Sony has been relatively quiet about phones since the Xperia 1 II roll out. However, rumors have been heating up on the Xperia 5 II, which is a lower-cost alternative to the flagship phone but very nearly as capable without the best screen or construction but not skimming on features. The latest rumor mentions a spec sheet that makes it a 4k 120fps recording phone which may show that handsets still are seen as innovators when it comes to cameras since very few consumer devices in the camera world can record at that frame rate.
We were not very happy that Sony basically killed the super slow motion mode on the Xperia 1 II phone which kind of showed that Sony was putting stills and regular video at the forefront without making compromises in sensors that needed to shoot at higher frame rates. Sony chose to do cleaner regular frame rate video and stills that were better than any Sony phone before at the cost of not having a do it all sensor. Slow motion from Sony was all but killed but the Xperia 5 II now makes us second guess that fate…→ Continue Reading Full Post ←
With all the COVID 19/Coronavirus news it seems out of place to fret over smartphone maker decisions. However, we have to mention the latest Sony smartphones which prioritize photo and video quality with one gigantic omission. All of the new lineup from Sony the Xperia 1 II, Xperia 10 II, and Xperia PRO 5G lack super slow motion features. Yes, the 960fps 1080p mode is gone and the only spec remaining is a paltry 120fps 1080p Full HD pseudo-slow-mo frame rate.
If you recall in years past, the Sony brand was incorporating their Motion eye™ technology which pairs a sensor with ultra-fast memory on the same package to allow for large datarates and super slow motion capture. In the lab, the phones were able to shoot up to 1000fps at full 1080p HD with excellent quality. What came out in the Xperia phones was a somewhat odd translation of 0.1 seconds recording time at 1080p 960fps/1000fps which came out to be extremely short and a kind of useless feature. Now that has been abandoned.→ Continue Reading Full Post ←
The Spanish Association of Broadcast, Cinema and TV Producers or PNBE for short, is sharing some information about a camera they are custom building for the purpose of shooting a new series for Spanish Television that explores Nature and Astrology “Or maybe Astronomy” which could be a translation error. The new camera will be able to shoot at pretty remarkable specs like 10k and 8k video including higher frame rates at many resolutions that surpass anything in its class.
The camera needs to have extreme detail and low light performance with RAW capabilities. Only a dozen will be built for the TV program but we assume they share the information in order to see if there is interest in the market for DPs and other professionals to own such a camera. We were happy to see that the spec sheet is very detailed with both H.264 and H.265 support aside from RAW and Cinema DNG formats in recording.→ Continue Reading Full Post ←
The recently announced Octopus Cinema Camera with a modular sensor, mount, and other components could, in theory, become a customizable professional solution slow motion camera that is unencumbered by firm specs but by a fluid and upgradeable sensor and component path. The Axiom camera is also something akin to this but has yet to ship. The Octopus has in prototype form been fitted with a 4/3 sensor capable of up to 240fps in 2k RAW and a full-frame that allows 3k up to 100fps.
The body looks eerily similar to Phantom cameras with the white machined exterior with fans and ports protruding the body. While 240fps at 2k is not what we could call really professional slow motion, it is based on an open architecture in hardware and software that could window the sensor down and possibly offer more frame rates at 1080p and 720p for maybe a 480fps RAW capture in HD.→ Continue Reading Full Post ←
The Kinefinity Terra 4k camera which starts at $3,999 body only and a ready to shoot package at $5,499 has now released information of a new firmware upgrade that will be released in May of this year which increases the slow-motion capabilities of the camera markedly. The camera was no slouch before when it came to frame rates which had 240fps at 2k and 100fps at 4k. It actually records in RAW and has excellent quality with no moire and aliasing since it is effectively cropping the sensor area to get a 1:1 pixel read-out for the slow mo.
For this low a price you really have no viable options that shoot these frame rates in excellent quality except for the recently announced Chronos 2.1 HD which does 1000fps at 1080p in DNG RAW. The Kinefinity line of cameras has started to become a go-to place for cinema quality at reasonable prices. Many Video Pros are actually becoming owners of the camera and praise the rock-solid quality of the build, operation and beautiful image quality with ample dynamic range. The Chinese have really built the Cinema camera for the common man.→ Continue Reading Full Post ←
“Ladies and gentlemen, please welcome the “Chronos 68″ made of 48 Chronos 1.4 cameras thus able to process 68 Gpx/s. Is anyone in to buy?” Krontech.ca
Being this April 1st which could make it an April Fools prank we are cautious about calling this a real rig, or product, but it sure looks pretty capable as a way to capture a 360-degree view of something. Whatever the case, this is probably not going to be cheap but geared to professional movie making or very hardcore labs. Krontech.ca website here!What do you think?-HSC