Tag Archives: release date

Lumix GH6 will do 120fps 4k & maybe more!

Lumix GH6 Panasonic

Panasonic unveiled in May the GH5 Mark II which is a slight refresh of the venerable m4/3rds GH5 with live streaming, better dynamic range in video, better AF algorithms, and slightly better IS on a very similar body with just a few cosmetic red buttons and rings for refresh purposes.  The slow motion remains at 180fps VFR at 1080p and 60p at 4k on the GH5 II since it is using the same sensor and imaging engine. It is a better overall camera than the original but a mild refresh nonetheless. 

That brings us to the pre-announced GH6 which is an in-development camera that aims to refresh the entire Micro 4/3ds line in Panasonic and aimed at professional video users.  It sports a new sensor, new imaging engine, new body and new technologies yet to be disclosed.  According to rumors, this camera should be able to keep micro 4/3rds alive for another five years delivering an array of video and photo features that will set it apart much like the original GH5 carved a place in camera history. We have also received rumored specs that may or may not pan out regarding frame rates which we find somewhat credible.  → Continue Reading Full Post ←

Canon New Cinema Camera Will do 240fps in 4k!

Canon it seems is thinking 3 steps ahead of everyone else when it comes to pro 8k video.  After being left behind in the adoption of 4k and playing catch up to the format, they seem intent on making their cameras the new 8k default option with specs that seem out of a dreamer’s wish list.  Be warned that these cameras will probably start at $10k USD and go up from there. The low end should be about 10k to $15k for the C300s at the low end, and the high end a $30k price tag for a C700DR.  

The most impressive of the new rumored cameras is the Canon EOS C700DR (DR Stands for Dynamic Range) which will be capable of recording 4k not just at 120fps but a class-leading 240fps with excellent quality. It also hints at a 180fps mode that will have expanded dynamic range if needed.   It is interesting that 1080p as a slow motion mode is not even considered here but these cameras are geared to a specific market and that is digital cinema which needs much more resolution nowadays than what even 2k can deliver, much less 1080p.  → Continue Reading Full Post ←

OnePlus 9 Slow Motion mode gains 4k 120fps!

OnePlus has finally released its new flagship 2021 phones. And they have built a new 3 year partnership with medium format camera maker Hasselblad to build their phone camera modules.  On this first iteration, we get Ultra Wide 50MP, Wide 48MP or standard and a 3.3x telephoto with 8MP which is the lower quality of the bunch.

OnePlus has respected its own heritage when it comes to frame rates as the new 9 handsets retain the 240fps in Full HD 1080p and 480fps in HD 720p mode for somewhat super slow motion and a new mode of 120fps in full 4k which is exciting. OnePlus had the edge in recording duration in previous phones and this new variant might keep that edge. However, we feel disappointed the resolution did not go up to full HD at 480fps and allow for a 960fps HD mode like many other phones out there. → Continue Reading Full Post ←

Nikon Stacked CMOS Sensor Will do 1000fps in 4k!

Nikon Stacked CMOS Sensor

Nikon Japan has been busy creating the next generation of 1″ stacked sensors.  The latest is a 17.84 Megapixel stacked design with hyper-fast memory interconnect that shoots up to 1000fps at 4k resolution which is no slouch. The sensor is still in development but it will be a possibility to see it in a camera that could compete head to head with the Sony RX series which now dominate prosumer P&S sales.  It was announced at ISSCC (International Solid-State Circuits Conference) held in San Francisco, February 15, 2021.

The sensor works by shooting in buckets of 16 x 16 pixels as one block, and then subsequently 264 x 264 pixel blocks (4224 x 4224 pixels) are conformed to form the final image at nearly 18MP.  It is unclear at this time if 4k video will be a windowed resolution or a supersampled then reduced final image from the full sensor.  The market for this sensor goes beyond consumer cameras as it is aimed at other applications like self-driving cars and production lines. → Continue Reading Full Post ←

Fujifilm X-E4 Slow Motion 240fps disappoints!

Fujifilm X-E4 Slow Motion

The recently released camera called the Fujifilm X-E4 shares many of the traits of their lower brethren but also from the higher-end models in a compact package. It ditches the better viewfinder for a small 2.36 million dot EVF that makes it a bit hard to see your composition but that also allows the camera to be smaller and more stylish than the beefy SLR style Fujis out there.

