The Sony RX100 VII or also known as the RX100M7 is the latest in the stacked 1″ CMOS sensor line from the company in what amounts to another evolutionary incremental step without a real revolution. New is the impressive real-time AF technology from the Sony a9 professional camera now miniaturized into this pocketable beast with up to 20fps at full resolution and up to 90fps in high burst mode but for only 7 shots which is kind of a letdown as it is very limited.
The HFR mode in previous RX series cameras have been one of our favorites among the cameras released in the past few years by including truly usable 240p, 480/500p, and 960/1000p depending on NTSC or PAL mode selection with also the ability to trigger a pre and post record time to not miss the moment. This ability is akin to what a real dedicated serious slow motion camera can deliver. The problem is that the RX cameras are severely time-limited at 4 seconds quality priority time and or 7 seconds in shoot time priority.→ Continue Reading Full Post ←
Now that the Sony Xperia 1 has been reviewed by more people, there are now sufficient video samples at 960fps to make a judgment on the performance of the slow motion mode. As you may recall, the phone is only capable of recording 0.1 seconds at 960p at full HD 1080p and 0.2 seconds at 720p at the same frame rate. That translates to a maximum of 3.2 seconds at 1080p played back at 30p and 6.4 seconds at 720p 30fps.
There is no increase in recording time from the XZ2 and XZ3 phones which had essentially the same feature as the Xperia 1. We, however, saw a little better color reproduction and slightly better artifact handling on the new phone but so minute an edge that we simply cannot recommend upgrading for this feature or considering it over other 720p slow motion phones like the Galaxy S10 or OnePlus 7.→ Continue Reading Full Post ←
It’s been a while since we’ve covered the fps4000 camera mainly due to development time taking longer than initially estimated. However, Graham Rowan the engineer behind the camera has now posted the first 4k 480fps footage shot in RAW on the fps4000 camera which uses a sophisticated memory arrangement on the onboard super-fast flash RAM to be able to record lengths of time unimaginable before on slow motion cameras at high resolution.
This camera is a very different kind of technology from regular high-speed cameras that record to volatile DRAM. The fps series records to flash chips that are soldered to the mainboard and allow a variety of frames rates and resolutions depending on the sensor used but all is saved on the flash memory as a non-volatile stream of data. Modern SSD chips are so good at re-allocating reading and writing bits that the life of the components is now measured in decades of regular use instead of a few years. The fps4000 is using this technology fully to enable memory bandwidth magnitudes greater at a significantly reduced cost.→ Continue Reading Full Post ←
So now that the Xperia 1 phone has started shipping to some parts of Asia and Oceania it is time to see what the initial slow motion 960fps samples look like. It seems that the length of the playback video is unchanged at 6.4 seconds for 720p and 3.2 seconds for 1080p. So 96frames are recorded at 1080p 960fps and 192frames at 720p. This is the same restrictive spec for three years in a row by Sony.
You would think by now the phone could have increased the slow motion buffer to something useful like at least half a second instead of 0.2sec for 720p and 0.1sec for 1080p. Think again, it seems we will not get anywhere near usable times in 2019 from the Xperia Line again. Your best bet for recording on Sony will be to get a camera like the excellent RX Series that allow much longer recording times and greater resolution.→ Continue Reading Full Post ←
Let us start by saying that we are huge fans of the Lumix line by Panasonic and their cameras in general. The GH5 is still a powerhouse of a camera for serious video work and the 180fps FUll HD slow motion is better than many others before or since at that frame rate while at 120fps is as good as the best Sonys out there. However, the recently announced Lumix G95 drops the ball in several fronts when it comes to really good video performance which has become a trademark for Panasonic.
The G95 has all the looks and character of a great hybrid camera but has a crippled video mode that may put off many buyers looking for the perfect intermediate camera. The 4k, for example, has a 1.25x crop on top of the nearly 2x crop of the micro 4/3 sensor. Making it a little larger than the area of a 1″ sensor. This will sacrifice video quality in the lack of supersampling and low light will suffer from the added megapixels.→ Continue Reading Full Post ←
Sony has released the RX0 Mark II which now includes the ability to record 4k internally as opposed to using an external recorder. Other goodies include a new flippy screen which while tiny, it allows for easy framing and selfie vlogger styles. A new stabilizer is included for reducing shake and it is a definite improvement even when the rolling shutter is a real problem.
Most of the camera is the same as before when it comes to body shape and usability, the higher frame rates are identical as the 2017 RX0 Mark I with essentially the same resolution and time recording. The big improvement comes in the screen and internal 4k recording with stabilization which seems to be directly aimed at vloggers. The sensor is, however, a tad less crowded by pixels at 15.3MP on the Mark II vs 21MP on the Mark 1. That should help in the low light department.→ Continue Reading Full Post ←