The Insta360 seems to be on a roll by delivering several products this year in quick succession. They want to own the 360-degree video market and they have no plans of letting go of that goal by making some very cool new features available to the masses. The new Insta360 One X camera is able to stabilize the footage on the fly with incredible accuracy and steady-cam like feel without gimbals with its high-resolution capture and by using cropping along with telemetry data and a proprietary algorithm they are able to deliver rock-solid imagery in heavy motion environments.
The small camera is also able to shoot 100fps at 3k which is a first in the segment will let you crop if needed to get a better frame of the action. There is also a very clever rubber housing that is designed to be thrown aerodynamically “Drift Shot” while leaving the camera well protected on impact. This revolutionary technique is really something out of the box and what this camera will probably be known for. Expect to see an explosion of these shots in TV and film pretty soon as others copy the technique.
The Company Insta360, maker of the Insta 360 Pro which is a more high end multi camera solution has released a new 360 degree action camera that can be mounted almost anywhere and deliver pretty good quality for VR and 360 degree videos on the fly. The new Insta 360 One is a democratization of 360 degree cameras and probably a direct competitor to the upcoming GoPro 360 degree camera solution.
The camera includes two slow motion modes that allow it to shoot 360 degree video at higher frame rates but with some drawbacks. Resolution takes a big hit compared to the 4k native resolution which is great. However it is still usable enough to produce web results that allow for some degree of flexibility on smaller screens.
On the eve of March 31, 1999 the world was exposed to a new type of visual effect thanks to the release of a movie that changed and influenced movies for the next decade. The Bullet Time effect as it came to be known created a sense of slow motion combined with orbiting camera motion that let you for the first time move away from the constraints of a stationary or dolly only camera move.
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