Tag Archives: Pre-order

Panasonic S5 Slow Motion 180fps is Low Res!

Panasonic S5 Slow Motion

Now that Panasonic has officially announced the Lumix S5 Full frame camera which we saw as a direct replacement for the GH5 line even when now it seems a GH6 may be in the cards for a future release, it is now time to examine the slow motion modes on the camera to see if they stand a chance at becoming a feature which will be a seller for the new device or just one more feature.

When the GH5 was announced about 3 years ago it came with a 180fps 1080p mode that was better than many camera’s 120fps modes and quickly became our favorite Lumix camera for slow motion as we noticed how the quality of the 240fps mode on the GH5s low light geared camera was heavily inferior in resolution. The GH5 really became the best value along with the G9 for 180fps slow-mo modes in Full HD. → Continue Reading Full Post ←

Lumix S5 Will be a Full Frame GH5 equivalent for $1998

Lumix S5 Slow Motion

The Lumix GH5 is still one of the best video powerhouse cameras ever produced. It doesn’t overheat, it shoots incredible 4k oversampled video at up to 60fps 4k or 180fps 1080p with near Full HD quality but it’s Achilles heel, the Micro 4/3ds sensor which is small and quite inferior in low light compared to Full Frame or even APS-C rivals.  The GH5s is the low light lower megapixel version with dual Gain senor which is actually very clean in low light and can go toe to toe with the best out there but has no IBIS which is a big loss.

Now Panasonic is set to announce the Lumix S5 Full frame mirrorless camera which essentially migrates most GH5 features into a full-frame body with nearly the same introductory price of $1998 USD but improves 4k 60p with 4:2:2 color at 10-bit instead of 4:2:0 8 bit on the GH5. You get IBIS, and also the 180fps Full HD of other S L-mount cameras by Panasonic.  It is still too early to tell what kind of quality the 1080p 180fps mode will be capable of but it does hold promise as the S1H and S1 do a pretty good job on these modes. → Continue Reading Full Post ←

Galaxy Note 20 Slow Motion The Good and the Bad!

Galaxy Note 20 Slow Motion

Samsung will start shipping to stores the Galaxy Note 20 and Galaxy Note 20 Ultra on August 21, 2020.  This new phone is the latest and greatest on their line of ultra-performance devices that offer little compromise at a premium price.  It has a 108MP sensor on an f1.8 lens on the Note 20 Ultra 5G version that can do crazy zoom and pixel averaging in low light. The more pixels you record even if they are small let you do more computational photography processing to average noise and artifacts out to end with a crisper lower resolution image that is pleasing and punches above it’s weight.

However, not all is good news since the video mode in Samsung devices when it comes to slow motion has been stalling in the last iterations to a max 960fps mode in HD 720p which is now on this phone an interpolated 480fps mode that is slowed 2x to 960p.  This makes the Note 20 line an inferior slow-mo device to even the Galaxy S10 which offers real 960fps.  The good thing here is a full second of recording at 480fps on the Note 20 line which translates to 16 seconds playback at 30fps and 32seconds with interpolation. → Continue Reading Full Post ←

Blackmagic URSA Mini Pro 12K is Frame Rate Beast!

Blackmagic URSA Mini Pro 12K

The Black Magic Design URSA camera line has been one of our favorite high frame rate options for many years now as it is a blend of excellent quality at a relatively low price with the added bonus of RAW recording and ProRes options.  Now the company has announced the latest iteration of the camera with a monstrous pixel size of 12k or 80 Megapixels per frame. All of this in an APS-C super 35mm crop from Full Frame sensor that is built to satisfy the requirements of their Black Magic RAW codec or BRAW for short which is in this camera the only recording format available.

What interests us as always are the high frame rates and this camera does not disappoint when it comes to this spec. The only real problem we see is that recording is made only from 4k resolution and up, completely avoiding 3k, 2k and HD resolutions which could yield even higher frame rates with probably a huge crop in the 80MP frame which will probably yield a noisy and artifact prone image hence why they probably avoided recording down on those modes. → Continue Reading Full Post ←

Canon EOS R5 Makes it Expensive to record 120fps 4k Video!

Canon EOS R5

Canon has now released the final specs and estimated release dates for the EOS R5 and R6 cameras. There is a lot of good advancement in features especially in video mode as what many believe is an afront to Sony and Panasonic who dominate video recording on ILCs.  The R5 can record 24fps and 30fps 8k video or 8192 x 4320 pixels in RAW quality which is a staggering 1TB of storage or 2600 Mbits/s for only 51 minutes of recording time. That means that every hour you will eat up through a full TB of your RAID backup storage. We see this mode being transcoded to an intermediate format like Blackmagic RAW or BRAW or Apple ProRes as soon as possible.

There is more bad news, on the 120fps 4k front there is no other option of recording but All-I which saves every frame independently in 10-bit 4:2:2 which is good for excellent quality but at the cost of 1,880 Mbits/s  which is 224MB/sec or 13,447MB / minute of recording time. Better get a ton of memory cards and hard drives ready! → Continue Reading Full Post ←

Z CAM E2 M4 Slow Motion With Affordable 4k 160fps!

Z CAM E2 M4 Slow Motion

The new Z CAM E2 – M4 Micro 4/3″ sensor cinema 4k camera offers performance that punches way above its own price weight of just $1,499 @ Adorama which is $500 less than the very similar regular Z CAM E2 just lacking Multicam synch support which is a very minor trade off considering the power and benefits you gain.   It has Triple native ISO of  80 / 160 / 800 and 13 stops of DR using their ZLog profile, and 16 stops of DR in WDR mode which does some HDR processing.

The frame rates are also outstanding for such a low-cost camera and while the higher setting requires H.265 encoding which for many is not ideal considering it lowers the bit depth from 10 bits to 8, it offers what many cameras only dream of.  160fps in 4k in beautiful resolution and up to 240fps in 1080p which has very good quality with some compromises. → Continue Reading Full Post ←