Let us start by saying that we are huge fans of the Lumix line by Panasonic and their cameras in general. The GH5 is still a powerhouse of a camera for serious video work and the 180fps FUll HD slow motion is better than many others before or since at that frame rate while at 120fps is as good as the best Sonys out there. However, the recently announced Lumix G95 drops the ball in several fronts when it comes to really good video performance which has become a trademark for Panasonic.
The G95 has all the looks and character of a great hybrid camera but has a crippled video mode that may put off many buyers looking for the perfect intermediate camera. The 4k, for example, has a 1.25x crop on top of the nearly 2x crop of the micro 4/3 sensor. Making it a little larger than the area of a 1″ sensor. This will sacrifice video quality in the lack of supersampling and low light will suffer from the added megapixels.→ Continue Reading Full Post ←
Ever wondered how super slow motion in the past was capable of multi-thousand fps performance with just film exposures? Well, they used customized camera rigs that combined multiple rolls of films, mirrors, and synch cables to essentially get a result beyond what the limitations of the equipment forced upon the shooter.
In a very cool video by Camera Tech on Youtube from 2015 they were able to get a custom mirror rig to shoot simultaneously on two GoPro cameras with a semi-translucent angled mirror that splits the light to each camera lens by 50% making it possible to sum both frame rates in post by alternating the frames captured by both cameras with a very slight time difference equivalent to 1/frame rate expected.→ Continue Reading Full Post ←
Fujifilm continues to further evolve their high-end mirrorless offerings by releasing the X-T3 which is a souped-up X-T2 with much of what was missing like 4k 60p and a new X-Trans Sensor now with 2 more megapixels and lower base ISO of 160. The new camera also has a touchscreen with the ability to use up to 425 Phase and Contrast hybrid Autofocus points which is their most advanced AF yet.
Others will point out to the new blackout-free burst shooting much like that in the Sony high enda9 for example. What is really remarkable here is that the 4k 60p mode is 10 bit 4:2:0 vs 8 bit on competitors, as to what big advantage that will be remains to be seen considering 4:2:0 is not exactly ideal. For slow motion fans, the camera now records 120fps 1080p at 200Mbps bs 100Mbps on the X-T2→ Continue Reading Full Post ←
The slumbering Nikon has awakened to the mirrorless present and future and has shown their cards in a very strong but not class-leading mirrorless product line. The Nikon Z7& Z6 are nearly identical bodies with changes in the sensor and AF. The more expensive and higher resolution Z7 screams pixels with a 45.7MP Full Frame sensor ISO 64–25600 range which should be a direct replacement for D850 users. The other Z6 is a better low light camera geared more at wedding shooters and videographers at 24.5MP which should produce outstanding low light ISO 50–204800 with ISO expansion.
There is a lot to like in these cameras like a real 5 axis (5 Stop) IBIS stabilizer on the full frame sensor which also works on adapted lenses and works with Nikkor VR lenses from DSLR cameras to increase the 3 stops to a real 5 stops hybrid stabilization feature. The video modes offer 4k at 24, 25 and 30p which is so 2014 as is the 120fps full HD 1080p slow motion mode. AF also changes between models at 493 points on the Z7 and 273 on the Z6.→ Continue Reading Full Post ←
Now that a few days have passed we now have the first few samples of what the Galaxy Note 9 is capable of in 960fps slow-motion mode. It shows about the same effective resolution as the Galaxy S9 and S9+ which share the same camera system. The Note 9 is supposed to increase the dynamic range but it is unclear how much benefit it will show in a resolution starved 720p high-speed mode.
The best selling factor for the Note 9 as a slow-motion device is the doubling of recording time to 0.4 seconds from the 0.2sec available on the Galaxy S9. This transforms into a 12.8-second video played back at NTSC 30p which makes it much more enjoyable than the 6.4 sec on the other Samsung phone.→ Continue Reading Full Post ←
Samsung has released the Galaxy Note 9 today and needless to say its a spec powerhouse with a familiar design and feel. No other Samsung has ever sported such amount of features and memory footprint up to 1TB with the 512GB internal plus an optional 512GB Micro SD card. Of course, a fully specced out phone will not be cheap when the handset starts at $1,000 USD in the USA or €1,000 in Europe.
Our interest and focus are the video features and we are far from disappointed. You get improved AF with scene recognition and an increase in dynamic range compared to the Galaxy S9. You get 4k UHD up to 60p and the usual competitive frame rates of 240fps and 120fps Full HD plus the 960fps mode that made its debut in the S9 and S9 plus phones earlier in the year. The extra checkmark in this phone’s sheet is that the slow motion at 960fps is now double the rec time of the S9 at 0.4sec instead of the 0.2sec in the S9 at the full frame rate.→ Continue Reading Full Post ←