The Panasonic Lumix BGH1 is a strange camera if you are used to DSLR or Mirrorless camera body styles. It is tiny and full of connections with no screen unless you provide one via a computer that is tethered or an HDMI field monitor. It uses the same dual ISO sensor found on the Panasonic Lumix GH5s which is a very good low light camera in a Micro 4/3ds package. The BGH1 has a better internal recording set of options than the GH5s but it is more intended as a tethered studio solution with the addition of Genlock synch and SDI out.
The camera also has VFR or a Variable frame rate mode which is identical to the Lumix GH5s as it records from 1fps to 240fps in Full HD 1080p and delivers pretty good performance up to 200fps then lowers the quality along with providing a small added crop to the image at 225fps and 240fps. It is still not as sharp as regular 1080p video and the codec is saved at a lower bit rate but having 240fps as an option is great.→ Continue Reading Full Post ←
Two very different new cameras were released this week that are able to shoot in 240fps Full HD 1080p. One is the Fujifilm X-S10 which is an all-rounder mirrorless camera with 6 stop IBIS and cinema video profiles for $999 body only, the other is the sequel to the very well received DJI Osmo Pocket now named DJI Pocket 2 dropping the OSMO part of the name & starting at $349 in its most basic form. Slow Motion on DJI Pocket 2 & Fuji X-S10 is close on both.
Both cameras are able to do 120fps as well but the interest peaks at 240p where the speed makes things moving slower more detailed, especially people as at that speed lifeforms moving relatively slow are excellent subjects. For faster animals like birds or flying insects, you need many more frames per second, usually in the 700+ range to create a good enough effect.→ Continue Reading Full Post ←
We consider the Canon C70 as the real successor to the 5D Mark II which started the ILC DSLR revolution. It ticks almost all the boxes for a vast array of users and does so on a somewhat realistic price point. We get a Cinema caliber sensor in S35 format at 4k Cinema and UHD that is capable of producing 16 real stops of dynamic range. The camera actually is using simultaneous dual gain technology to merge the exposure from both settings into an amazingly beautiful progression between light and dark.
The Canon C70 Slow Motion Mode has real 120fps 4k with HDR and full Canon dual pixel AF technology and even can crop to Super 16mm to record 180fps at 1080p and 2k resolution to provide you with that extra oomph which was sorely needed in Canon land. The camera does have some drawbacks but it is so good out of the box that we may have an avalanche of switchers to the format from Sony, Nikon, and Panasonic.→ Continue Reading Full Post ←
GoPro has released the Hero 9 Black and in many respects, it is the best camera they have ever made. It is a little larger to accommodate a slightly larger battery and screens and it offers a new 5k mode that is very filmic like with pretty good dynamic range. It has Hypersmooth 3 technology which does away with most gimbal situations and it can serve as a minute and reliable blog camera.
However, the GoPro Hero 9 Black is in some ways the end of an era for GoPro and the action camera market. It now heralds a new subscription model that aims to hook their market with a lower price for the camera if the subscription to GoPro.com is added at check out. Gone are the days of class-leading technology and in are the days of survival at all costs. Can we really blame GoPro for trying to make it?→ Continue Reading Full Post ←
We got over 20 messages with essentially the same video sample in our inbox this week. They all touted the new interpolation from the DAIN experimental App or (Depth Aware Video Interpolation App) which now analyses footage with a Neural network AI algorithm that crunches motion vectors and even what seemed impossible before “Object Occlusion” to generate higher frame rates from lower fps sources. The technology is pretty fascinating and should be further improved by more training and samples over the coming years.
For stop motion animators, this is a complete game-changer as now you could animate with as little as 8fps and then interpolate to 30fps or 60fps with very little in the way of tearing and artifacting as long as the footage is well lit and objects clearly defined. To make matters more interesting, it also analyses footage with shallow depth of field yielding impressive results.→ Continue Reading Full Post ←
Due to reader demand, we are posting new slow motion samples for the Galaxy S20 line. We see just slight improvements over the Galaxy S10 in terms of detail and color but since the phones are the new flagship for the defacto Android international brand, there is a lot of weight in what it can do when it comes to the video mode. There is no secret that Samsung has stagnated in slow motion since the Galaxy S8 and the S20 is an evolutionary step with better reproduction and more intelligent capture but not really groundbreaking.
There is no increase in frame rates above 960fps at 720p and the resolution is not even true 720p as it is jagged and stair-stepped in detailed shots. We kind of see it as a 480p mode upsized to 720p. We do gain a 1 full second record time instead of 0.4sec on the S10 which is a big improvement even when the resolution is still kind of identical. It would have been great if Samsung could have done a solid and created a true 960fps 1080p Full HD Mode. We will have to wait for another crack at it on a future phone.→ Continue Reading Full Post ←