Canon has now released the final specs and estimated release dates for the EOS R5 and R6 cameras. There is a lot of good advancement in features especially in video mode as what many believe is an afront to Sony and Panasonic who dominate video recording on ILCs. The R5 can record 24fps and 30fps 8k video or 8192 x 4320 pixels in RAW quality which is a staggering 1TB of storage or 2600 Mbits/s for only 51 minutes of recording time. That means that every hour you will eat up through a full TB of your RAID backup storage. We see this mode being transcoded to an intermediate format like Blackmagic RAW or BRAW or Apple ProRes as soon as possible.
There is more bad news, on the 120fps 4k front there is no other option of recording but All-I which saves every frame independently in 10-bit 4:2:2 which is good for excellent quality but at the cost of 1,880 Mbits/s which is 224MB/sec or 13,447MB / minute of recording time. Better get a ton of memory cards and hard drives ready!→ Continue Reading Full Post ←
We were very skeptical earlier in the year when the R5 specs were just a rumor. Canon has not really been delivering powerful video features out of their Cinema line and we expected this new camera to be a crippled continuation of the trend. We were not only wrong but now know that Canon is banking the future of the EOS line on cameras like the R5 with features that really put it in a class all by itself.
The original video darling was the EOS 5D Mark II which made it possible to use the EOS line of lenses with a video mode that delivered good enough quality for the web and some careful productions. The camera had issues like severe rolling shutter and a tendency to moire and alias so bad that many shots were really ruined. However, the excellent Canon color quality and lens choices made it so popular that it really forced companies to change the video options forever. Now Canon intends to do as big a splash with the introduction of 8k video internally on the new camera.→ Continue Reading Full Post ←
CES brought a lot of weird tech like smarter toilets, personal companion robots and the occasional wearable smart tech that you really can’t wash in your home. As it is always the case at HSC we were looking for slow motion capable cameras and sadly we saw very little at the show. We are now showcasing three manufacturers who had 120fps Full HD cameras announced at the show and no frame rates above that.
These are primarily 4k 30 and 60p cameras that have a 1080p 120fps mode as a feature that no new camera can really ship without. Sony has already standardized this format in the last few years on most Alpha cameras and Panasonic has even gone above at 180fps and 240fps in some cases like the GH5 and S series. The cameras presented here are mainly either stills full-frame beasts or more standard video camera like. By 2020 we would have hoped to see better than 120fps 1080p on cameras of this caliber but it seems we will have to keep waiting…→ Continue Reading Full Post ←
As it was initially unveiled at Photokina last year, the Panasonic Lumix S1 and S1R cameras are their answer to the domination of larger sensors in stills and video mirrorless cameras. Is there any reason now to buy a Full Frame DSLR when mirrorless is so advanced? The only thing we can think of is to have marginally longer battery life. The mirror is on its last legs and fans better start offloading their lenses if they don’t want to mess with adapters. In the case of Panasonic however, it is not possible to use Lumix Micro 4/3 lenses on the Leica/Sigma/Panasonic Full Frame L-Mount.
The S1 and S1R will both shoot up to 180fps 1080p video with a crop that may or may not be impactful. Seems the S1R has less crop on 1080p than the video geared S1 which is an odd spec. We will have to wait for more samples and info on the HFR mode to see which of these cameras offers the best slow motion performance. From the limited samples, we can say that the quality looks very good and at least on par with the Lumix GH5 at 120fps.→ Continue Reading Full Post ←
It is that time of the year again where we search the web for great camera deals and pass our research along. There have been dozens of price drops across the camera world and it is very encouraging to see gear being democratized for the holdout consumer that wanted to wait for better value for money. We focus on high-speed imaging cameras and accessories which weeds out the rest of the deals out there unrelated for this endeavor.
It is also a way to help this website survive by clicking on our links so we get a small commission at no cost to you. Be it any product listed below or by clicking and buying your favorite products we are thankful for your support. This way we can continue to bring you our best slow motion gear advice and reviews. Be sure to also visit our HSC Camera Guide which has recently been updated with dozens of new cameras ranked by performance over price. Continue reading for our gear deal picks!→ Continue Reading Full Post ←
The announcement of the Panasonic S series is a complete acceptance that smaller m4/3 sensors are not the future but the past. As now Canon, Nikon, Fuji, Sony, Leica and now Panasonic have shifted priorities to Full Frame Sensors as mirrorless has allowed the smaller form factor without compromising low light performance and absolute stills image quality. Fuji is also going strong on Medium Format stills oriented cameras like the new portable GFX 50R which meshes a rangefinder camera with a huge MF sensor.
The move by Panasonic, which had been leading in mirrorless frame rates in continued recording with their Lumix GH5 and GH5s Series up to 240fps 1080p, will now focus on larger sensors that produce more heat and may be much slower to read at high speeds. Sony has so far been able to only have 120fps 1080p recording in their a7 series for example. If the Panasonic S1 at 24MP can only do 120fps 1080p which is still unknown, it will not bode well for slow motion frame rates for some time.→ Continue Reading Full Post ←