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Reviews of Hi Speed Cameras!

Xiaomi Mi 11 Ultra Slow Motion Mode 1920fps Fake?

Xiaomi has surprised this year with now the Mi 11 Ultra phone which is a big step up from the Mi 11 released earlier this year. The huge difference lies in the size of the sensor which is close to a 1″ camera sensor like those found on the Sony RX camera series for example. The phone has two 48MP sensors and a main 50MP sensor for the main camera with a highly protruding camera bump that really screams for a case to be able to balance well on a flat surface.

The slow motion modes on the phone are rumored to be the garden variety with 120fps/240fps 1080p, 60fps 4k, and also a selfie camera that does 720p 120fps which is becoming commonplace. What is really peaking our interest is the 1920fps slow motion mode that is touted by some reviews. It is unclear what the phone is capable time-wise as the specs are still not all there. The samples we have seen show detail loss and the clear signs of interpolation. → Continue Reading Full Post ←

OnePlus 9 Slow Motion mode gains 4k 120fps!

OnePlus has finally released its new flagship 2021 phones. And they have built a new 3 year partnership with medium format camera maker Hasselblad to build their phone camera modules.  On this first iteration, we get Ultra Wide 50MP, Wide 48MP or standard and a 3.3x telephoto with 8MP which is the lower quality of the bunch.

OnePlus has respected its own heritage when it comes to frame rates as the new 9 handsets retain the 240fps in Full HD 1080p and 480fps in HD 720p mode for somewhat super slow motion and a new mode of 120fps in full 4k which is exciting. OnePlus had the edge in recording duration in previous phones and this new variant might keep that edge. However, we feel disappointed the resolution did not go up to full HD at 480fps and allow for a 960fps HD mode like many other phones out there. → Continue Reading Full Post ←

Sony a7s III Slow Motion Samples!

Sony a7s III Slow Motion Samples

Now that the excellent a7s Mark III video recording mirrorless camera has been out for over six months, it is time to revisit the slow motion component and see what quality we can expect from the Sony a7s III Slow Motion Samples. Many have praised the 4k 120fps mode which is heavily detailed, low noise and suffers from only a very small crop factor that is hardly a problem.

We looked at the Full HD 1080p 240fps mode on the camera and it was clear it did not match the 120fps 4k mode as it was not only less detailed but full of aliasing and moire if you looked for it. It was clear the camera was not up to professional standards when in this mode which is to be expected from a full-frame sensor cropping to 1080p. That said, this camera is a powerhouse that easily takes the mantle as Sony’s best mirrorless compact video camera.

Sony a7s III Slow Motion Samples:

Be aware that 120fps in 4k is not only highly detailed and full of dynamic range but it is the best high frame rate this camera has to offer. You can easily use this mode for professional broadcast or film work is shot in good conditions.  The a7s Mark III is the best Sony Alpha line camera for low light performance and it is evident by the samples this translates directly into higher frame rates.

CHAINSAW VS SONY A7SIII | SLOW-MOTION by Moment:

Sony A7S iii Slow Motion footage 120fps 4k by Josiah Mendoza: → Continue Reading Full Post ←

Fuji X-S10 Slow Motion 240fps Samples!

Now that the surprise camera of 2020 has been out for a while, it is time to revisit the 240fps mode included in the video features. At first glance, it delivered 720p quality or less in an upscaled 1080p wrapper.  However many Fuji fans asked us to revisit the slow motion quality of this camera as early samples supposedly did not do justice to what this mode was able to deliver.

We have to agree to some extent that the quality of this camera in 240fps Full HD slow motion is better than other even more expensive options but we still feel that Fuji cut corners when it comes to image quality here by dropping lines and having a pretty noisy output unless there is an ample amount of light.  We have some samples that will let you see what this camera is capable of and make you decide if it is a good enough option for your camera collection.

Fuji X-S10 Slow Motion 240fps Samples:

The camera can shoot up to 6 minutes in high frame rate mode and saves the file in a 60fps Full HD file for playback according to the official manual here. You can always lower the frame rate further to conform for 24p, 25p, and 30p if needed.

Fuji X-S10 Video Samples Below:

Fujifilm X-S10 Slo Mo 240fps test by Abu Habeeb:

Fujifilm X S10 240 FPS slow motion ,IBIS.Handheld Shooting without colour grade (ETERNA) by Aju Eapen: → Continue Reading Full Post ←

Panasonic Lumix BGH1 Slow Motion at 240fps is good!

Panasonic Lumix BGH1 Slow Motion

The Panasonic Lumix BGH1 is a strange camera if you are used to DSLR or Mirrorless camera body styles. It is tiny and full of connections with no screen unless you provide one via a computer that is tethered or an HDMI field monitor.  It uses the same dual ISO sensor found on the Panasonic Lumix GH5s which is a very good low light camera in a Micro 4/3ds package.  The BGH1 has a better internal recording set of options than the GH5s but it is more intended as a tethered studio solution with the addition of Genlock synch and SDI out.

