The Panasonic Lumix BGH1 is a strange camera if you are used to DSLR or Mirrorless camera body styles. It is tiny and full of connections with no screen unless you provide one via a computer that is tethered or an HDMI field monitor. It uses the same dual ISO sensor found on the Panasonic Lumix GH5s which is a very good low light camera in a Micro 4/3ds package. The BGH1 has a better internal recording set of options than the GH5s but it is more intended as a tethered studio solution with the addition of Genlock synch and SDI out.
The camera also has VFR or a Variable frame rate mode which is identical to the Lumix GH5s as it records from 1fps to 240fps in Full HD 1080p and delivers pretty good performance up to 200fps then lowers the quality along with providing a small added crop to the image at 225fps and 240fps. It is still not as sharp as regular 1080p video and the codec is saved at a lower bit rate but having 240fps as an option is great.→ Continue Reading Full Post ←
It seems Freefly systems completely misjudged the demand for their new RAW 4k Slow Motion camera as the first 100 cameras ordered in batch 1 to batch 3 have all sold out. Now they aim to produce an unspecified number going forward with Batch 4 which is expected sometime in Q2 2021. The popularity of a product like this speaks volumes of the interest in slow-motion for video production, especially at 4k. While the camera is not cheap at $9,995, it is still a bargain considering other options.
You would still need to factor in a field monitor as the camera does not have a built-in screen in the overall cost but these have lowered in value due to competition and wide availability ina variety of sizes and specs. Freefly has also released a few more videos showing the Wave in action which are frankly inspiring and show what the camera is really capable of doing. It seems this camera has been received so well by the market that we are sure Freefly is thinking already about an even higher spec camera for the future, maybe one with 1000fps in 4k.→ Continue Reading Full Post ←
The Freefly systems Wave camera has been released and it is certainly a market disruptor. It is not your average high speed camera since it is essentially using an internal SSD M.2 card to continuously record slow motion events it functions more as a live capture device than a shot by shot trigger traditional slow motion camera. This is essentially the idea behind the fps1000 camera line by Graham Rowan which sadly was dissolved last year. A new way of capturing high speed by leveraging the speed of SSD flash storage with ultra-high frame rates.
The Wave is no slouch in specs with a 4k spec of 420fps which is not as good as the Phantom Flex 4k which records 1000fps but costs a whopping 160k USD. The Wave costs $9,995 and using an E-Mount with no power or AF functions, can be adapted to a variety of lens systems because of the plethora of adapters that can be used due to the short flange distance. We take a look at the wave specs and why it may be the camera you were waiting for – if you can get one!→ Continue Reading Full Post ←
ChrisVTV a filmmaker from Portland Oregon and fabulous slow motion professional has hinted at the existence of a new camera by the makers of the Movi stabilizer, and Astro drones is said to be launching soon at a price about $10,000 USD and could go head to head with Vision Research’s Phantom Flex 4k. There is no specific information other than it seems to be a 4k camera capable of high frame rates, possibly 1000fps.
Since this is a rumor please take it with a grain of salt but it sure seems to be legit. A camera that really de-thrones the Phantom or at least competes with it head to head at less than 1/10th the price will be an explosion in the world of high frame rate camera options. We may be close to having an option that shoots cinema-quality footage for a fraction of the cost in UHD at 4k!→ Continue Reading Full Post ←
Blackmagic Design has released Camera Setup 7.0 which upgrades the URSA Mini Pro 12k camera in several areas including improved frame rates at different resolutions. At 12k the maximum frame rate has increased to 75fps from 60fps and at 4k we now have up to 240fps in BRAW format from 220fps on a Super 16mm crop of the sensor. We also get 8k at up to 160fps from a maximum before of 110fps which is improved by leveraging the fast pipeline in the camera and delivering usable frame rates with good multiples.
While the camera is not cheap at $9,995, it is certainly a bargain considering the resolution and frame rates you have access to in BRAW RAW-Like format. It may be essentially the most powerful camera you can buy today for this price range and available with an F, EF, or PL mount the flexibility is there if needed. Blackmagic Design are also the owners of DaVinci Resolve and usually bundled it with their cameras. It makes for a hard to beat all in one system for shooting, editing, and postproduction. Dig in for more details…→ Continue Reading Full Post ←
We consider the Canon C70 as the real successor to the 5D Mark II which started the ILC DSLR revolution. It ticks almost all the boxes for a vast array of users and does so on a somewhat realistic price point. We get a Cinema caliber sensor in S35 format at 4k Cinema and UHD that is capable of producing 16 real stops of dynamic range. The camera actually is using simultaneous dual gain technology to merge the exposure from both settings into an amazingly beautiful progression between light and dark.
The Canon C70 Slow Motion Mode has real 120fps 4k with HDR and full Canon dual pixel AF technology and even can crop to Super 16mm to record 180fps at 1080p and 2k resolution to provide you with that extra oomph which was sorely needed in Canon land. The camera does have some drawbacks but it is so good out of the box that we may have an avalanche of switchers to the format from Sony, Nikon, and Panasonic.→ Continue Reading Full Post ←