Tag Archives: vs

Panasonic G9 vs GH5 for Video Compared!

Panasonic G9 vs GH5

Panasonic seems to be doing a lot of things right lately with their fantastic GH5 with 10 bit recording and 4k 60p for the first time in a mirrorless camera and of course the 180fps Full HD slow motion to boot.  The just-announced Lumix G9 is a monster of a camera in its own right but Panasonic is right to segment it as a Stills first and video second machine.

The GH5 is the best video-centric portable camera in recent memory and the aim with the G9 is to go after the Sony a9 which is arguably the best stills camera ever conceived performance wise.  The G9 is capable of shooting 60 RAW images in a single burst per second and while the buffer is only 50 RAWs worth; it becomes easily renewed thanks to dual card slots. → Continue Reading Full Post ←

Slow Motion Shoot Out By EOSHD!

Slow Motion Shoot Out EOSHD

Andrew Reid the filmmaker and video editor that runs the EOSHD camera/video blog has made a very good test comparing most of the current mirrorless and DSLR cameras that shoot high frame rates at 120fps.  This is not only a hard test to do because you need all of the gear but you also have to analyze the results based on per pixel quality, detail retention, dynamic range, and color information.

The test footage is easy to follow and will really help you in deciding which camera is better in slow motion. The results help level the playing field between these cameras and lets you compare the performance vs price.  We wish the test included the new Sony a9 Mirrorless camera which we know delivers superb image quality at 120fps. → Continue Reading Full Post ←

Panasonic GH5 vs Red Epic Slow Motion!

Panasonic GH5 vs Red Epic Slow Motion

The Youtube channel CRFTSHO has created a guessing video game that pits the Panasonic GH5 vs the RED EPIC Camera in a slow motion 1080p match.  The fun is that even for the trained eye there is no easy way to tell which camera is actually on screen playing until you get the revelation footage which is the 2nd part of the game.

What is interesting about the results is that the RED Epic a camera worth over 10 times more than the Panasonic Lumix GH5 is almost indistinguishable and in some shots the cheaper camera is preferable in sharpness and detail.  It probably has to do with the GH5 doing full sensor downsampling up to 120fps at 1080p vs the RED doing sensor windowed mode. → Continue Reading Full Post ←

GoPro Hero 6 What will it Take?

GoPro Hero 6

It is no secret that GoPro had a pretty bad 2016 in terms of sales performance and the Karma Gate battery off incident. The company is loosing money but still shows signs of life. In the 4th quarter of 2016 GoPro was profitable on a non-GAAP basis with income of $42 million.  With the stock closing price today of $8.90, a far cry from the nearly $90 it was worth in October 2014, there needs to be a change of epic proportions if the company is expected to remain viable.

There are threats from new technologies like AR, VR and Snapchat Glasses among others that threaten to impede the company going forward. How can a camera company evolve overnight to survive in such a market.  We believe the answer is by innovating it’s way out of the whirlpool that it finds itself in. → Continue Reading Full Post ←

Sony FS7 Mark II Slow Motion Stays at 180fps!

Sony FS7 Mark II

In what could be condensed into a mild refresh at best; the newly released Sony FS7 Mark II Super 35mm 4k Camera does little to entice owners of the Sony FS7 to upgrade. It seems to be a way to replace the camera and entice new buyers without actually offering anything really revolutionary.

To be fair there are a few improvements like the E Mount now has a PL like locking mechanism for easier lens detachment without twisting. This is ideal for lenses with filters and matte box attached. Also the integrated electronic Variable ND brings it in line with other cameras that offer this compelling option to avoid ND filters altogether while setting the camera for 1/180º shutter. Added also is BT.2020 color space for UHD recording at 10 and 12 bits, 10 assignable buttons vs 6 in the Mark 1 and a few new LEDs and ergonomic fixes from user feedback on the Mark 1. → Continue Reading Full Post ←

DJI Mavic Pro vs GoPro Karma Slowmo!

DJI Mavic Pro vs GoPro Karma

There has been extreme excitement over the last month for both the GoPro Karma Drone and the DJI Mavic Pro being the first truly portable and collapsible drones that offer professional features and a quality camera. However when we focus on the video quality it is clear that by several measures the Mavic Pro seems to be a step down compared to the DJI Phantom 4 and here lies the main issue between these two competing platforms.

GoPro has not been a quality champ ever since the DJI Phantom 3 came out. The Hero Camera with much more wide angle distortion and less sharpness was a letdown by being pretty much the same since the last refresh of the GoPro Hero 3+ several years ago. The GoPro way has been footprint reduction and feature addition instead of image quality hikes. → Continue Reading Full Post ←