Rumors surrounding the 2020 release of the OnePlus 8 phone are already heating up with a tentative May release date and a new camera module that can capture 960fps super slow motion at 720p, a clear step up from their previous phones at 480p. The OnePlus 7T can shoot 960fps but it is an interpolated mode from doubling the frames of 480p by 2x and doing the in-betweens in software.
What is interesting is that OnePlus since the OnePlus 6 has allowed for a full minute of playback in super slow motion from their 480p mode and has been one of the go-to phones for dependable slow motion capture that offers the longest recording time still to this day in higher than 240p modes.→ Continue Reading Full Post ←
Beyond the press, Youtube channel from Finland has posted an incredible video that showcases the power of 72 Chronos 1.4 cameras in the Chronos Ring system to deliver 330,000 fps making it able to capture Oxy-Acetylene gas explosions at ridiculously slow speeds. It is so fast that a single camera would have to travel at 43.175 Kilometers/second which is over 5x faster than the International Space Station. That is the power of daisy-chaining slow motion gear that is considerably inexpensive compared to high priced options and giving you incredible results. Props for the Team at Krontech.ca for sharing their system with the world. More info about the Chronos Camera and the Chronos Ring at: https://www.krontech.ca
Sony continues to recycle the same features over their phone lineup with a slightly dumbed down Xperia 1 phone which is their flagship with the same camera arrangement, screen, and main features. The 1080p 960fps mode is still here with a duration of 0.1 seconds and at 720p of 0.2 seconds. The resolution and quality are not real 1080p as we have discussed before and the reduced time makes it nearly unusable.
However, the feature many are calling a bad omen is the disappearance of the 3.5mm headphone jack. The phone is slimmer and smaller than the Xperia 1 but shares the best traits at a lower price. For many, it will not be enough to counter the popularity of other phones that are more full-featured and offer a vast array of video modes.→ Continue Reading Full Post ←
The recently announced Canon 90D, Canon EOS M6 II, Sony a6100 and Sony a6600 are cameras that refine everything that is already a current technology but bundle it in a lower price package with great performance. However, it is clear from the spec sheets that high frame rates have stagnated for the past few years in these camera lines with a maximum of 120fps at 1080p.
Sure some of them offer full-time autofocus in slow motion modes and face tracking which in the case of Sony is so good that you may not even match it if you had the best focus puller in the business hired for your shoot. But the frame rate war seems to be left to other camera lines and brands. Panasonic, for example, offers up to 180fps in their new S1H camera which should be in theory the best Panasonic mirrorless camera ever made and it should also allow for outstanding quality in 1080p 180fps.→ Continue Reading Full Post ←
The recently announced Octopus Cinema Camera with a modular sensor, mount, and other components could, in theory, become a customizable professional solution slow motion camera that is unencumbered by firm specs but by a fluid and upgradeable sensor and component path. The Axiom camera is also something akin to this but has yet to ship. The Octopus has in prototype form been fitted with a 4/3 sensor capable of up to 240fps in 2k RAW and a full-frame that allows 3k up to 100fps.
The body looks eerily similar to Phantom cameras with the white machined exterior with fans and ports protruding the body. While 240fps at 2k is not what we could call really professional slow motion, it is based on an open architecture in hardware and software that could window the sensor down and possibly offer more frame rates at 1080p and 720p for maybe a 480fps RAW capture in HD.→ Continue Reading Full Post ←
Two brave filmmakers Ryan Chylinski and MaryLiz Bender used autonomous remote high speed cameras powered by solar power, batteries & placed at SpaceX launchpads to show the stunning power and luminosity of these modern marvels or rocketry. While you can see some vertical banding in the darkest shots “Probably lack of dark calibration before a long wait” there is no denying that the result is breathtaking. No word on which type cameras were used to shoot this material but we estimate it was at 1080p FHD and maybe a Chronos 1.4.
“We place autonomous ultra-high speed video cameras at the launchpads of SpaceX, NASA, and ULA. These are cameras we position well ahead of the liftoff, design to survive the elements and, since no humans can be anywhere near the rockets, trigger without any interaction. The results are stunning.” Project & Support Link Here!→ Continue Reading Full Post ←