time Remapping for a few years in the CS releases including Premiere Pro; but as with almost any built in feature in software it is hardly polished as well as it could be. Speedramp builds on top of the Adobe Time Remapping by incorporating a simple to use workflow that is capable of being tweaked and altered by simple parameters until you get the desired effect.
Panasonic has released the specs of a new smaller version of their Varicam professional video camera with an S35mm sensor. The Varicam LT is the low cost version of the Varicam 35 which has higher end specs at a significantly higher price. The Varicam 35 has a 4k mode that allows up to 120fps at full 4k resolution while the Varicam LT has less power at a maximum of 4k 60fps.
The LT is mostly identical after that 4k downgrade in the rest of it’s capabilities with dual native ISO of 800 ISO and 5000 ISO for extremely clean image quality at those native ISOs. The Sensor itself is built for those opportunities that need higher sensitivity but also allow to shoot at reduced sensitivity for bright conditions. This is great news for the use of the high frame rate feature. The inclusion of EF mount and PL signify the seriousness of the product for an installed base of videographers and film makers with a growing arsenal of Canon and PL glass instead of Panasonic only lenses. They also state that EF lens compatibility will need to be tested and they will not support it directly.
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