The folks at Blackmagic design are at it again when it comes to destroying spec sheets compared to price. The BMPCC 4k was already one of the best-reviewed and popular choice among budget filmmakers that needed excellent quality and dynamic range. At only $1,295 that camera was a smash hit but had only a four thirds (4/3) sensor which was not ideal in size and required speed booster adapters to get the needed depth of field to simulate an S35 image.
Now the BMPCC 6k ($2,495.00) with EF Canon mount comes in with a full APS-C sensor with dual ISO characteristics like before but with the added imager size and full electronic lens support for EF glass. It would have been in our view ideal to use an electronic mount with shorter flange like the Sony Alpha or the new Canon RF mount so you could adapt even more lens combinations but they are catering to a large installed base of glass owners.→ Continue Reading Full Post ←
It’s been a while since we’ve covered the fps4000 camera mainly due to development time taking longer than initially estimated. However, Graham Rowan the engineer behind the camera has now posted the first 4k 480fps footage shot in RAW on the fps4000 camera which uses a sophisticated memory arrangement on the onboard super-fast flash RAM to be able to record lengths of time unimaginable before on slow motion cameras at high resolution.
This camera is a very different kind of technology from regular high-speed cameras that record to volatile DRAM. The fps series records to flash chips that are soldered to the mainboard and allow a variety of frames rates and resolutions depending on the sensor used but all is saved on the flash memory as a non-volatile stream of data. Modern SSD chips are so good at re-allocating reading and writing bits that the life of the components is now measured in decades of regular use instead of a few years. The fps4000 is using this technology fully to enable memory bandwidth magnitudes greater at a significantly reduced cost.→ Continue Reading Full Post ←
Panasonic not to be outdone by sales rivals is pre-announcing the S1H camera to appease video-centric mirrorless users who want that extra edge. It has a 6k mode which will allow for better stabilization and cropping/punching in on 4k timelines while giving the user bragging rights. It has a 14 stop dynamic range spec which if we look at the sensor it is only on a couple of capture settings the rest is 12 bit.
There is also no mention of higher frame rates besides UHD 4k 60p which we presume will be 180fps 1080p max since this camera shares nearly the same internals as the other Panasonic S1 cameras. We do not expect this camera to have better slow motion video than the regular S1 even with its $4000 price tag. The camera looks to be aimed at the mid-high end of the video market and allow it to record without limits which on the regular S1 is 29min.→ Continue Reading Full Post ←
This year there have been a few surprises that got our attention in the high frame rate market. Some are firmware related, some are entirely new cameras and others are simply rumors that have yet to appear. We found a few things on the web that may shed some light on these happenings. But First…
Note Advisory:It is kind of disheartening that many Youtube channels are posting fake slow motion videos from cameras & Phones that they have no access to in order to receive clicks and advertising. We encourage you to report these videos on the Youtube interface as inaccurate or misleading. That way we may get less garbage and more real samples in the future. Thank you!→ Continue Reading Full Post ←
The Introduction of the DJI OSMO Action camera marks what many called the ultimate silver bullet to counter the GoPro Hero camera line. It is an evolutionary step that takes most of what made the GoPro Hero Black series amazing and even goes further by improving in areas where GoPro has fallen behind. The Stabilizer seems better as is the addition of a secondary selfie screen in order to frame yourself while recording.
It gets the usual frame rates of 120fps & 240fps 1080p full HD and the 4k 60fps spec. None of these are revolutionary or groundbreaking which means this is a version 1 product for DJI. Phones, for example, are already in the 960fps and 1000fps spec even when they are limited to fractions of a second. A Camera like the OSMO Action could have gotten a bit of this slow motion prowess and differentiate from GoPro even further but not this time around. We have a few samples of the higher frame rates for you too look at and see if it makes sense to acquire this camera instead of other options.→ Continue Reading Full Post ←
Today the OnePlus 7 Pro was announced after a plethora of leaks over the previous weeks. However, the Slow Motion capabilities were not disclosed in the leaks so we had no rumor to report on that front. Today with the full spec list released we can see that the OnePlus 7 Pro camera has the new Sony IMX 586 mobile sensor which is the same as many other phones recently released included as their main shooter. The 48MP sensor is used to supersample data and allow for better optical crop zoom and noise reduction by averaging neighboring pixels as some of its capabilities.
The problem is that the 48MP sensor is terrible in the rolling shutter department the larger the sensor area is used. We saw that in the Nubia Red Magic 3 and it’s 8k 30p video mode which was unusable at the first sign of movement. That means that 1080 and 720p video modes will have a very severe crop on the sensor and probably much worse low light performance than that found on Last Year’s OnePlus 6 and 6T which allowed for also 720p 480fps for up to 3.75 seconds of recording.→ Continue Reading Full Post ←