Now that Panasonic has officially announced the Lumix S5 Full frame camera which we saw as a direct replacement for the GH5 line even when now it seems a GH6 may be in the cards for a future release, it is now time to examine the slow motion modes on the camera to see if they stand a chance at becoming a feature which will be a seller for the new device or just one more feature.
When the GH5 was announced about 3 years ago it came with a 180fps 1080p mode that was better than many camera’s 120fps modes and quickly became our favorite Lumix camera for slow motion as we noticed how the quality of the 240fps mode on the GH5s low light geared camera was heavily inferior in resolution. The GH5 really became the best value along with the G9 for 180fps slow-mo modes in Full HD.→ Continue Reading Full Post ←
The Lumix GH5 is still one of the best video powerhouse cameras ever produced. It doesn’t overheat, it shoots incredible 4k oversampled video at up to 60fps 4k or 180fps 1080p with near Full HD quality but it’s Achilles heel, the Micro 4/3ds sensor which is small and quite inferior in low light compared to Full Frame or even APS-C rivals. The GH5s is the low light lower megapixel version with dual Gain senor which is actually very clean in low light and can go toe to toe with the best out there but has no IBIS which is a big loss.
Now Panasonic is set to announce the Lumix S5 Full frame mirrorless camera which essentially migrates most GH5 features into a full-frame body with nearly the same introductory price of $1998 USD but improves 4k 60p with 4:2:2 color at 10-bit instead of 4:2:0 8 bit on the GH5. You get IBIS, and also the 180fps Full HD of other S L-mount cameras by Panasonic. It is still too early to tell what kind of quality the 1080p 180fps mode will be capable of but it does hold promise as the S1H and S1 do a pretty good job on these modes.→ Continue Reading Full Post ←
Believable slow motion video samples on Youtube for phones and cameras are so confusing nowadays that you simply cannot rely on them unless it comes from a reputable source. The avalanche of fakes is so big that it makes it next to impossible to find the real ones out there. It also makes it extremely hard to choose a slow motion capable phone when the supposed videos you are looking at are faked from other devices or even professional slow motion cameras.
There is also the big problem of stealing real quality slow motion footage from other channels and using it in compilations that claim to be from a phone or camera in order to get clicks and views for quick revenue. The problem goes even deeper when these fakes overtake most other real videos due to the viral nature of their compilations as they usually look much better than anything these cheap devices they claim to represent can do. We examine a few cases that can educate you on how to spot these fakes!→ Continue Reading Full Post ←
The great slow motion YouTube channel Warped Perception has created what will probably be the best new high-speed video of the decade. By marrying what looks to be a Vision Research Phantom Flex 4k with a Canon 600mm F4 L lens for a killer and expensive combination, they have been able to show things rarely seen in regular footage like stress on the fuselage and air dynamics impacting the aircraft as they cross paths. Congratulations to WP for creating such an awe-inspiring video!
The newly announced Sony a6400 is what the a6300 should have been almost two years ago. It is still missing a key feature that was introduced with the a6500 that of IBIS or Sensor Stabilization which works with any lens added to the system. However, if you remove the IBIS fail from the equation this is a killer camera for just $900 which in this day and age of $1000+ cellphones, it is quite a bargain for the body only.
We were amazed by the 120fps full HD quality of other sony alpha cameras like the a9 and the a7 III which fully track subjects while recording in super slow motion which really makes the feature stand out compared to other cameras which force you to go manual while on that mode. The codec quality has also been bumped in this camera for 120p to 100Mbps from 60Mbps on earlier cameras like the a6300 which should preserve more detail while sacrificing little in image crispness.→ Continue Reading Full Post ←
Ever wondered how to use slow-motion footage effectively with Premiere Pro CC from Adobe’s Creative Cloud? This quick tutorial by YouTubers Becki and Chris will go through the basics of capturing, editing and organizing the footage for a consistent workflow. They used cameras like the GoPro Hero 5 Black, Sony a7s II, and the DJI Osmo to capture the footage.