Not too long ago the Vision Research Phantom v2640 was amazing us with 4MP capture at 6,600fps with incredible quality. Now iX Cameras with offices in the UK, USA and Shanghai China is turning heads with an extreme spec sheet of 3 Megapixels 2048×1536 at 8,512fps and a Full HD 1080p frame rate of 12,742fps which is just 242fps higher than the Phantom v2640 at 12,500fps.
The relative camera memory speed and pixel capture rate is very similar between these two behemoths but you have to give the crown to the i-SPEED 726 for the 3 megapixel 8,512fps which brings in a whole new level of temporal detail at above Full HD resolution. Of course, these cameras do not share their pricing unless you request a quote which you cannot share publicly. However, expect to pay high 5 figures for the best the technology has to offer.
The Insta360 seems to be on a roll by delivering several products this year in quick succession. They want to own the 360-degree video market and they have no plans of letting go of that goal by making some very cool new features available to the masses. The new Insta360 One X camera is able to stabilize the footage on the fly with incredible accuracy and steady-cam like feel without gimbals with its high-resolution capture and by using cropping along with telemetry data and a proprietary algorithm they are able to deliver rock-solid imagery in heavy motion environments.
The small camera is also able to shoot 100fps at 3k which is a first in the segment will let you crop if needed to get a better frame of the action. There is also a very clever rubber housing that is designed to be thrown aerodynamically “Drift Shot” while leaving the camera well protected on impact. This revolutionary technique is really something out of the box and what this camera will probably be known for. Expect to see an explosion of these shots in TV and film pretty soon as others copy the technique.
Kinefinity the company behind the pretty capable and high-quality Terra cinema camera has announced in preparation for NAB 2018 the new MAVO 6k cinema camera in s35 and Large Format sensor options in the LF version. Along with the new body design and expansion options the camera will include ProRes 422HQ, ProRes 444 & ProRes 444XQ recording.
Kinefinity also has a RAW format “.KRW” and this has been updated to version 2.0 to support the new camera. This is akin to REDCODE RAW as the .KRW format can compress in RAW anywhere from 2:1 best quality lossless to 10:1 with more quality loss while maintaining the benefits of RAW like dynamic range, white balance, and higher bit-depth color. It also offers the possibility to record on cinema-DNG format In-Camera at 3:1, 5:1 and 7:1 compression. The camera has several high frame rate formats depending on crop resolution.
The RED Scarlet has always had a stigma to it since inception. It was supposed to be a 3k camera for 3k USD back when it was planned. With a fixed lens and slow motion capabilities all while shooting REDCode RAW video. That camera never materialized and in turn the Red Scarlet with modularity was born. Not quite an Epic but also a lot more expensive than the original promise. It however delivered the image quality promised but not in the slow motion front. That is however until today with the Scarlet-W camera.
It has a 5K Full Frame (5120 x 2700) RED Dragon sensor with a 16.5 stops of dynamic range. That is some of the best DR numbers quoted for a motion digital camera. However the Slow Motion aspects of this Scarlet W camera are of note and the following specs should get your attention if you are on the market and have 10k USD for a body and 6k for the needed accessories to shoot with it in a ready package.
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