The camera also has VFR or a Variable frame rate mode which is identical to the Lumix GH5s as it records from 1fps to 240fps in Full HD 1080p and delivers pretty good performance up to 200fps then lowers the quality along with providing a small added crop to the image at 225fps and 240fps. It is still not as sharp as regular 1080p video and the codec is saved at a lower bit rate but having 240fps as an option is great.

Panasonic LUMIX BGH1 Video Specs:

Video Modes: AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:2 10-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 400 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 to 200 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MOV 4:2:0 8-Bit:
4096 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3840 x 2160p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
3328 x 2496p at 23.98/24/25/29.97/50/59.94 fps (100 to 150 Mb/s)
1920 x 1080p at 23.98/24/25/29.97/50/59.94 fps (100 Mb/s)
AVC-Intra/AVC-LongG/H.264 Long GOP/H.265/MP4 4:2:2 10-Bit:
3840 x 2160p at 23.98/25/29.97/50/59.94 fps (72 to 100 Mb/s)
AVC-Intra/AVC-LongG/H.264/H.264 Long GOP/H.265/MP4 4:2:0 8-Bit:
3840 x 2160p at 23.98/25/29.97 fps (100 Mb/s)
1920 x 1080p at 23.98/25/29.97/50/59.94 fps (24 to 28 Mb/s)VFR Mode 1-240fps Full HD 1080p (24 to 28 Mb/s) 

As you can see, the camera is capable of recording up to 60fps in 10 bit 4:2:2 internally which is better than other m4/3 lumix cameras that top out at 4:2:0 color space in this mode.

Of note is that the VFR Panasonic Lumix BGH1 Slow Motion mode is limited in bit rate from 24Mbits/sec to 28Mbits/sec which is passable but hardly ideal since the image is more compressed.  The quality of the VFR should be identical to the GH5s and the sample below by the great youtube reviewer Richard Wong you can see the softness associated with 240p in VFR.  We are told that up to 200fps the image looks a bit better and there is no crop associated with it.

Pretty In-Depth Panasonic Lumix BGH1 by Richard Wong: 

As you can see in the excellent in-depth review above, the camera has Auto Focus that is pretty similar to the other cameras in the Lumix line and suffers from the same pulsating qualities of the DfD Depth from Defocus algorithm used by Panasonic. We are no fans of it for video even when it has improved a lot. For AF to work reliably you need to have dual Pixels in the sensor with Phase and contrast-detection like those on systems from Canon or Sony.

The camera is very small and it is ideal for drones that can carry the 545g of the body plus a lens.  At $1,997.99 at Adorama Camera it is about the same price as a Panasonic S5 which is a full-frame camera that delivers even better performance in low light and has a photo mode and screen.  The S5 in our view is a better overall camera for the majority of people but the BGH1 is geared to a different market altogether.

You could build a studio with them as they have Genlock timecode sync and SDI out which is what you want for tethering many of these cameras together. The uses for a camera like this are plenty considering its great low light performance and beautiful image with 13 stops of Dynamic Range when Shooting V-Log L.

Pricing and availability:

Panasonic LUMIX BGH1 – Review – Unboxing the box camera by extrashot: → Continue Reading Full Post ←

Wave Camera 4k Slow Motion Released for 10k USD!

The Freefly systems Wave camera has been released and it is certainly a market disruptor. It is not your average high speed camera since it is essentially using an internal SSD M.2 card to continuously record slow motion events it functions more as a live capture device than a shot by shot trigger traditional slow motion camera. This is essentially the idea behind the fps1000 camera line by Graham Rowan which sadly was dissolved last year. A new way of capturing high speed by leveraging the speed of SSD flash storage with ultra-high frame rates.

The Wave is no slouch in specs with a 4k spec of 420fps which is not as good as the Phantom Flex 4k which records 1000fps but costs a whopping 160k USD.  The Wave costs $9,995 and using an E-Mount with no power or AF functions, can be adapted to a variety of lens systems because of the plethora of adapters that can be used due to the short flange distance.  We take a look at the wave specs and why it may be the camera you were waiting for – if you can get one!

Wave Camera 4k Slow Motion Specs:

Continuous Capture Time:

  • 4096 x 2176, 422fps, 1TB 19min
  • 4096 x 2176, 422fps, 2TB 39min
  • 2048 x 1088, 1461fps, 1TB 23min
  • 2048 x 188, 1461fps, 2TB 45min

The camera uses a 4:3 aspect ratio from the sensor which is kind of odd but allows for a variety of frame sizes including anamorphic capture if stretch in post. This seems to be an ideal camera for Anamorphic slow motion.  Of note is that the Krontech Chronos 2.1 HD is also using a 4:3 sensor which in theory can be used with Anamorphic glass. → Continue Reading Full Post ←