The folks at Blackmagic design are at it again when it comes to destroying spec sheets compared to price. The BMPCC 4k was already one of the best-reviewed and popular choice among budget filmmakers that needed excellent quality and dynamic range. At only $1,295 that camera was a smash hit but had only a four thirds (4/3) sensor which was not ideal in size and required speed booster adapters to get the needed depth of field to simulate an S35 image.
Now the BMPCC 6k ($2,495.00) with EF Canon mount comes in with a full APS-C sensor with dual ISO characteristics like before but with the added imager size and full electronic lens support for EF glass. It would have been in our view ideal to use an electronic mount with shorter flange like the Sony Alpha or the new Canon RF mount so you could adapt even more lens combinations but they are catering to a large installed base of glass owners.→ Continue Reading Full Post ←
The Spanish company Cinemartin known for their camera monitors is now officially launching the Fran 8k line of cameras in three flavors. The Fran 8k LT at an introductory price of €7,920 Euros or $9,000 USD which shoots 8k at 24p and up to 96fps in 2k resolution in either DNG RAW, PNG or ProRes while sporting a 37 mm x 27 mm (Diagonal 46.2 mm) sensor size slightly larger than a Full Frame 35mm. The LT version will not sport features like Programmability and image stabilization which the other higher cost models will support.
The cameras are built to order and require a 10% deposit when reserved. They are geared at the commercial and cinema markets which require the utmost image quality and 8k resolution on a very large sensor. The frame rates at 4k max out at 60p and at 2k max out at 120fps on the two higher-end models. The introductory prices will only be available until 31st of December 2018. looking at the video samples released it is clear the quality of the image will be cinematic and contain extreme detail. The file sizes will also be enormous but that is to be expected with a frame size of 7920px * 3024px or 24Megapixels on the LT and 47MP on the Plus!→ Continue Reading Full Post ←
We liked the Insta360 Pro released last year because it upped the ante in resolution and immersion compared to other off the shelf camera solutions. This new Pro 2 camera essentially increases the performance by stitching six 4k images to truly bring VR recording to a point where resolution blends with realism at 8k 3D. VR has always suffered from the resolution Achilles heel which can kill the experience as you notice image errors like aliasing, softness or stitching artifacts.
The new Insta630 Pro 2 camera has 6 lenses and 6 full camera systems to capture the scene. If using H.265 for Post stitching it can reach 4k UHD at up to 120fps binned. All six cameras used at maximum resolution can build a 12k still image but for VR video you will be outputting an 8k stream in 2D or 3D with outstanding visual crispness. The demos shown do make it seem like headsets are now the technology that needs improvement to increase resolution and catch up.→ Continue Reading Full Post ←
The new Fuji X-T100 may be an afterthought for videographers due to its stills focus. It has a 4k UHD mode but only records at 15fps which begs the question why bother including it? It is certainly useless for everything except time-lapse video recording if you think stuttering footage is rubbish. However, the camera does have a 720p 120fps mode that can record for up to 7minutes while conforming into a file at 30fps which equates to a 4x slowdown or if later edited at 24p a 5x slowdown from real time.
Fuji industrial design is just eye-catching and excellent when it comes to looks. The X-T100 does not disappoint with its retro but chiseled look with a flippy screen that screams for a better video mode. We are fans of the Fuji cameras and are glad to see that even in this low-end entry the high frame rate video recording feature is retained. We hope to see them implement 240fps or higher in future models as their recent efforts in the X-H1 show encouraging initial results in 1080p with superb color rendering.→ Continue Reading Full Post ←
There has been a lot of excitement about the OnePlus 6 for the past two weeks and while the slow motion feature is not the first feature you look for, it may be the biggest deal in phone slow motion in several years. The duration eclipses the competition by leaps and bounds at 3.75 seconds of recording vs 0.2s or 0.4s for the competition.
We have found a few samples that show the phone at 480fps 720p and 240fps 1080p quality which right off the bat show that the phone is capable but still a long way from competing with professional slow-motion cameras like the edgertronic series or Chronos 1.4 in both recording time and image quality. Even with all of these negatives, the OnePlus 6 does bring the technology forward by allowing phone users to record enough slow-motion footage to make it usable for publishing on the web or specific uses in education or sports analysis.→ Continue Reading Full Post ←
The full specs are official now and the OnePlus 6 is now considered a flagship phone by any measure you can throw at it. It has massive memory, speed and a price that will not break the bank at just $529 USD for the smaller capacity 64GB version. It has dual cameras and 4K shooting at 60FPS, 1080p at full 240FPS, and our favorite spec 720p at 480FPS.
Gone is the 960fps spec of phones like the Samsung Galaxy S9 & Sony Xperia XZ2 but with the added benefit of shooting 1800 frames of it which translates to 60 seconds playback “1 Minute” at 30p on the OnePlus 6. So an entire usable minute of slow motion at 720p will be a welcomed addition to any slow motion fans and while quality will have to be seen and analyzed, it already makes for a better overall experience than the 0.2 seconds recording of the competition.→ Continue Reading Full Post ←