Panasonic unveiled in May the GH5 Mark II which is a slight refresh of the venerable m4/3rds GH5 with live streaming, better dynamic range in video, better AF algorithms, and slightly better IS on a very similar body with just a few cosmetic red buttons and rings for refresh purposes. The slow motion remains at 180fps VFR at 1080p and 60p at 4k on the GH5 II since it is using the same sensor and imaging engine. It is a better overall camera than the original but a mild refresh nonetheless.
That brings us to the pre-announced GH6 which is an in-development camera that aims to refresh the entire Micro 4/3ds line in Panasonic and aimed at professional video users. It sports a new sensor, new imaging engine, new body and new technologies yet to be disclosed. According to rumors, this camera should be able to keep micro 4/3rds alive for another five years delivering an array of video and photo features that will set it apart much like the original GH5 carved a place in camera history. We have also received rumored specs that may or may not pan out regarding frame rates which we find somewhat credible. → Continue Reading Full Post ←
A few months back we took a look at Dain app, and how it was able to use AI and machine learning to create in between frames from almost any source footage and create something that looked and felt like real footage taken with higher fps cameras. The algorithm was so revolutionary that it took the world by storm, making older software that used re-timing from Adobe and others look antiquated and underpowered. The Dain-App was great and it was a pay what you want App but had an Achilles heel. The software required a powerful Nvidia GPU with as much VRAM as you could muster to be able to convert footage and re-time it.
The new Rife-App which is the direct successor of Dain App by the creator GRisk is up to 25x faster than the original, improves the algorithm, and by many examples betters it by creating more seamless transitions. The flow of frames is frankly jaw-droppingly beautiful, especially on low frame rate animation. We estimate that Animation studios in 2D will eat this app up immediately, and even 3D animation studios could reduce their render times by calculating fewer frames and using Rife-App to increase them to 24p, 30p or 60p from a lower source like 20fps or 12fps. → Continue Reading Full Post ←
Canon it seems is thinking 3 steps ahead of everyone else when it comes to pro 8k video. After being left behind in the adoption of 4k and playing catch up to the format, they seem intent on making their cameras the new 8k default option with specs that seem out of a dreamer’s wish list. Be warned that these cameras will probably start at $10k USD and go up from there. The low end should be about 10k to $15k for the C300s at the low end, and the high end a $30k price tag for a C700DR.
The most impressive of the new rumored cameras is the Canon EOS C700DR (DR Stands for Dynamic Range) which will be capable of recording 4k not just at 120fps but a class-leading 240fps with excellent quality. It also hints at a 180fps mode that will have expanded dynamic range if needed. It is interesting that 1080p as a slow motion mode is not even considered here but these cameras are geared to a specific market and that is digital cinema which needs much more resolution nowadays than what even 2k can deliver, much less 1080p. → Continue Reading Full Post ←
The hegemony of phone sensors has been the purview of Sony with their Exmor sensors for many years but now Samsung has started making inroads in the space with their ISOCELL chips. The latest is currently mass-produced and shipping in handsets already which is not a paper launch, but a real thing. The chip is capable of massive low light improvement compared to other sensors because it is essentially a near 1″ sensor with 1/1.12-inch measurements. This is close to what Sony RX cameras use as a main sensor, and a first for a phone.
As to how they are able to fit this sensor on phones, it is a dance between a protruding camera bump that is a little larger than usual and also a lens system that creates a full imaging circle from a minute distance. The GN2 is capable of recording 480fps in HD 720p, 4k 120fps, 30fps in 12.5MP windowed size and 10fps in 100MP mode which uses a clever algorithm and three RGB exposures to derive a 100MP image from the 50MP source. → Continue Reading Full Post ←
Xiaomi has surprised this year with now the Mi 11 Ultra phone which is a big step up from the Mi 11 released earlier this year. The huge difference lies in the size of the sensor which is close to a 1″ camera sensor like those found on the Sony RX camera series for example. The phone has two 48MP sensors and a main 50MP sensor for the main camera with a highly protruding camera bump that really screams for a case to be able to balance well on a flat surface.
The slow motion modes on the phone are rumored to be the garden variety with 120fps/240fps 1080p, 60fps 4k, and also a selfie camera that does 720p 120fps which is becoming commonplace. What is really peaking our interest is the 1920fps slow motion mode that is touted by some reviews. It is unclear what the phone is capable time-wise as the specs are still not all there. The samples we have seen show detail loss and the clear signs of interpolation. → Continue Reading Full Post ←
One of our favorite high speed camera companies has shared a lot of information regarding it’s COVID pandemic operations as well as unit shipments for their cameras. It looks like Sanstreak corp the parent of edgertronic is considered an essential business to the government which is probably because of the support and software development they do with clients for important government agencies. They have sold thousands of cameras to date and the company seems to be on firm footing to continue solidly into the future.
Their product line has the SC1, which is the 700fps 720p camera that started it all, as well as the SC2/SC2+ 720p at over 4000fps and SC2X over 2000fps at full HD 1080p. Check our page here for full in-depth reviews on these three cameras. Our favorite the SC2X is capable of a beautifully detailed and artifact-free image that can be used for cinema and broadcast. The SC2+ has the edge in frame rates with speed as a primary focus being able to record 6x the frame rate of the original edgertronic. The cameras have Color and Monochrome options if needed.→ Continue Reading Full Post ←