Tag Archives: vs

Nikon Z7 and Z6 Mirrorless Have 120fps Slow Motion!

Nikon Z7 and Z6 Mirrorless

The slumbering Nikon has awakened to the mirrorless present and future and has shown their cards in a very strong but not class-leading mirrorless product line.  The Nikon Z7 & Z6 are nearly identical bodies with changes in the sensor and AF. The more expensive and higher resolution Z7 screams pixels with a 45.7MP Full Frame sensor  ISO 64–25600 range which should be a direct replacement for D850 users. The other Z6 is a better low light camera geared more at wedding shooters and videographers at 24.5MP which should produce outstanding low light  ISO 50–204800 with ISO expansion.

There is a lot to like in these cameras like a real 5 axis (5 Stop) IBIS stabilizer on the full frame sensor which also works on adapted lenses and works with Nikkor VR lenses from DSLR cameras to increase the 3 stops to a real 5 stops hybrid stabilization feature. The video modes offer 4k at 24, 25 and 30p which is so 2014 as is the 120fps full HD 1080p slow motion mode.  AF also changes between models at 493 points on the Z7 and 273 on the Z6. → Continue Reading Full Post ←

FUJIFILM X-T2 vs X-H1 Slow Motion Quality Comparison by CVP!

The FUJIFILM X-H1 which offers 120fps 1080p slow motion was a worthwhile effort to offer high frame rates that are usable to their video-centric base. It still was not as good as the Sony or Panasonic slow motion options due to aliasing, moire, and noise but with a little post work, it could be used with success in an edited piece.  FUJI then with a firmware update for their stills flagship the X-T2 allowed the camera to now shoot the same 120fps 1080p slow motion which makes sense considering they use the same sensor on both cameras.

The camera site CVP has done a full comparison review here which pits the X-H1 against the X-T2 to see which camera strengths are ahead on each body and if it makes sense for X-T2 owners who are invested in a FUJI lens system to upgrade.  Their findings are interesting and as far as slow motion it is clear that while they use most of the same imaging pipeline; the X-H1 has the edge with less crop, less aliasing, and better artifact suppression when using the 120fps slow motion mode. → Continue Reading Full Post ←

Panasonic G9 vs GH5 for Video Compared!

Panasonic G9 vs GH5

Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot.  The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.

The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise.  The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots. → Continue Reading Full Post ←

Slow Motion Shoot Out By EOSHD!

Slow Motion Shoot Out EOSHD

Andrew Reid the filmmaker and video editor that runs the EOSHD camera/video blog has made a very good test comparing most of the current mirrorless and DSLR cameras that shoot high frame rates at 120fps.  This is not only a hard test to do because you need all of the gear but you also have to analyze the results based on per pixel quality, detail retention, dynamic range, and color information.

The test footage is easy to follow and will really help you in deciding which camera is better in slow motion. The results help level the playing field between these cameras and lets you compare the performance vs price.  We wish the test included the new Sony a9 Mirrorless camera which we know delivers superb image quality at 120fps. → Continue Reading Full Post ←

Panasonic GH5 vs Red Epic Slow Motion!

Panasonic GH5 vs Red Epic Slow Motion

The Youtube channel CRFTSHO has created a guessing video game that pits the Panasonic GH5 vs the RED EPIC Camera in a slow motion 1080p match.  The fun is that even for the trained eye there is no easy way to tell which camera is actually on screen playing until you get the revelation footage which is the 2nd part of the game.

What is interesting about the results is that the RED Epic a camera worth over 10 times more than the Panasonic Lumix GH5 is almost indistinguishable and in some shots the cheaper camera is preferable in sharpness and detail.  It probably has to do with the GH5 doing full sensor downsampling up to 120fps at 1080p vs the RED doing sensor windowed mode. → Continue Reading Full Post ←

GoPro Hero 6 What will it Take?

GoPro Hero 6

It is no secret that GoPro had a pretty bad 2016 in terms of sales performance and the Karma Gate battery off incident. The company is loosing money but still shows signs of life. In the 4th quarter of 2016 GoPro was profitable on a non-GAAP basis with income of $42 million.  With the stock closing price today of $8.90, a far cry from the nearly $90 it was worth in October 2014, there needs to be a change of epic proportions if the company is expected to remain viable.

There are threats from new technologies like AR, VR and Snapchat Glasses among others that threaten to impede the company going forward. How can a camera company evolve overnight to survive in such a market.  We believe the answer is by innovating it’s way out of the whirlpool that it finds itself in. → Continue Reading Full Post ←