Tag Archives: guide

Slow Motion Tutorial for Premiere Pro CC by Becki and Chris!

Ever wondered how to use slow-motion footage effectively with Premiere Pro CC from Adobe’s Creative Cloud? This quick tutorial by YouTubers Becki and Chris will go through the basics of capturing, editing and organizing the footage for a consistent workflow.  They used cameras like the GoPro Hero 5 Black, Sony a7s II, and the DJI Osmo to capture the footage.

Their techniques will apply to any camera that shots high frame rates like 60p and above.  Maybe in a future tutorial, they are able to use higher frame rate footage from more capable cameras and even use the optical flow feature to really slow things down in post. You can subscribe to their channel here and support them! → Continue Reading Full Post ←

Slow Motion News March 2018!

Slow Motion News March 2018

After several camera announcements where slow motion was a main feature instead of an afterthought, things have been calming down until the next wave which will break closer to NAB 2018 from April 7th to 12th in Las Vegas.  There will probably be quite a few announcements in the professional space which is mainly where things heat up when it comes to higher quality resolution at higher frame rates.

We expect Sony to steal the show with probably the a7s Mark III which by any measure will probably retain the low light king title for the foreseeable future. If the a7 III released recently is any indication then a lower megapixel sensor anywhere between 12-16MP Full Frame with the same technology in a stacked sensor will give us a camera so capable that room for improvement will be mainly on the ergonomics, interface and higher frame rates going forward. → Continue Reading Full Post ←

Solar Eclipse Slow Motion Recording?

We have received quite a few messages about how to shoot the solar eclipse next Monday, August 21st 2017 in slow motion.  After all the more frames you capture, the more temporal detail that will be preserved but there is a threshold when diminishing returns from shooting high fps take a toll on image quality, dynamic range and color accuracy.

In short, the rule of shooting the total solar eclipse at high speed will be based on timing on one hand and detail retention on the other. We have found in our research that you really do not need more than 120fps in order to get a great solar corona snapshot with enough detail and variance.  24 and 30fps regular frame rates are also good and perfectly acceptable. → Continue Reading Full Post ←

Fake Slow Motion Is It Worth It?

Fake Slow Motion

There has been a lot of work put it developing software that can interpolate frames for video editing and compositing applications. Twixtor in the late 90’s was perhaps the first time the technology could make something worthwhile and really produce acceptable results in a computationally acceptable timeframe.

Today the most used algorithm is Adobe’s Optical Flow in Premiere or Time Warp in After Effects which use vector directional plus acceleration of pixel values to derive in between frame data to generate new frame information from the preceding frame as point A and the next frame as point B.  The results can do some wonders to really slow down things above the frame rate ceiling of the camera. → Continue Reading Full Post ←

Slow Motion Educational Videos!

Slow Motion Educational Videos

We want to share a few videos that explain the principles behind slow motion video shooting. There is a lot of confusion when it comes to slow motion; how to shoot it, how to play it back and the dos and don’ts to get the best footage possible.  The principles of shutter speed, light sensitivity, triggering and playback are all based on classical photography techniques with the main difference being extremely short time-scales and the need for inordinate amounts of light… but it can get tricky!

The internet is an information tool that democratizes the ability of the audience to learn and experience new information shared by millions of individuals. Gladly this also includes high speed camera information and sample videos.  Be sure to subscribe to the channels behind these videos so that they can continue sharing their knowledge with all of us. → Continue Reading Full Post ←

Underwater Slow Motion with Sony RX100 IV!

Underwater Slow Motion Fantasea FRX100IV

Few have attempted filming slow motion underwater and the results are usually underwhelming due to the amount of light needed. The light kits alone can make the undersea wildlife exit in a fast way from apparent danger unless they lack eyes or photo sensors.  However with a little ingenuity and keeping frame rates slow but not overly so you can get very good looking footage under the ocean with what amounts to be an entry package.

Chase Darnell did a review for Dive Photo Guide where the Sony RX100 IV is used with the aid of a Fantasea FRX100 IV Underwater Housing. As a diver the review is geared for underwater shooting which is not common when it comes to slow motion.  He goes over the pros and cons of the kit and much more. → Continue Reading Full Post ←