Just in time for the Japanese Olympics if they ever take place, Sony has released the Sony Alpha 1 or A1 for short which is probably the most powerful mirrorless camera ever produced. Customary for Japanese camera manufacturers in Olimpic years, the likes of Canon and Nikon have released their professional flagship products like the 1DX and D6 which are still SLR mirrored products that have the highest possible Autofocus features for a camera of that type as well as speed and dependability.
Sony has had some inroads in that space with the Sony a9 series but they were missing a higher megapixel count version that could really differentiate it from the pack and the A1 seems to be just that kind of product. By shooting 8k video at 24,25 and 30p it becomes future-proof for the next decade as far as resolution goes and by taking 30 images per second in stills mode at the full 50MP resolution with AF Tracking, it is one blinding fast beast. The fact that it also shoots 120fps 4k and 240fps Full HD doesn’t hurt it either. → Continue Reading Full Post ←
It’s here, yes it is finally here you are not seeing things. In what may be the most anticipated camera release in years, Sony has finally unveiled the a7s III video-centric mirrorless camera. It has all the new performance benefits of processing and AF seen on other Sony bodies but now applied to a 12 Megapixel back-illuminated full-frame sensor geared to shoot pristine 4k and be able to shoot stills as a secondary function. The original 5D from Canon shot 12.8 MP in 2005 when it was introduced and it is still being used out there by many professionals as it was and still is a wedding workhorse. However 15 years later which in the camera world seems like a century, we get a brand new Sony camera with 12MP and that is actually a great thing!
The slow motion on this camera has a lot of good but also some hidden secrets that you should know about before plunking your hard-earned cash. We get what may be the best 120fps 4k footage we have seen in any camera under 10k USD at full 4:2:2 10 bit quality which after looking at the samples left us with nothing but praise to see such a well-executed mode with the added benefit of being able to shoot nearly 1hr worth of it before the camera temperature spoils the party. Excellent performance! → Continue Reading Full Post ←
One of the Photokina announcements that peaked our interest was the Nikon KeyMission 170 Action Camera which aims to disrupt the already crowded space of all weather sports segment. We have a plethora of options from the leader GoPro and close competitors like Sony, Xiaomi, Olympus, Garmin and even Panasonic. So another entry by Nikon seems to go by unnoticed however this hardware looks to be very capable and can go head to head with the best.
The slow motion capabilities are the standard for high end action cameras here with 120fps at 1080p and 240fps at 720p. While these are becoming standard frame rates for the most part; there is a clear distinction on quality between cameras with Sony Action Cam being clearly superior in compression with XAVC S to GoPro for example. ProTune on the Hero 4 and 5 does make a difference but Sony has the edge with an overall better codec that is low artifact. → Continue Reading Full Post ←
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