The recently announced Galaxy S20 phone line has been making some waves with impressive specs especially related to the camera modules. As always we are only interested here in the high speed video specs here at HSC “not even the new 8k video spec” and the new phones are an improvement over the S10 and Note 10 lines. However, it is important to note that not all S20s will share the same slow motion specs and that is what this post is about.
You may think that the S20 Ultra 5G will be the easy choice here but it is hardly as straight forward as that. The amount of technology packed in the Ultra phone along with four camera modules and one of them at over 100MP means they prioritized photo resolution over video shooting in their sensor selection. The Ultra will not natively support the 960fps spec but default to only 480fps.→ Continue Reading Full Post ←
The Spanish Association of Broadcast, Cinema and TV Producers or PNBE for short, is sharing some information about a camera they are custom building for the purpose of shooting a new series for Spanish Television that explores Nature and Astrology “Or maybe Astronomy” which could be a translation error. The new camera will be able to shoot at pretty remarkable specs like 10k and 8k video including higher frame rates at many resolutions that surpass anything in its class.
The camera needs to have extreme detail and low light performance with RAW capabilities. Only a dozen will be built for the TV program but we assume they share the information in order to see if there is interest in the market for DPs and other professionals to own such a camera. We were happy to see that the spec sheet is very detailed with both H.264 and H.265 support aside from RAW and Cinema DNG formats in recording.→ Continue Reading Full Post ←
Panasonic not to be outdone by sales rivals is pre-announcing the S1H camera to appease video-centric mirrorless users who want that extra edge. It has a 6k mode which will allow for better stabilization and cropping/punching in on 4k timelines while giving the user bragging rights. It has a 14 stop dynamic range spec which if we look at the sensor it is only on a couple of capture settings the rest is 12 bit.
There is also no mention of higher frame rates besides UHD 4k 60p which we presume will be 180fps 1080p max since this camera shares nearly the same internals as the other Panasonic S1 cameras. We do not expect this camera to have better slow motion video than the regular S1 even with its $4000 price tag. The camera looks to be aimed at the mid-high end of the video market and allow it to record without limits which on the regular S1 is 29min.→ Continue Reading Full Post ←
Today the OnePlus 7 Pro was announced after a plethora of leaks over the previous weeks. However, the Slow Motion capabilities were not disclosed in the leaks so we had no rumor to report on that front. Today with the full spec list released we can see that the OnePlus 7 Pro camera has the new Sony IMX 586 mobile sensor which is the same as many other phones recently released included as their main shooter. The 48MP sensor is used to supersample data and allow for better optical crop zoom and noise reduction by averaging neighboring pixels as some of its capabilities.
The problem is that the 48MP sensor is terrible in the rolling shutter department the larger the sensor area is used. We saw that in the Nubia Red Magic 3 and it’s 8k 30p video mode which was unusable at the first sign of movement. That means that 1080 and 720p video modes will have a very severe crop on the sensor and probably much worse low light performance than that found on Last Year’s OnePlus 6 and 6T which allowed for also 720p 480fps for up to 3.75 seconds of recording.→ Continue Reading Full Post ←
The Spanish company Cinemartin known for their camera monitors is now officially launching the Fran 8k line of cameras in three flavors. The Fran 8k LT at an introductory price of €7,920 Euros or $9,000 USD which shoots 8k at 24p and up to 96fps in 2k resolution in either DNG RAW, PNG or ProRes while sporting a 37 mm x 27 mm (Diagonal 46.2 mm) sensor size slightly larger than a Full Frame 35mm. The LT version will not sport features like Programmability and image stabilization which the other higher cost models will support.
The cameras are built to order and require a 10% deposit when reserved. They are geared at the commercial and cinema markets which require the utmost image quality and 8k resolution on a very large sensor. The frame rates at 4k max out at 60p and at 2k max out at 120fps on the two higher-end models. The introductory prices will only be available until 31st of December 2018. looking at the video samples released it is clear the quality of the image will be cinematic and contain extreme detail. The file sizes will also be enormous but that is to be expected with a frame size of 7920px * 3024px or 24Megapixels on the LT and 47MP on the Plus!→ Continue Reading Full Post ←
We liked the Insta360 Pro released last year because it upped the ante in resolution and immersion compared to other off the shelf camera solutions. This new Pro 2 camera essentially increases the performance by stitching six 4k images to truly bring VR recording to a point where resolution blends with realism at 8k 3D. VR has always suffered from the resolution Achilles heel which can kill the experience as you notice image errors like aliasing, softness or stitching artifacts.
The new Insta630 Pro 2 camera has 6 lenses and 6 full camera systems to capture the scene. If using H.265 for Post stitching it can reach 4k UHD at up to 120fps binned. All six cameras used at maximum resolution can build a 12k still image but for VR video you will be outputting an 8k stream in 2D or 3D with outstanding visual crispness. The demos shown do make it seem like headsets are now the technology that needs improvement to increase resolution and catch up.→ Continue Reading Full Post ←