Tag Archives: Dual Pixel CMOS AF

Canon EOS R5 Makes it Expensive to record 120fps 4k Video!

Canon EOS R5

Canon has now released the final specs and estimated release dates for the EOS R5 and R6 cameras. There is a lot of good advancement in features especially in video mode as what many believe is an afront to Sony and Panasonic who dominate video recording on ILCs.  The R5 can record 24fps and 30fps 8k video or 8192 x 4320 pixels in RAW quality which is a staggering 1TB of storage or 2600 Mbits/s for only 51 minutes of recording time. That means that every hour you will eat up through a full TB of your RAID backup storage. We see this mode being transcoded to an intermediate format like Blackmagic RAW or BRAW or Apple ProRes as soon as possible.

There is more bad news, on the 120fps 4k front there is no other option of recording but All-I which saves every frame independently in 10-bit 4:2:2 which is good for excellent quality but at the cost of 1,880 Mbits/s  which is 224MB/sec or 13,447MB / minute of recording time. Better get a ton of memory cards and hard drives ready! → Continue Reading Full Post ←

Canon EOS R5 gets serious about high frame rates!

Canon EOS R5 Slow Motion

We were very skeptical earlier in the year when the R5 specs were just a rumor. Canon has not really been delivering powerful video features out of their Cinema line and we expected this new camera to be a crippled continuation of the trend.  We were not only wrong but now know that Canon is banking the future of the EOS line on cameras like the R5 with features that really put it in a class all by itself.

The original video darling was the EOS 5D Mark II which made it possible to use the EOS line of lenses with a video mode that delivered good enough quality for the web and some careful productions.  The camera had issues like severe rolling shutter and a tendency to moire and alias so bad that many shots were really ruined.  However, the excellent Canon color quality and lens choices made it so popular that it really forced companies to change the video options forever.  Now Canon intends to do as big a splash with the introduction of 8k video internally on the new camera. → Continue Reading Full Post ←

Canon C700 FF and RED EPIC-W Dual ISO do High Frame Rates!

With NAB 2018 getting near, new announcements are starting to trickle in.  The two newest are the Canon EOS C700 FF Full-Frame Cinema Camera & the RED DIGITAL CINEMA EPIC-W BRAIN with Gemini 5K S35 Sensor.  These two are serious cinema cameras aimed at recording in high-end codec formats and supporting RAW codecs.  Both cameras support higher frame rates but do not offer extreme high speeds like dedicated slow-motion cameras.

In the case of the RED EPIC-W with Gemini S35 sensor, it is the first time RED has used a dual Native ISO sensor like the ones seen on the Panasonic EVA1 and GH5s which have two different native sensitivities to deliver extremely clean footage with the widest dynamic range. Witha claimed 16.5 stops of dynamic range in standard mode & a gain of approximately two stops of light, from 800 to 3200 ISO without increasing the image noise. DPs of all kinds will savor these advances to shoot in dark situations knowing the output will be dependable. → Continue Reading Full Post ←

Canon EOS 5D Mark IV Slow Mo Quality!

Canon EOS 5D Mark IV

We have gotten a few questions about the EOS 5D Mark IV when it comes to it’s 120fps 720p slow motion mode.  We covered it back in August but samples were hard to find back then; all that has changed and now we can rate and position the camera in our HSC Camera Guide ranking.  While it will not win any contests for resolution or frame rate we think it is a good all around camera with useful features for video enthusiasts.

The negatives like high price,  Moire & Aliasing prone slow mo resolution, huge inefficient 4k bit rates on an old codec, 1.74x crop in 4k recording and big system bulk still apply for this camera.  The Panasonic GH5 for instance destroys the 5D Mark IV in the video spec department but that is ok considering the 5D Mark IV is a stills workhorse with a full frame sensor first and an excellent AF and high ISO performance package. → Continue Reading Full Post ←

Canon 5D Mark IV Slow Motion Samples!

Canon 5D Mark IV

For many the EOS 5D Mark IV was to be the resurrection of the DSLR camera as a video professional’s tool of choice. However just looking at the reactions online and the spec sheet itself it looks like Canon missed the mark by a mile in this aspect.  Several camera shortcomings like the codec, crop factor in 4k and lower resolution for higher frame rates come to mind.

The over four year wait which was about the same between the Mark II and Mark III models is extremely long for a product class that needs to evolve constantly in order to remain competitive. With Sony and Panasonic doing real innovation in the video space in a much smaller time frame usually 18 months, Canon needed a product that could withstand to scrutiny for a few years. → Continue Reading Full Post ←

Canon 5D Mark IV disappoints with 120fps 720p!

Canon 5D Mark IV

We have been following the rumors on the next version of the Canon 5D with some subdued but hopeful enthusiasm. However, as many rumor sites now claim the final specs for the camera to be released next month probably at Photokina; it is clear that there is a big disconnect in performance from the common DSLRs in the Canon line and the mirror-less competitors from Sony and Panasonic.

There is a lot to like in the camera specs but also a lot of disappointing things for the video enthusiast or professional.   The camera has always been primarily a stills powerhouse and it is clear that this pedigree is maintained in the Mark 4. Auto Focus with dual pixel tracking support, pixel count and sensor should be heavily improved along with dynamic range as seen in the 80D and the impressive 1DX Mark II. → Continue Reading Full Post ←