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Nikon Stacked CMOS Sensor Will do 1000fps in 4k!

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Nikon Stacked CMOS Sensor

Nikon Japan has been busy creating the next generation of 1″ stacked sensors.  The latest is a 17.84 Megapixel stacked design with hyper-fast memory interconnect that shoots up to 1000fps at 4k resolution which is no slouch. The sensor is still in development but it will be a possibility to see it in a camera that could compete head to head with the Sony RX series which now dominate prosumer P&S sales.  It was announced at ISSCC (International Solid-State Circuits Conference) held in San Francisco, February 15, 2021.

The sensor works by shooting in buckets of 16 x 16 pixels as one block, and then subsequently 264 x 264 pixel blocks (4224 x 4224 pixels) are conformed to form the final image at nearly 18MP.  It is unclear at this time if 4k video will be a windowed resolution or a supersampled then reduced final image from the full sensor.  The market for this sensor goes beyond consumer cameras as it is aimed at other applications like self-driving cars and production lines. → Continue Reading Full Post ←

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Sony a7s III Slow Motion Samples!

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Sony a7s III Slow Motion Samples

Now that the excellent a7s Mark III video recording mirrorless camera has been out for over six months, it is time to revisit the slow motion component and see what quality we can expect from the Sony a7s III Slow Motion Samples. Many have praised the 4k 120fps mode which is heavily detailed, low noise and suffers from only a very small crop factor that is hardly a problem.

We looked at the Full HD 1080p 240fps mode on the camera and it was clear it did not match the 120fps 4k mode as it was not only less detailed but full of aliasing and moire if you looked for it. It was clear the camera was not up to professional standards when in this mode which is to be expected from a full-frame sensor cropping to 1080p. That said, this camera is a powerhouse that easily takes the mantle as Sony’s best mirrorless compact video camera.

Sony a7s III Slow Motion Samples:

Be aware that 120fps in 4k is not only highly detailed and full of dynamic range but it is the best high frame rate this camera has to offer. You can easily use this mode for professional broadcast or film work is shot in good conditions.  The a7s Mark III is the best Sony Alpha line camera for low light performance and it is evident by the samples this translates directly into higher frame rates.

CHAINSAW VS SONY A7SIII | SLOW-MOTION by Moment:

Sony A7S iii Slow Motion footage 120fps 4k by Josiah Mendoza: → Continue Reading Full Post ←

Announcements, Camera News, Hi Speed Phone Video, Media Showcase, Previews, Slowmo Samples

Galaxy S21 Slow Motion Feature is Retained!

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Galaxy S21 Slow Motion

This week we had the announcement by Samsung of the Galaxy S21 phone line which is the de-facto Android handset in most of the world.  The Galaxy S21 Slow Motion has essentially the same feature set as the Galaxy S20 of 2020 when it comes to high-speed video. The Galaxy brand went serious with Slow Motion since the Galaxy S9 with the 960fps mode at 720p which we can still see here with somewhat improved resolution and recording time.

The S21 line is by almost any standard a refinement of the line with very subtle but important updates on the previous S20 phones. We get the Snapdragon 888 which is the brightest and fastest SoC in non-Apple land. We get 120Hz adaptive screen refresh rate and 108MP telephoto camera on the Ultra version with 10x hybrid zoom, and half that at 64MP on the regular S21 and S21+ which only offer 3x hybrid zoom. We also get 8k video recording on all of the phones at 24p which we will have to test if it is really delivering on the promise.

