Blackmagic Design has released Camera Setup 7.0 which upgrades the URSA Mini Pro 12k camera in several areas including improved frame rates at different resolutions. At 12k the maximum frame rate has increased to 75fps from 60fps and at 4k we now have up to 240fps in BRAW format from 220fps on a Super 16mm crop of the sensor. We also get 8k at up to 160fps from a maximum before of 110fps which is improved by leveraging the fast pipeline in the camera and delivering usable frame rates with good multiples.
While the camera is not cheap at $9,995, it is certainly a bargain considering the resolution and frame rates you have access to in BRAW RAW-Like format. It may be essentially the most powerful camera you can buy today for this price range and available with an F, EF, or PL mount the flexibility is there if needed. Blackmagic Design are also the owners of DaVinci Resolve and usually bundled it with their cameras. It makes for a hard to beat all in one system for shooting, editing, and postproduction. Dig in for more details…→ Continue Reading Full Post ←
DJI has unveiled the Mavic Air 2 consumer drone with incredible specs and a fit and finish that rivals their more expensive lineup. We have been waiting for a successor to the original Mavic Air to see where the platform was taking high frame rates but while we now have a 240fps 1080p mode, it hardly what we would call usable for production. There is a softness and compression that while they look ok for amateur and some Youtube videos it fails for professionals that need that quality output.
There is a lot to like here like the 48MP sensor with 8k hyperlapse and stills mode with RAW along with a better than most other drones 4k UHD mode at 60fps with 120Mbps codec. It is really a steal if you were waiting for a drone that can do it all and not break your budget. You get many high-end features on a minute package that while a little big compared to mini drones, it is really small compared to the full-sized Mavic line.→ Continue Reading Full Post ←
The iPad Pro has been making accessible the best iPhone Camera features for a few years now and the latest 2020 model seems to be in lockstep with the iPhone 11 Pro but with only 2 cameras instead of 3. However, the quality is close but not as good lens wise, but they make up with a new LiDAR scanner in place of the third camera lens that makes it possible to accurately scan physical objects and surroundings to improve AR capture and interaction. The demos are early but the technology holds promise.
What interests us at HSC is the slow motion features and we see a continuation of the iPhone 11 Pro and 11 camera modes with Wide and ultra-wide cameras supporting all slow-mo modes of 60, 120 and 240p which is identical to the mobile line up. We looked at the iPhone 11 Pro’s camera quality which impressed us with the best 240p and 120p quality on a phone to date see here→ Continue Reading Full Post ←
CES brought a lot of weird tech like smarter toilets, personal companion robots and the occasional wearable smart tech that you really can’t wash in your home. As it is always the case at HSC we were looking for slow motion capable cameras and sadly we saw very little at the show. We are now showcasing three manufacturers who had 120fps Full HD cameras announced at the show and no frame rates above that.
These are primarily 4k 30 and 60p cameras that have a 1080p 120fps mode as a feature that no new camera can really ship without. Sony has already standardized this format in the last few years on most Alpha cameras and Panasonic has even gone above at 180fps and 240fps in some cases like the GH5 and S series. The cameras presented here are mainly either stills full-frame beasts or more standard video camera like. By 2020 we would have hoped to see better than 120fps 1080p on cameras of this caliber but it seems we will have to keep waiting…→ Continue Reading Full Post ←
Now that Apple’s latest and greatest phone the iPhone 11 and 11 Pro Max have been out in the wild for a few weeks, it is time to revisit the performance of the slow motion video mode of this all-encompassing handset. The iPhone has always been a good slow mo performer but the new cameras and bigger lenses with more advanced processing gave us high hopes for increases in video quality and fewer artifacts.
The slow motion quality should be better across both the 11 and 11 Max since they share essentially the same system of optics and bionic chip. Quality must be identical except for the two or three camera configurations. One thing that separates the iPhone is that you can shoot slow motion in all cameras and not just in the standard wide like Samsung or other Android phones. This is one thing Apple wins in spades and we hope to see other manufacturers adopt as standard.→ Continue Reading Full Post ←
Ok let’s get the bad news out of the way which is that the iPhone 11 and 11 Pro all have essentially the same 120fps and 240fps of the previous iPhones on their main cameras which depending on the phone is two or three. All at 12MP and all capable of 4k UHD at 60fps and all slow motion capable at 120p and 240p at 1080p. So no new frame rates but a consistent capture across all cameras which seems unique compared to the competition.
The real new thing is the availability of 120fps at 1080p in the TrueDepth or Selfie front camera which allows for “Slofies” as Apple calls them. It would have been more impressive to have the full 240fps on the selfie camera too but they will save it for a future model. 120p is good and lets you shoot funny and compelling content. It is probably the best looking selfie camera image we have seen yet so Apple has an easy head start there.→ Continue Reading Full Post ←