The recently announced Canon 90D, Canon EOS M6 II, Sony a6100 and Sony a6600 are cameras that refine everything that is already a current technology but bundle it in a lower price package with great performance. However, it is clear from the spec sheets that high frame rates have stagnated for the past few years in these camera lines with a maximum of 120fps at 1080p.
Sure some of them offer full-time autofocus in slow motion modes and face tracking which in the case of Sony is so good that you may not even match it if you had the best focus puller in the business hired for your shoot. But the frame rate war seems to be left to other camera lines and brands. Panasonic, for example, offers up to 180fps in their new S1H camera which should be in theory the best Panasonic mirrorless camera ever made and it should also allow for outstanding quality in 1080p 180fps.→ Continue Reading Full Post ←
The folks at Blackmagic design are at it again when it comes to destroying spec sheets compared to price. The BMPCC 4k was already one of the best-reviewed and popular choice among budget filmmakers that needed excellent quality and dynamic range. At only $1,295 that camera was a smash hit but had only a four thirds (4/3) sensor which was not ideal in size and required speed booster adapters to get the needed depth of field to simulate an S35 image.
Now the BMPCC 6k ($2,495.00) with EF Canon mount comes in with a full APS-C sensor with dual ISO characteristics like before but with the added imager size and full electronic lens support for EF glass. It would have been in our view ideal to use an electronic mount with shorter flange like the Sony Alpha or the new Canon RF mount so you could adapt even more lens combinations but they are catering to a large installed base of glass owners.→ Continue Reading Full Post ←
It’s been a while since we’ve covered the fps4000 camera mainly due to development time taking longer than initially estimated. However, Graham Rowan the engineer behind the camera has now posted the first 4k 480fps footage shot in RAW on the fps4000 camera which uses a sophisticated memory arrangement on the onboard super-fast flash RAM to be able to record lengths of time unimaginable before on slow motion cameras at high resolution.
This camera is a very different kind of technology from regular high-speed cameras that record to volatile DRAM. The fps series records to flash chips that are soldered to the mainboard and allow a variety of frames rates and resolutions depending on the sensor used but all is saved on the flash memory as a non-volatile stream of data. Modern SSD chips are so good at re-allocating reading and writing bits that the life of the components is now measured in decades of regular use instead of a few years. The fps4000 is using this technology fully to enable memory bandwidth magnitudes greater at a significantly reduced cost.→ Continue Reading Full Post ←
The Kinefinity Terra 4k camera which starts at $3,999 body only and a ready to shoot package at $5,499 has now released information of a new firmware upgrade that will be released in May of this year which increases the slow-motion capabilities of the camera markedly. The camera was no slouch before when it came to frame rates which had 240fps at 2k and 100fps at 4k. It actually records in RAW and has excellent quality with no moire and aliasing since it is effectively cropping the sensor area to get a 1:1 pixel read-out for the slow mo.
For this low a price you really have no viable options that shoot these frame rates in excellent quality except for the recently announced Chronos 2.1 HD which does 1000fps at 1080p in DNG RAW. The Kinefinity line of cameras has started to become a go-to place for cinema quality at reasonable prices. Many Video Pros are actually becoming owners of the camera and praise the rock-solid quality of the build, operation and beautiful image quality with ample dynamic range. The Chinese have really built the Cinema camera for the common man.→ Continue Reading Full Post ←
Sony has released the RX0 Mark II which now includes the ability to record 4k internally as opposed to using an external recorder. Other goodies include a new flippy screen which while tiny, it allows for easy framing and selfie vlogger styles. A new stabilizer is included for reducing shake and it is a definite improvement even when the rolling shutter is a real problem.
Most of the camera is the same as before when it comes to body shape and usability, the higher frame rates are identical as the 2017 RX0 Mark I with essentially the same resolution and time recording. The big improvement comes in the screen and internal 4k recording with stabilization which seems to be directly aimed at vloggers. The sensor is, however, a tad less crowded by pixels at 15.3MP on the Mark II vs 21MP on the Mark 1. That should help in the low light department.→ Continue Reading Full Post ←
It looks like DJI has not set in stone the frame rate spec of the recently released OSMO Pocket which we found to be excellent in handling and gives a beautiful low light stabilized image considering the small sensor size and price. It even beat out the GoPro Hero 7 in dynamic range and noise control but fell short of frame rates being on our good side. Thanks to our reader Frank for the tip!
In a new video by Drone NewsGuy from Youtube, the pro app and latest beta firmware for the OSMO Pocket are tested and you can enable a somewhat hidden setting to get 200fps in real terms out of the small device. The catch is that the setting requires the phone app to be activated every time you want to use it and will remain there until you change settings to something else. We would love for DJI to allow the 200fps setting right out of the box on the interface and not only that, allow for even greater fps in 720p mode and even a small VGA mode for users needing that extra frame rate.→ Continue Reading Full Post ←