Galaxy S21 Slow Motion Video Features:

Resolution

  • 8K video recording at 24 fps (7680×4320)
  • 4K UHD video recording at 60 fps (3840×2160)
  • 1080p FHD video recording at 60 fps (1920×1080)
  • 720p HD video recording at 30 fps (1280×720)

Shooting speed

  • Super Steady 1080p video support at 60 fps
  • Super Slow-mo 720p video support at 960 fps
  • Slow motion 1080p video support at 240 fps & 120fps
  • Hyperlapse 4K video support at 30 fps

Other

  • HDR10+ recording
  • VDIS (Video Digital Image Stabilization)
  • Digital zoom up to 12x
  • High CRI LED Flash
  • Tracking AF
  • Take 33MP still photos while playing 8K video
  • Playback zoom
  • Video location tags
  • *HDR10+ recording is currently in beta and only available on the rear camera. Quality may vary based on sharing platform and playback environment; HDR10+ color is only available on supported devices or platforms.
  • *Super Steady is only available when shooting in FHD resolution.
  • *Super Smooth 60fps Video supports FHD resolution in Auto mode only.
  • *Super Slow-mo only supports HD resolution. On Galaxy S21 5G and S21+ 5G, users can record approximately 0.5 seconds of video captured at 960 fps with approximately 16 seconds of playback. On Galaxy S21 Ultra 5G, users can record approximately 1 second of video captured at 480 fps and digitally enhance the video to 960 fps with approximately 32 seconds of playback. Playback time can be edited in Super Slow-mo player.

Samsung Galaxy S21 event in 12 minutes by The Verge:

Same feature, mildly upgraded results!

So we get 960fps recording in 720p only in the S21 and S21+ phones and not in the Ultra. The Ultra version is capped at 480fps 720p and then AI deep learning interpolates to 960fps slow motion for the final result on the highest spec phone.

It is the same as last year’s S20 which also featured that limitation on the Ultra version of the handset.  It is not a matter of processing power but it is based on the choice of sensors. The Ultra seems to be capped at 480fps while the non-Ultra can scan at 960fps in 720p.

When it comes to slow motion the cheaper phones are actually more capable which may be ideal if this feature is important to you.

On the S21 and S21+ you get 0.5 seconds of 1/2 a second recording time at 960fps which translates to 16 seconds playback at 30p.  On The Ultra you get 480fps for 1 second recording time and interpolated to 960p for a 32 second playback time at 30p.  This is exactly the same as last year’s S20 line.

We have to test the feature fully but we estimate slightly better color, dynamic range, and artifact control on the S21 but nothing that would make you upgrade your S20.

Galaxy S21 Slow Motion Early Samples:

We will be testing the Galaxy S21 in the coming weeks as we are receiving a test unit. In the meantime, we found some samples online that could be legitimate. They certainly look real in resolution and speed for the most part but it is so early that we cannot confirm their validity.  We will re-examine the slow motion samples in a later post at HSC including our own tests.

Samsung Galaxy S21 Camera Slow Motion Test by MKP Captain: → Continue Reading Full Post ←

Camera Deals, Media Showcase, Reviews, Slowmo Samples

Fuji X-S10 Slow Motion 240fps Samples!

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Now that the surprise camera of 2020 has been out for a while, it is time to revisit the 240fps mode included in the video features. At first glance, it delivered 720p quality or less in an upscaled 1080p wrapper.  However many Fuji fans asked us to revisit the slow motion quality of this camera as early samples supposedly did not do justice to what this mode was able to deliver.

We have to agree to some extent that the quality of this camera in 240fps Full HD slow motion is better than other even more expensive options but we still feel that Fuji cut corners when it comes to image quality here by dropping lines and having a pretty noisy output unless there is an ample amount of light.  We have some samples that will let you see what this camera is capable of and make you decide if it is a good enough option for your camera collection.

Fuji X-S10 Slow Motion 240fps Samples:

The camera can shoot up to 6 minutes in high frame rate mode and saves the file in a 60fps Full HD file for playback according to the official manual here. You can always lower the frame rate further to conform for 24p, 25p, and 30p if needed.

Fuji X-S10 Video Samples Below:

Fujifilm X-S10 Slo Mo 240fps test by Abu Habeeb:

https://www.youtube.com/watch?v=MZJjMDA9ELI

Fujifilm X S10 240 FPS slow motion ,IBIS.Handheld Shooting without colour grade (ETERNA) by Aju Eapen: → Continue Reading Full Post ←

Camera News, Featured, Media Showcase, Previews, Reviews, Slowmo Samples

Panasonic Lumix BGH1 Slow Motion at 240fps is good!

