The new Sony PXW-FX9 XDCAM 6K Full-Frame Camera is what Sony fans have been waiting ever since the APS-C cameras Super 35 cameras like the FS5 and FS7 made the rounds. It is all that those cameras offered but now on a state of the art Full Frame sensor with Dual ISO capable of 800 and 4000 depending on the needed use. By being extremely sensitive the camera needs ND filtration and it doesn’t disappoint on that feature either by including a ramping – smooth increments ND filter from 1/4 to 1/128 which adjusts on Auto Mode depending on the scene without ruining the shot. An industry first.
On the Slow Motion front, the camera is consistent with Sony pedigree with now offering 120fps Full HD and with a promised firmware update 180fps Full HD and also 16-bit raw 4K/2K footage up to 120 fps to an external recorder. This is close but not quite what the FS5 is capable of in FHD which includes 240fps. The FS7 has in contrast 240fps @ 2K RAW Ext Rec & 180fps 1920*1080 Internal. Much closer to what the FX9 is capable of doing.→ Continue Reading Full Post ←
Ok let’s get the bad news out of the way which is that the iPhone 11 and 11 Pro all have essentially the same 120fps and 240fps of the previous iPhones on their main cameras which depending on the phone is two or three. All at 12MP and all capable of 4k UHD at 60fps and all slow motion capable at 120p and 240p at 1080p. So no new frame rates but a consistent capture across all cameras which seems unique compared to the competition.
The real new thing is the availability of 120fps at 1080p in the TrueDepth or Selfie front camera which allows for “Slofies” as Apple calls them. It would have been more impressive to have the full 240fps on the selfie camera too but they will save it for a future model. 120p is good and lets you shoot funny and compelling content. It is probably the best looking selfie camera image we have seen yet so Apple has an easy head start there.→ Continue Reading Full Post ←
Sony continues to recycle the same features over their phone lineup with a slightly dumbed down Xperia 1 phone which is their flagship with the same camera arrangement, screen, and main features. The 1080p 960fps mode is still here with a duration of 0.1 seconds and at 720p of 0.2 seconds. The resolution and quality are not real 1080p as we have discussed before and the reduced time makes it nearly unusable.
However, the feature many are calling a bad omen is the disappearance of the 3.5mm headphone jack. The phone is slimmer and smaller than the Xperia 1 but shares the best traits at a lower price. For many, it will not be enough to counter the popularity of other phones that are more full-featured and offer a vast array of video modes.→ Continue Reading Full Post ←
The recently announced Canon 90D, Canon EOS M6 II, Sony a6100 and Sony a6600 are cameras that refine everything that is already a current technology but bundle it in a lower price package with great performance. However, it is clear from the spec sheets that high frame rates have stagnated for the past few years in these camera lines with a maximum of 120fps at 1080p.
Sure some of them offer full-time autofocus in slow motion modes and face tracking which in the case of Sony is so good that you may not even match it if you had the best focus puller in the business hired for your shoot. But the frame rate war seems to be left to other camera lines and brands. Panasonic, for example, offers up to 180fps in their new S1H camera which should be in theory the best Panasonic mirrorless camera ever made and it should also allow for outstanding quality in 1080p 180fps.→ Continue Reading Full Post ←
The Introduction of the DJI OSMO Action camera marks what many called the ultimate silver bullet to counter the GoPro Hero camera line. It is an evolutionary step that takes most of what made the GoPro Hero Black series amazing and even goes further by improving in areas where GoPro has fallen behind. The Stabilizer seems better as is the addition of a secondary selfie screen in order to frame yourself while recording.
It gets the usual frame rates of 120fps & 240fps 1080p full HD and the 4k 60fps spec. None of these are revolutionary or groundbreaking which means this is a version 1 product for DJI. Phones, for example, are already in the 960fps and 1000fps spec even when they are limited to fractions of a second. A Camera like the OSMO Action could have gotten a bit of this slow motion prowess and differentiate from GoPro even further but not this time around. We have a few samples of the higher frame rates for you too look at and see if it makes sense to acquire this camera instead of other options.→ Continue Reading Full Post ←
The OPPO Reno 10x is getting a lot of attention due to the inclusion of a supposed 10x optical telescoping lens which uses a prism and a series of stabilized lens elements to create the first built in telephoto option on a camera phone. In testing, this turns out to be about a real 5x optical lens with very clever processing to generate even higher software magnification. However, you will be sad to know that the 10X version of the phone does not shoot Super Slow Motion.
The Regular OPPO Reno which is cheaper and lacks the 10X camera does shoot up to 1080p 240fps which is not class leading and there are as of this time no samples to speak of. We believe this phone uses slow motion as an after-thought spec and focuses more on the stills and 4k 60p video mode only on the 10x version which are a higher selling point. We still believe the OPPO Reno is a worthy phone for anyone wanting cutting edge optics on a phone but not as a slow motion contender.→ Continue Reading Full Post ←