The two existing Chronos cameras, the 1.4c 720p at 1502fps & the Chronos 2.1 -HD 1t 1080p 1000fps are identical when seen from the outside but very different inside as they contain different sensor and memory boards. However one constant is that both use the C mount as the default for lens adapters. The camera usually comes with a Canon EF or Nikon F mount adapter depending on the buyer preference which screws on the C mount thread and allows for support of classic lenses from Macro to telephoto.
In what could be called a new paradigm or class of camera, DJI the drone maker has launched a couple of cinema full-frame cameras geared to professional productions that merge their Ronin gimbal products with their Drone pro Zenmuse cameras to create a massively appealing system for pros and enthusiasts that want no compromise stabilization with enough image quality to be able to use them in professional productions for TV and film. The pricing at just over 11.5k for the 8k version and 7.2k for the 6k version is small potatoes for movie and TV studios but might put off some buyers.
It is of note that a fully working system bundle is assembled at that price which is much better than other options. It includes the Gimbal, camera and body, 1TB SSD M.2 card, battery, touch screen and cabling. In cinema systems like RED and ARRI this is just the brain or camera body with everything else being added on top as ancillary costs. The frame rates on these cameras are limited to 120fps as the highest at 4k and 75fps at 8k. They might not be huge but the quality and stabilization should make them quite useful. → Continue Reading Full Post ←
Apple has finally announced the iPhone 13 which may be one of the most underwhelming refreshes of the handset in many years. While there is a lot of new stuff, nothing added is really groundbreaking in the way previous phones have awed when it comes to features in imaging. It is certainly a clear refinement of nearly every aspect of the hardware and software with better low light gathering and a first for a phone the addition of ProRes recording at 1080p and 4k 30p depending on the phone storage spec.
There are neat features like rack focusing which allows for AI-assisted machine learning depth of field selection based on people’s faces whenever their eyes are visible and or enter or exit the frame. It is kind of gimmicky as it seems to do away with precise manual control of the feature but this is yet to be explored fully by reviewers. When it comes to Slow Motion capture, we have essentially no change for the 4th year in a row!→ Continue Reading Full Post ←
It seems the leaks have come down heavily on the to be formally announced Hero 10 Black from GoPro. The latest by Winfuture.de & @rquandt. The most important part of the leak speaks about the use of the new GP2 chipset which is at least 2x faster than the already long in the tooth GP1 which was a great processing unit when released a few iterations back but now has a bit of catch up to do.
The leak also talks about new Hypersmooth 4.0 which seems to use also the oversampled sensor to deliver gimbal-like motion stabilization performance for the camera without the use of a physical stabilizing unit. We really like Hypersmooth 2 and 3 and if the GP2 is such a better processing core, it should in theory yield even better smoothness on most footage resolutions. Frame rates have also taken a big leap here, and we speculate on what it could mean for slow motion enthusiasts.→ Continue Reading Full Post ←
Slow Motion camera releases are slow at this time of year but that doesn’t mean we have to be deprived of cool stuff to see. We have gathered a few slow motion videos that warrant your time and attention and surely push the art of capturing snapshots of time forward.
Even when these high speed cameras that in most cases are worth a lot more than the typical luxury midsize car, many creators are getting their hands on them and being creative in ways that could not be imagined in an earlier timeframe. From natural phenomena to technological feats, the footage has that mesmerizing quality that only this type of footage can instill on the viewer. → Continue Reading Full Post ←
Sony has released some white paper specs on a new Micro 4/3rds sensor that is as of now, the most advanced ever on the format considering the mix of Backside illumination, Stacked technology and high resolution color at 10 bits on full sensor read outs. The frame rates offered are also quite impressive with up to 1139fps at 0.46 Megapixels or 1760px Horizontal x 262px Vertical on the fastest range and 121fps at the full sensor area read-out at 20.9MP.
The Panasonic GH6 is coming later this year and it is estimated that this new sensor is actually the one that will be used on that camera. If Lumix technology can make full use of the sensor specs even for small fractions of time, we could have a killer slow motion mass produced camera. The VFR mode on Panasonic Lumix cameras has always been more than acceptable and they could breathe new life into the format if these sensor specs are used to their fullest. We expect at least 1080p at 240fps which will be a slightly stretched delivery from the 1760 x 1318 240.2fps mode listed on the sensor specs. → Continue Reading Full Post ←