Quite a few of our readers have asked for HSC to comment on the rumors of a Canon R5 Mirrorless camera that according to unsubstantiated information claims 120fps at 4k and 8k at 30p. The R5 may be the modern non-DSLR successor camera to the EOS 5D Mark IV and could become a major release for the company for this decade. As rumors go we can probably believe some of it but we have to be skeptical on the full specs because Canon has not shown the willingness to push the envelope as far for many years and has calmy let Panasonic and Sony take the firsts spots on video features.
We would love to see Canon go ahead and push the envelope with amazing video features that can revive the platform for serious video production the same way the 5D Mark II did back in 2008 when it took the video world by storm and made it possible to shoot quality video that looked a lot like the 5D still images that have dominated certain segments of still imagery business like weddings.→ Continue Reading Full Post ←
2020 is already becoming a very busy year for camera releases. The CES Show this past week had a bunch of announcements in the professional, amateur and aerial drone markets that shoot high frame rates. We will try to cover the most useful cameras in the coming weeks. We want to start with the Insta360 ONE R Modular camera from Chinese company Shenzhen Arashi Vision Co., Ltd. which is a very interesting product that de-couples the sensor module from the body so you can interchange the actual imaging hardware on the fly for specific shots/jobs.
The real gem for slow motion fans is the 4K version instead of the 360 and or the 1″ version which both max out at 120fps 1080p instead of 200p. Many people will cry foul at the 200fps spec when GoPro and DJI do 240fps as do most slow motion capable smartphones but 200fps, if done well with the 100Mbps codec, could be a real diamond in the rough for your arsenal in action cameras.→ Continue Reading Full Post ←
Now that Apple’s latest and greatest phone the iPhone 11 and 11 Pro Max have been out in the wild for a few weeks, it is time to revisit the performance of the slow motion video mode of this all-encompassing handset. The iPhone has always been a good slow mo performer but the new cameras and bigger lenses with more advanced processing gave us high hopes for increases in video quality and fewer artifacts.
The slow motion quality should be better across both the 11 and 11 Max since they share essentially the same system of optics and bionic chip. Quality must be identical except for the two or three camera configurations. One thing that separates the iPhone is that you can shoot slow motion in all cameras and not just in the standard wide like Samsung or other Android phones. This is one thing Apple wins in spades and we hope to see other manufacturers adopt as standard.→ Continue Reading Full Post ←
Ok let’s get the bad news out of the way which is that the iPhone 11 and 11 Pro all have essentially the same 120fps and 240fps of the previous iPhones on their main cameras which depending on the phone is two or three. All at 12MP and all capable of 4k UHD at 60fps and all slow motion capable at 120p and 240p at 1080p. So no new frame rates but a consistent capture across all cameras which seems unique compared to the competition.
The real new thing is the availability of 120fps at 1080p in the TrueDepth or Selfie front camera which allows for “Slofies” as Apple calls them. It would have been more impressive to have the full 240fps on the selfie camera too but they will save it for a future model. 120p is good and lets you shoot funny and compelling content. It is probably the best looking selfie camera image we have seen yet so Apple has an easy head start there.→ Continue Reading Full Post ←
Let us start by saying that we are huge fans of the Lumix line by Panasonic and their cameras in general. The GH5 is still a powerhouse of a camera for serious video work and the 180fps FUll HD slow motion is better than many others before or since at that frame rate while at 120fps is as good as the best Sonys out there. However, the recently announced Lumix G95 drops the ball in several fronts when it comes to really good video performance which has become a trademark for Panasonic.
The G95 has all the looks and character of a great hybrid camera but has a crippled video mode that may put off many buyers looking for the perfect intermediate camera. The 4k, for example, has a 1.25x crop on top of the nearly 2x crop of the micro 4/3 sensor. Making it a little larger than the area of a 1″ sensor. This will sacrifice video quality in the lack of supersampling and low light will suffer from the added megapixels.→ Continue Reading Full Post ←
Now that the Galaxy S10 has been shipping to customers for a couple of weeks we can now see a plethora of video samples showing the 240fps 1080p, 960fps 720p and 4k 60p high frame rate modes. We can clearly see a better compression on the new S10 samples compared to the Galaxy S9 in all modes. There is still some aliasing and moire but it is very well controlled.
Noise doesn’t become a problem unless it is very dark which means the Samsung noise reduction is doing an incredible job. It is maybe too clean as some detail seems to be flattened out to control for artifacts. All the Galaxy S10 variants shoot the same quality slow motion in the main camera module so if you want to only get the S10e for it’s lower price of $749 you get to keep the high-speed feature intact.→ Continue Reading Full Post ←