Tag Archives: ProRes

Blackmagic URSA Mini Pro 12K is Frame Rate Beast!

Blackmagic URSA Mini Pro 12K

The Black Magic Design URSA camera line has been one of our favorite high frame rate options for many years now as it is a blend of excellent quality at a relatively low price with the added bonus of RAW recording and ProRes options.  Now the company has announced the latest iteration of the camera with a monstrous pixel size of 12k or 80 Megapixels per frame. All of this in an APS-C super 35mm crop from Full Frame sensor that is built to satisfy the requirements of their Black Magic RAW codec or BRAW for short which is in this camera the only recording format available.

What interests us as always are the high frame rates and this camera does not disappoint when it comes to this spec. The only real problem we see is that recording is made only from 4k resolution and up, completely avoiding 3k, 2k and HD resolutions which could yield even higher frame rates with probably a huge crop in the 80MP frame which will probably yield a noisy and artifact prone image hence why they probably avoided recording down on those modes. → Continue Reading Full Post ←

Terra 4k Firmware Update Allows 320fps 2k!

Terra 4k Firmware Update

The Kinefinity Terra 4k camera which starts at $3,999 body only and a ready to shoot package at $5,499 has now released information of a new firmware upgrade that will be released in May of this year which increases the slow-motion capabilities of the camera markedly.   The camera was no slouch before when it came to frame rates which had 240fps at 2k and 100fps at 4k.  It actually records in RAW and has excellent quality with no moire and aliasing since it is effectively cropping the sensor area to get a 1:1 pixel read-out for the slow mo.

For this low a price you really have no viable options that shoot these frame rates in excellent quality except for the recently announced Chronos 2.1 HD which does 1000fps at 1080p in DNG RAW.  The Kinefinity line of cameras has started to become a go-to place for cinema quality at reasonable prices. Many Video Pros are actually becoming owners of the camera and praise the rock-solid quality of the build, operation and beautiful image quality with ample dynamic range. The Chinese have really built the Cinema camera for the common man. → Continue Reading Full Post ←

Blackmagic PCC 4k is Powerful & Cheap!

Blackmagic PCC 4k BMPCC4k

Yes the BMPCC 4k looks like a DSLR crossed with a late 1990s digital camera but it’s insides are not only powerful but could also mean that you can essentially afford two units of this camera instead of a Panasonic GH5s for example and get similar quality with the added ability to shoot RAW and power an XLR microphone directly from the camera with phantom power. Bang for your buck!

As for fast frame rates the camera can shoot 4k 60fps & 120fps 1080p in full RAW or Apple ProRes codec options. We sure wished the camera could shoot 240fps in full HD and 120fps in 4k even while time limited. It would have placed the camera in a much better position on our list due to its $1,295.00 USD price tag which is really the best value for money in a camera today. Well for September 3rd which is the actual ship date which may or may not derail your purchasing plans. → Continue Reading Full Post ←

MAVO Kinefinity Does 100fps at 4k!

MAVO Kinefinity

Kinefinity the company behind the pretty capable and high-quality Terra cinema camera has announced in preparation for NAB 2018 the new MAVO 6k cinema camera in s35 and Large Format sensor options in the LF version.  Along with the new body design and expansion options the camera will include ProRes 422HQ, ProRes 444 & ProRes 444XQ recording.

Kinefinity also has a RAW format “.KRW” and this has been updated to version 2.0 to support the new camera. This is akin to REDCODE RAW as the .KRW format can compress in RAW anywhere from 2:1 best quality lossless to 10:1 with more quality loss while maintaining the benefits of RAW like dynamic range, white balance, and higher bit-depth color.  It also offers the possibility to record on cinema-DNG format In-Camera at 3:1, 5:1 and 7:1 compression. The camera has several high frame rate formats depending on crop resolution. → Continue Reading Full Post ←

Panavision DXL Makes 8k 75fps possible!

Panavision DXL

Panavision the company that brought you the Genesis digital cinema camera which many credit for jump starting true digital cinematography for the big screen has done it again with the Panavision DXL.  An 8k 8192 x 4320 camera capable of recording higher frame rates at that resolution than what many 4k resolution options have still to achieve.

The company doesn’t offer a table or indication of slow motion high speed frame rates in the specs as the maximum frame rate they tout is 75fps at 8K 2.4:1 (8192 x 3456) which is slightly shorter in the vertical frame than the full capability which maxes at 60fps at the highest resolution. RED is heavily involved in the DXL by supplying the sensor, color science, REDCODE RAW Codec and many design cues. → Continue Reading Full Post ←

CRAFT Camera Modularity Promises 120fps!

CraftCamera

Something that came out of NAB 2016 is the paper launch of the CRAFT Camera a modular low cost professional camera that can record in Pro Res and Cinema DNG RAW  with more formats to be announced.

It is unclear at this point if frame rates will ever be higher than 120fps but since the 4k spec also includes them; it remains a solid option for 4k slow motion at 120fps or 5x slow motion at 24p playback. For a 4k camera the pricing of $2,984 for a full 4k Cinema package is not to shabby! → Continue Reading Full Post ←