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Panasonic Lumix BGH1 Slow Motion

The Panasonic Lumix BGH1 is a strange camera if you are used to DSLR or Mirrorless camera body styles. It is tiny and full of connections with no screen unless you provide one via a computer that is tethered or an HDMI field monitor.  It uses the same dual ISO sensor found on the Panasonic Lumix GH5s which is a very good low light camera in a Micro 4/3ds package.  The BGH1 has a better internal recording set of options than the GH5s but it is more intended as a tethered studio solution with the addition of Genlock synch and SDI out.

The camera also has VFR or a Variable frame rate mode which is identical to the Lumix GH5s as it records from 1fps to 240fps in Full HD 1080p and delivers pretty good performance up to 200fps then lowers the quality along with providing a small added crop to the image at 225fps and 240fps. It is still not as sharp as regular 1080p video and the codec is saved at a lower bit rate but having 240fps as an option is great.

Panasonic LUMIX BGH1 Video Specs:

Video Modes: AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:2 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 8-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MP4 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s)
AVC-Intra/AVC-LongG/H.264/H.264 Long GOP/H.265/MP4 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (24 to 28 Mb/s)VFR Mode 1-240fps Full HD 1080p (24 to 28 Mb/s) 

As you can see, the camera is capable of recording up to 60fps in 10 bit 4:2:2 internally which is better than other m4/3 lumix cameras that top out at 4:2:0 color space in this mode.

Of note is that the VFR Panasonic Lumix BGH1 Slow Motion mode is limited in bit rate from 24Mbits/sec to 28Mbits/sec which is passable but hardly ideal since the image is more compressed.  The quality of the VFR should be identical to the GH5s and the sample below by the great youtube reviewer Richard Wong you can see the softness associated with 240p in VFR.  We are told that up to 200fps the image looks a bit better and there is no crop associated with it.

Pretty In-Depth Panasonic Lumix BGH1 by Richard Wong: 

As you can see in the excellent in-depth review above, the camera has Auto Focus that is pretty similar to the other cameras in the Lumix line and suffers from the same pulsating qualities of the DfD Depth from Defocus algorithm used by Panasonic. We are no fans of it for video even when it has improved a lot. For AF to work reliably you need to have dual Pixels in the sensor with Phase and contrast-detection like those on systems from Canon or Sony.

The camera is very small and it is ideal for drones that can carry the 545g of the body plus a lens.  At $1,997.99 at Adorama Camera it is about the same price as a Panasonic S5 which is a full-frame camera that delivers even better performance in low light and has a photo mode and screen.  The S5 in our view is a better overall camera for the majority of people but the BGH1 is geared to a different market altogether.

You could build a studio with them as they have Genlock timecode sync and SDI out which is what you want for tethering many of these cameras together. The uses for a camera like this are plenty considering its great low light performance and beautiful image with 13 stops of Dynamic Range when Shooting V-Log L.

Pricing and availability:

Panasonic LUMIX BGH1 – Review – Unboxing the box camera by extrashot: → Continue Reading Full Post ←

Announcements, Camera News, Previews, Slowmo Samples

Slow Motion on DJI Pocket 2 & Fuji X-S10 Offers 240fps!

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Slow Motion on DJI Pocket 2 & Fuji X-S10

Two very different new cameras were released this week that are able to shoot in 240fps Full HD 1080p. One is the Fujifilm X-S10 which is an all-rounder mirrorless camera with 6 stop IBIS and cinema video profiles for $999 body only, the other is the sequel to the very well received DJI Osmo Pocket now named DJI Pocket 2 dropping the OSMO part of the name & starting at $349 in its most basic form. Slow Motion on DJI Pocket 2 & Fuji X-S10 is close on both.

