Now that Panasonic has officially announced the Lumix S5 Full frame camera which we saw as a direct replacement for the GH5 line even when now it seems a GH6 may be in the cards for a future release, it is now time to examine the slow motion modes on the camera to see if they stand a chance at becoming a feature which will be a seller for the new device or just one more feature.
When the GH5 was announced about 3 years ago it came with a 180fps 1080p mode that was better than many camera’s 120fps modes and quickly became our favorite Lumix camera for slow motion as we noticed how the quality of the 240fps mode on the GH5s low light geared camera was heavily inferior in resolution. The GH5 really became the best value along with the G9 for 180fps slow-mo modes in Full HD.→ Continue Reading Full Post ←
The Lumix GH5 is still one of the best video powerhouse cameras ever produced. It doesn’t overheat, it shoots incredible 4k oversampled video at up to 60fps 4k or 180fps 1080p with near Full HD quality but it’s Achilles heel, the Micro 4/3ds sensor which is small and quite inferior in low light compared to Full Frame or even APS-C rivals. The GH5s is the low light lower megapixel version with dual Gain senor which is actually very clean in low light and can go toe to toe with the best out there but has no IBIS which is a big loss.
Now Panasonic is set to announce the Lumix S5 Full frame mirrorless camera which essentially migrates most GH5 features into a full-frame body with nearly the same introductory price of $1998 USD but improves 4k 60p with 4:2:2 color at 10-bit instead of 4:2:0 8 bit on the GH5. You get IBIS, and also the 180fps Full HD of other S L-mount cameras by Panasonic. It is still too early to tell what kind of quality the 1080p 180fps mode will be capable of but it does hold promise as the S1H and S1 do a pretty good job on these modes.→ Continue Reading Full Post ←
As it was initially unveiled at Photokina last year, the Panasonic Lumix S1 and S1R cameras are their answer to the domination of larger sensors in stills and video mirrorless cameras. Is there any reason now to buy a Full Frame DSLR when mirrorless is so advanced? The only thing we can think of is to have marginally longer battery life. The mirror is on its last legs and fans better start offloading their lenses if they don’t want to mess with adapters. In the case of Panasonic however, it is not possible to use Lumix Micro 4/3 lenses on the Leica/Sigma/Panasonic Full Frame L-Mount.
The S1 and S1R will both shoot up to 180fps 1080p video with a crop that may or may not be impactful. Seems the S1R has less crop on 1080p than the video geared S1 which is an odd spec. We will have to wait for more samples and info on the HFR mode to see which of these cameras offers the best slow motion performance. From the limited samples, we can say that the quality looks very good and at least on par with the Lumix GH5 at 120fps.→ Continue Reading Full Post ←
Blackmagic Design may have just solved the problem of RAW video capture for any camera and every type of user. In essence, it gives the benefits of RAW capture while allowing flexibility in file size depending on production needs. It is a compressed format but by using a clever demosaic algorithm that happens in-camera, it shrinks the file size much more than other formats while preserving quality and RAW features like White Balance, ISO, exposure, NR, clarity and color bit depth.
For Slow motion cameras, it may be the codec of the future as it will allow the best quality without the enormous file sizes associated with image sequences like DNG or other RAW formats. Being open source and free of licenses it aims to be adopted by the entire industry faster than other formats and will be free of the platform-specific nature of codecs like Apple’s ProRes which only works on Mac OS X. The Blackmagic RAW beta is already available here!→ Continue Reading Full Post ←
As expected based on early comments of the slow motion mode on the GH5s, the camera has pronounced aliasing “seen in this video by Max Yuryev” and softness the higher the frame rate goes. Even at 120p it is less detailed than the standard GH5. It may be a function of supersampling in the higher megapixel 20MP GH5 vs the 10.2MP GH5s which is creating the new artifacts.
While the GH5s can shoot up to 192fps without cropping the sensor, anything above that up to 240fps it has a slight sensor crop which further decreases quality. While the VFR mode on the camera is better than most cameras in the price range that attempt the feat, it is of note that the quality instead of increasing or remaining the same as the sister model takes a hit which may kill it as an option for slow motion needs. We still believe the standard GH5 is the best Lumix option even when compared to the G9 in VFR mode.→ Continue Reading Full Post ←
Over the last seven weeks testing and shooting with the edgertronic SC2X high-speed camera we have a complete picture of what this camera can do and where it can really shine. This camera is a special one in its own right because it is the breakthrough 1080p Full HD camera that achieves 2,000fps at excellent quality for film and TV productions. This is a camera we have been waiting for a long time and it is all that we were expecting and more concerning quality and frame rates.
Part 3 of this review will focus on the camera’s portable setup capability. We will also go into the newly introduced overclocking feature which makes the camera a lot more capable, things still left to add into the software platform that could improve the user experience and help in getting the shot plus, a conclusion for the SC2X review.→ Continue Reading Full Post ←