Krontech the Canadian Hi-speed camera company has released press information for two new global shutter camera releases due to ship in 2024. While they did excellent work with the Chronos 1.4 720p and Chronos 2.1 HD 1080p slow motion cameras, many users of the platform clamored for more resolution and better image quality. Enter the new Chronos 4k12 a full 4k Camera capable of 1,397 FPS at 8 bit 4096 x 2160 resolution or at 3840 x 2160 UHD 1,491 FPS.
To put this in perspective, the Phantom 4k camera does 4k at 1k fps and costs around $80k USD for a starter kit. This new Chronos camera has some serious punch for the TV, Web, and Film industries that need the extra resolution. We can see many production houses adopting this camera for production without breaking the bank in a compact and fully contained package. → Continue Reading Full Post ←
Our of our readers Chinito Pinoy has shared a pretty remarkable video with us that we would like to share. It is upscaling of sub HD resolution high-speed video at 240p, 480p and 960p from the Sony RX10 IV at 480 and 960fps and the A7S Mark III at 240fps from Sub HD to 4k UHD.
We have been expecting Panasonic to deliver a GH5 and or GH5s replacement camera for over a year now. The pandemic and component shortages pushed back the release of almost all high tech imaging equipment. The Lumix GH6 is now announced and it does everything right for Micro 4/3 and then some but will that be enough to make the format survive in a world of ever-decreasing Full Frame camera prices getting cheaper?
The GH6 has a new sensor, new Venus processing engine, new IBIS with up to 7.5 stops which is bordering on ridiculous, and a body that has active cooling. For HSC however, only one set of specs matters and that is frame rates for video. The camera is now on top of the Lumix and almost all of their pro division cameras by shooting up to 300fps 10 bit Full HDish, 240fps Full HD 10bit, and 120fps at 4k 10 bit. For slow motion enthusiasts, it looks to be a great camera on paper and at just under $2,200 USD it is not going to break the bank. But after all of this, should you invest in the GH6 as a slow motion tool or save more for an affordable dedicated high speed camera?→ Continue Reading Full Post ←
A few months back we took a look at Dain app, and how it was able to use AI and machine learning to create in between frames from almost any source footage and create something that looked and felt like real footage taken with higher fps cameras. The algorithm was so revolutionary that it took the world by storm, making older software that used re-timing from Adobe and others look antiquated and underpowered. The Dain-App was great and it was a pay what you want App but had an Achilles heel. The software required a powerful Nvidia GPU with as much VRAM as you could muster to be able to convert footage and re-time it.
The new Rife-App which is the direct successor of Dain App by the creator GRisk is up to 25x faster than the original, improves the algorithm, and by many examples betters it by creating more seamless transitions. The flow of frames is frankly jaw-droppingly beautiful, especially on low frame rate animation. We estimate that Animation studios in 2D will eat this app up immediately, and even 3D animation studios could reduce their render times by calculating fewer frames and using Rife-App to increase them to 24p, 30p or 60p from a lower source like 20fps or 12fps. → Continue Reading Full Post ←
Canon it seems is thinking 3 steps ahead of everyone else when it comes to pro 8k video. After being left behind in the adoption of 4k and playing catch up to the format, they seem intent on making their cameras the new 8k default option with specs that seem out of a dreamer’s wish list. Be warned that these cameras will probably start at $10k USD and go up from there. The low end should be about 10k to $15k for the C300s at the low end, and the high end a $30k price tag for a C700DR.
The most impressive of the new rumored cameras is the Canon EOS C700DR (DR Stands for Dynamic Range) which will be capable of recording 4k not just at 120fps but a class-leading 240fps with excellent quality. It also hints at a 180fps mode that will have expanded dynamic range if needed. It is interesting that 1080p as a slow motion mode is not even considered here but these cameras are geared to a specific market and that is digital cinema which needs much more resolution nowadays than what even 2k can deliver, much less 1080p. → Continue Reading Full Post ←
OnePlus has finally released its new flagship 2021 phones. And they have built a new 3 year partnership with medium format camera maker Hasselblad to build their phone camera modules. On this first iteration, we get Ultra Wide 50MP, Wide 48MP or standard and a 3.3x telephoto with 8MP which is the lower quality of the bunch.
OnePlus has respected its own heritage when it comes to frame rates as the new 9 handsets retain the 240fps in Full HD 1080p and 480fps in HD 720p mode for somewhat super slow motion and a new mode of 120fps in full 4k which is exciting. OnePlus had the edge in recording duration in previous phones and this new variant might keep that edge. However, we feel disappointed the resolution did not go up to full HD at 480fps and allow for a 960fps HD mode like many other phones out there.→ Continue Reading Full Post ←