The folks at Blackmagic design are at it again when it comes to destroying spec sheets compared to price. The BMPCC 4k was already one of the best-reviewed and popular choice among budget filmmakers that needed excellent quality and dynamic range. At only $1,295 that camera was a smash hit but had only a four thirds (4/3) sensor which was not ideal in size and required speed booster adapters to get the needed depth of field to simulate an S35 image.
Now the BMPCC 6k ($2,495.00) with EF Canon mount comes in with a full APS-C sensor with dual ISO characteristics like before but with the added imager size and full electronic lens support for EF glass. It would have been in our view ideal to use an electronic mount with shorter flange like the Sony Alpha or the new Canon RF mount so you could adapt even more lens combinations but they are catering to a large installed base of glass owners.→ Continue Reading Full Post ←
The OPPO Reno 10x is getting a lot of attention due to the inclusion of a supposed 10x optical telescoping lens which uses a prism and a series of stabilized lens elements to create the first built in telephoto option on a camera phone. In testing, this turns out to be about a real 5x optical lens with very clever processing to generate even higher software magnification. However, you will be sad to know that the 10X version of the phone does not shoot Super Slow Motion.
The Regular OPPO Reno which is cheaper and lacks the 10X camera does shoot up to 1080p 240fps which is not class leading and there are as of this time no samples to speak of. We believe this phone uses slow motion as an after-thought spec and focuses more on the stills and 4k 60p video mode only on the 10x version which are a higher selling point. We still believe the OPPO Reno is a worthy phone for anyone wanting cutting edge optics on a phone but not as a slow motion contender.→ Continue Reading Full Post ←
Let us start by saying that we are huge fans of the Lumix line by Panasonic and their cameras in general. The GH5 is still a powerhouse of a camera for serious video work and the 180fps FUll HD slow motion is better than many others before or since at that frame rate while at 120fps is as good as the best Sonys out there. However, the recently announced Lumix G95 drops the ball in several fronts when it comes to really good video performance which has become a trademark for Panasonic.
The G95 has all the looks and character of a great hybrid camera but has a crippled video mode that may put off many buyers looking for the perfect intermediate camera. The 4k, for example, has a 1.25x crop on top of the nearly 2x crop of the micro 4/3 sensor. Making it a little larger than the area of a 1″ sensor. This will sacrifice video quality in the lack of supersampling and low light will suffer from the added megapixels.→ Continue Reading Full Post ←
Blackmagic Design has been working behind the scenes to deliver yet one more professional camera solution that at $5,995 for up to 300fps in RAW recording at 1080p and 2k in windowed mode; makes it possible to have flawless image quality without breaking the bank. New Super 35mm sensor with 15 stops dynamic range with the ability to shoot at 120fps 4.6k full sensor RAW and 150fps at 4k UHD and DCI 4k makes it possible to really deliver on the slow motion promise for quality projects.
If you need more the 300fps 1080p and or 2k recording in the cropped windowed sensor should help you get that extra edge. It also records in Blackmagic RAW and delivers flawless looking 1:1 pixel footage with no aliasing or moire due to throwing away information. This camera has the capacity to really up your video game with these frame rate options.→ Continue Reading Full Post ←
As it was initially unveiled at Photokina last year, the Panasonic Lumix S1 and S1R cameras are their answer to the domination of larger sensors in stills and video mirrorless cameras. Is there any reason now to buy a Full Frame DSLR when mirrorless is so advanced? The only thing we can think of is to have marginally longer battery life. The mirror is on its last legs and fans better start offloading their lenses if they don’t want to mess with adapters. In the case of Panasonic however, it is not possible to use Lumix Micro 4/3 lenses on the Leica/Sigma/Panasonic Full Frame L-Mount.
The S1 and S1R will both shoot up to 180fps 1080p video with a crop that may or may not be impactful. Seems the S1R has less crop on 1080p than the video geared S1 which is an odd spec. We will have to wait for more samples and info on the HFR mode to see which of these cameras offers the best slow motion performance. From the limited samples, we can say that the quality looks very good and at least on par with the Lumix GH5 at 120fps.→ Continue Reading Full Post ←
It looks like DJI has not set in stone the frame rate spec of the recently released OSMO Pocket which we found to be excellent in handling and gives a beautiful low light stabilized image considering the small sensor size and price. It even beat out the GoPro Hero 7 in dynamic range and noise control but fell short of frame rates being on our good side. Thanks to our reader Frank for the tip!
In a new video by Drone NewsGuy from Youtube, the pro app and latest beta firmware for the OSMO Pocket are tested and you can enable a somewhat hidden setting to get 200fps in real terms out of the small device. The catch is that the setting requires the phone app to be activated every time you want to use it and will remain there until you change settings to something else. We would love for DJI to allow the 200fps setting right out of the box on the interface and not only that, allow for even greater fps in 720p mode and even a small VGA mode for users needing that extra frame rate.→ Continue Reading Full Post ←