The teaser trailer about a camera that may well be the most important slow motion release of the year is out, and in a word, its “inspiring”. The video is shot by the german video production house: https://www.vorzeigekind.de/ and it shows the process of making a hamburger dish along with some flying citrus and a flaming martini. Continue reading…
The recently announced Galaxy S20 phone line has been making some waves with impressive specs especially related to the camera modules. As always we are only interested here in the high speed video specs here at HSC “not even the new 8k video spec” and the new phones are an improvement over the S10 and Note 10 lines. However, it is important to note that not all S20s will share the same slow motion specs and that is what this post is about.
You may think that the S20 Ultra 5G will be the easy choice here but it is hardly as straight forward as that. The amount of technology packed in the Ultra phone along with four camera modules and one of them at over 100MP means they prioritized photo resolution over video shooting in their sensor selection. The Ultra will not natively support the 960fps spec but default to only 480fps.
The Nissan GT-R continues to be unmatched in the high-end sports car world by offering a performance way above its price range. For the new NISMO GT-R 2020 they needed to film the car at full performance. After looking for solutions in the market it was immediately apparent that they needed a car with a rig system that could keep up with the new supercar.
As it turns out the only solution would be to build a custom GT-R with expert and Drifting world champion Mauro Calo, with camera rigs normally used in big Hollywood productions as you have seen in the Fast and the Furious series. Nissan decided to paint the car Matte black so it would not reflect on the other car’s paint and or create unwanted flares on camera lenses. The result is the best performing camera rig car ever made. It is capable of carrying a fully rigged camera system including but not limited to ARRI Alexa, RED Dragon, Sony Venice, Panasonic Varicam or high-speed solutions like the Vision Research Phantom Flex 4k.
Not too long ago the Vision Research Phantom v2640 was amazing us with 4MP capture at 6,600fps with incredible quality. Now iX Cameras with offices in the UK, USA and Shanghai China is turning heads with an extreme spec sheet of 3 Megapixels 2048×1536 at 8,512fps and a Full HD 1080p frame rate of 12,742fps which is just 242fps higher than the Phantom v2640 at 12,500fps.
The relative camera memory speed and pixel capture rate is very similar between these two behemoths but you have to give the crown to the i-SPEED 726 for the 3 megapixel 8,512fps which brings in a whole new level of temporal detail at above Full HD resolution. Of course, these cameras do not share their pricing unless you request a quote which you cannot share publicly. However, expect to pay high 5 figures for the best the technology has to offer.
GoPro has released 3 new cameras including the Hero 7 Black which is now the flagship product for the company. The key feature is HyperSmooth which is a predictive stabilization technology based on scene analysis and sensor telemetry to accurately anticipate motion and correct the image to generate a gimbal-like smooth appearance to the video. When you see the footage it is clear it is a huge improvement compared to even the Hero 6 Black which had a pretty good stabilizer.
The Stabilization, however, is limited to 4k 30/60p and other resolutions below 120p but anything above 120fps will use the previous stabilization feature which is not predictive and have no stabilization support at all at 1080p 240fps which is the highest slow motion mode. No 480fps or other higher fps settings are available as the camera uses both the same Hero 6 Black sensor and the same GP1 system chip for this new camera.
Sony has decided to release the RX100 VA worldwide and it effectively replaces the RX100 V production line. The new camera will have a better EVF refresh, modern Autofocus with improved tracking and a larger buffer of 233 images. We considered the newly announced RX100 VI camera to be just a longer lens version of the RX100 V but with an increased price tag. That camera does have a touchscreen and the reach but the fans of the faster f1.8-f2.8 lens of the RX100 V now can get a more up to date version.
We favor the RX100 VA to all other RX100 cameras as the $999 price tag is more in line with the segment. If you already own an RX100 V camera there is no reason to get a VA version as there will not be any improvement to the slow-motion component which is already one of the best out there.