Both cameras are able to do 120fps as well but the interest peaks at 240p where the speed makes things moving slower more detailed, especially people as at that speed lifeforms moving relatively slow are excellent subjects. For faster animals like birds or flying insects, you need many more frames per second, usually in the 700+ range to create a good enough effect.

Slow Motion on DJI Pocket 2 & Fuji X-S10 – Two cameras that are very different but can shoot the same fps!

Fuji X-S10 Video Modes:

Video Recording Modes H.264/MOV 4:2:0 8-Bit
DCI 4K (4096 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
UHD 4K (3840 x 2160) at 23.976p/24.00p/25p/29.97p [100 to 200 Mb/s]
DCI 2K (2048 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p [50 to 200 Mb/s]
Full HD (1920 x 1080) at 23.976p/24.00p/25p/29.97p/50p/59.94p/100p/119.88p/200p/239.76p [50 to 200 Mb/s]

So starting with the Fuji X-S10 we cans ee that it has a plethora of video recording modes with the absence of the now much coveted 4k 60p which is not here in any form. We do have a 2k cinema mode with 60p which is an ok consolation prize but in a world of 4k it seems they could have added that 4k 60p just to be competitive.

We get 100fps and 200fps at 1080p in PAL format and 120fps and 240fps in NTSC mode. As far as we know every camera can be switched with a single menu to be able to use either of the two systems.

The great news here is that the slow motion modes at 1080p offer up to 200Mb/s in the codec which is pretty remarkable considering not many cameras pass 50Mb/sec in these modes.

The bad news is that the slow motion seems a bit mushy and pixelated which is an unwelcome sight. We found a short video showing this mode at the video below at 8:16:

Fujifilm X-S10 Hands-on Review by DPReview TV:

While we need more samples for full confirmation it does look more like a 720p up-rez than true 1080p, which is common in cameras that shoot these kinds of frame rates and are not dedicated slow motion cameras.  Even Jordan the reviewer above states that the quality of the footage at 240p is nothing to brag about and it is pretty low quality. Kind of sad considering the maximum bitrate of 200Mbps at 1080p.

The Fuji X-S10 is an interesting camera that can do a lot of things right, it is great that it offers very good frame rates as options and we will re-visit this camera in the future when more samples are available. If you are a Fuji system enthusiast, we actually think the new X-S10 is probably the best bargain for a powerful camera in Fuji Land and you really cannot go wrong if you want to shoot video with its great stabilization and flip out Vari-Angle screen.

DJI Pocket 2 Video Modes:

Slow Motion:

  • 240 fps Recorded at 1920 x 1080p
  • 120 fps Recorded at 1920 x 1080p
Video Rec Formats 3840 x 2160p at 24/25/30/48/50/60 fps (100 Mb/s MP4 via H.264/AVC, MPEG-4)
2720 x 1530p at 24/25/30/48/50/60 fps (100 Mb/s H.264/AVC, MPEG-4)
1920 x 1080p at 24/25/30/48/60 fps (100 Mb/s MP4 via H.264/AVC, MPEG-4)

The DJI Pocket 2 is a very impressive device. On the one hand, it has a larger sensor than its predecessor, one rivaling the old P&S prosumer cameras like the Canon G series back in the last decade.  The sensor is  1/1.7″ 64 Megapixels which allows for 8x true zoom crop on the image if needed.

On the other hand, it has a gimbal that is the main selling point that this camera has going for it. A true stabilized system akin to those on DJI drones but on your pocket/hand.  The performance of stabilization is remarkable and the addition of an optional lavalier mic. option with a clip-on module makes it ideal for Vloggers to shoot on a minute and cheap all in one package.

The slow motion modes at 120fps and 240fps are there and easily accessible which is great news since the original Pocket maxed out at 120fps with a 200fps hack that was not really usable.

We found a couple of great samples of slow motion 120p and 240p in the video review below at 9min 45seconds run time:

DJI Pocket 2 | Wider FOV, Bigger Sensor, 240fps by Potato Jet: → Continue Reading Full Post ←