The Fujifilm X-E4 Slow Motion feature is the same as found on cameras like the excellent Fujifilm XS-10 which is a 120fps or 240fps full HD component that records in camera. Why are we not excited? well, the quality is lower than expected with some aliasing and moire characteristics that are so last decade. When are manufacturers going to offer the same 1080p quality at all frame rates instead of relegating the 120fps and 240fps modes to the lower bitrate and detail bin?

Fujifilm X-E4 Main Specs:

  • 26.1MP APS-C X-Trans BSI CMOS 4 Sensor
  • DCI/UHD 4K at 24p, 25p & 30 fps
  • 2.36m-Dot 0.62x OLED EVF
  • X-Processor 4 Image Processor
  • Compact classic body
  • 3.0″ 1.62m-Dot 180° Tilting Touchscreen
  • 425-Point Hybrid AF System
  • Film Simulation Modes
  • Bluetooth and Wi-Fi Connectivity
  • Lens Kit includes: XF 27mm f/2.8 R WR Lens
  • MSRP: 1,049.00 USD Lens Kit or $849.95 Body only!
  • Release date March 11th, 2021

Fujifilm X-E4 Slow Motion Specs:

Full HD (1920 x 1080)

  • 50p/59.94p
  • 100p/119.88p
  • 200p/239.76p
  • [100 to 200 Mb/s]

While we get the same frame rates as the best value/performance on Fuji’s arsenal the XS-10, you get the aliased version of the footage. While the final quality is passable for your Youtube Vlog, it will not be ready for more professional uses, the pixelation and stair-stepping looks like badly captured 720p video in a 1080p wrapper.

The video below by the amusing and great Kai W, has a sample of 200p video on the camera at the 4-minute mark.  You can clearly see the aliasing in the footage when you load it at full resolution.  We expect the 120fps mode to be much better but we already get pretty good 120p footage from most cameras nowadays. The 240fps mode is the standout here and it disappointed us fully.

Fujifilm X-E4 Hands-on Impressions WIN THIS CAMERA! by: Kai W

But what about?

Can you still make a remarkable slow motion shot with this camera?  In a word, Yes take a look at the Fujifilm’s XS-10 240fps mode which is probably the same as the one in the X-E4 as they share a lot in common feature-wise. Look closely at the very well shot video below:

Fujifilm X-S10 – 240fps slow motion test by Coastal Bay 4K: → Continue Reading Full Post ←

Wave Camera 4k Slow Motion Released for 10k USD!

The Freefly systems Wave camera has been released and it is certainly a market disruptor. It is not your average high speed camera since it is essentially using an internal SSD M.2 card to continuously record slow motion events it functions more as a live capture device than a shot by shot trigger traditional slow motion camera. This is essentially the idea behind the fps1000 camera line by Graham Rowan which sadly was dissolved last year. A new way of capturing high speed by leveraging the speed of SSD flash storage with ultra-high frame rates.

The Wave is no slouch in specs with a 4k spec of 420fps which is not as good as the Phantom Flex 4k which records 1000fps but costs a whopping 160k USD.  The Wave costs $9,995 and using an E-Mount with no power or AF functions, can be adapted to a variety of lens systems because of the plethora of adapters that can be used due to the short flange distance.  We take a look at the wave specs and why it may be the camera you were waiting for – if you can get one!

Wave Camera 4k Slow Motion Specs:

Continuous Capture Time:

  • 4096 x 2176, 422fps, 1TB 19min
  • 4096 x 2176, 422fps, 2TB 39min
  • 2048 x 1088, 1461fps, 1TB 23min
  • 2048 x 188, 1461fps, 2TB 45min

The camera uses a 4:3 aspect ratio from the sensor which is kind of odd but allows for a variety of frame sizes including anamorphic capture if stretch in post. This seems to be an ideal camera for Anamorphic slow motion.  Of note is that the Krontech Chronos 2.1 HD is also using a 4:3 sensor which in theory can be used with Anamorphic glass. → Continue Reading Full Post ←