Sony has released some white paper specs on a new Micro 4/3rds sensor that is as of now, the most advanced ever on the format considering the mix of Backside illumination, Stacked technology and high resolution color at 10 bits on full sensor read outs. The frame rates offered are also quite impressive with up to 1139fps at 0.46 Megapixels or 1760px Horizontal x 262px Vertical on the fastest range and 121fps at the full sensor area read-out at 20.9MP.
The Panasonic GH6 is coming later this year and it is estimated that this new sensor is actually the one that will be used on that camera. If Lumix technology can make full use of the sensor specs even for small fractions of time, we could have a killer slow motion mass produced camera. The VFR mode on Panasonic Lumix cameras has always been more than acceptable and they could breathe new life into the format if these sensor specs are used to their fullest. We expect at least 1080p at 240fps which will be a slightly stretched delivery from the 1760 x 1318 240.2fps mode listed on the sensor specs. → Continue Reading Full Post ←
Panasonic unveiled in May the GH5 Mark II which is a slight refresh of the venerable m4/3rds GH5 with live streaming, better dynamic range in video, better AF algorithms, and slightly better IS on a very similar body with just a few cosmetic red buttons and rings for refresh purposes. The slow motion remains at 180fps VFR at 1080p and 60p at 4k on the GH5 II since it is using the same sensor and imaging engine. It is a better overall camera than the original but a mild refresh nonetheless.
That brings us to the pre-announced GH6 which is an in-development camera that aims to refresh the entire Micro 4/3ds line in Panasonic and aimed at professional video users. It sports a new sensor, new imaging engine, new body and new technologies yet to be disclosed. According to rumors, this camera should be able to keep micro 4/3rds alive for another five years delivering an array of video and photo features that will set it apart much like the original GH5 carved a place in camera history. We have also received rumored specs that may or may not pan out regarding frame rates which we find somewhat credible. → Continue Reading Full Post ←
A few months back we took a look at Dain app, and how it was able to use AI and machine learning to create in between frames from almost any source footage and create something that looked and felt like real footage taken with higher fps cameras. The algorithm was so revolutionary that it took the world by storm, making older software that used re-timing from Adobe and others look antiquated and underpowered. The Dain-App was great and it was a pay what you want App but had an Achilles heel. The software required a powerful Nvidia GPU with as much VRAM as you could muster to be able to convert footage and re-time it.
The new Rife-App which is the direct successor of Dain App by the creator GRisk is up to 25x faster than the original, improves the algorithm, and by many examples betters it by creating more seamless transitions. The flow of frames is frankly jaw-droppingly beautiful, especially on low frame rate animation. We estimate that Animation studios in 2D will eat this app up immediately, and even 3D animation studios could reduce their render times by calculating fewer frames and using Rife-App to increase them to 24p, 30p or 60p from a lower source like 20fps or 12fps. → Continue Reading Full Post ←
Canon it seems is thinking 3 steps ahead of everyone else when it comes to pro 8k video. After being left behind in the adoption of 4k and playing catch up to the format, they seem intent on making their cameras the new 8k default option with specs that seem out of a dreamer’s wish list. Be warned that these cameras will probably start at $10k USD and go up from there. The low end should be about 10k to $15k for the C300s at the low end, and the high end a $30k price tag for a C700DR.
The most impressive of the new rumored cameras is the Canon EOS C700DR (DR Stands for Dynamic Range) which will be capable of recording 4k not just at 120fps but a class-leading 240fps with excellent quality. It also hints at a 180fps mode that will have expanded dynamic range if needed. It is interesting that 1080p as a slow motion mode is not even considered here but these cameras are geared to a specific market and that is digital cinema which needs much more resolution nowadays than what even 2k can deliver, much less 1080p. → Continue Reading Full Post ←
One of our favorite high speed camera companies has shared a lot of information regarding it’s COVID pandemic operations as well as unit shipments for their cameras. It looks like Sanstreak corp the parent of edgertronic is considered an essential business to the government which is probably because of the support and software development they do with clients for important government agencies. They have sold thousands of cameras to date and the company seems to be on firm footing to continue solidly into the future.
Their product line has the SC1, which is the 700fps 720p camera that started it all, as well as the SC2/SC2+ 720p at over 4000fps and SC2X over 2000fps at full HD 1080p. Check our page here for full in-depth reviews on these three cameras. Our favorite the SC2X is capable of a beautifully detailed and artifact-free image that can be used for cinema and broadcast. The SC2+ has the edge in frame rates with speed as a primary focus being able to record 6x the frame rate of the original edgertronic. The cameras have Color and Monochrome options if needed.→ Continue Reading Full Post ←
The scientists at Vision Research are at it again at their favorite pastime of hyper slow motion gear creation. The new TMX 7510 Phantom camera is the fastest ever in their arsenal with a mind-bending spec of 75 Gigapixels throughput which is capable of delivering 76,000fps 1 Megapixel resolution or slightly higher than HD at 1280 x 800px.
The camera features the first BSI or Back-side illuminated sensor ever used in a Phantom camera. This allows for much better low-light performance which is crucial for slow motion applications. The camera tops out at a ridiculous 1.75 million fps frame rate at 1280 x 32px in standard width mode or 640 x 64px in Binned mode. One second recorded at that speed creates a file that plays back for 972min or just over 16hrs in a 30fps timeline. Yikes!→ Continue Reading Full Post ←