Quite a few of our readers have asked for HSC to comment on the rumors of a Canon R5 Mirrorless camera that according to unsubstantiated information claims 120fps at 4k and 8k at 30p. The R5 may be the modern non-DSLR successor camera to the EOS 5D Mark IV and could become a major release for the company for this decade. As rumors go we can probably believe some of it but we have to be skeptical on the full specs because Canon has not shown the willingness to push the envelope as far for many years and has calmy let Panasonic and Sony take the firsts spots on video features.
We would love to see Canon go ahead and push the envelope with amazing video features that can revive the platform for serious video production the same way the 5D Mark II did back in 2008 when it took the video world by storm and made it possible to shoot quality video that looked a lot like the 5D still images that have dominated certain segments of still imagery business like weddings.→ Continue Reading Full Post ←
The folks at Blackmagic design are at it again when it comes to destroying spec sheets compared to price. The BMPCC 4k was already one of the best-reviewed and popular choice among budget filmmakers that needed excellent quality and dynamic range. At only $1,295 that camera was a smash hit but had only a four thirds (4/3) sensor which was not ideal in size and required speed booster adapters to get the needed depth of field to simulate an S35 image.
Now the BMPCC 6k ($2,495.00) with EF Canon mount comes in with a full APS-C sensor with dual ISO characteristics like before but with the added imager size and full electronic lens support for EF glass. It would have been in our view ideal to use an electronic mount with shorter flange like the Sony Alpha or the new Canon RF mount so you could adapt even more lens combinations but they are catering to a large installed base of glass owners.→ Continue Reading Full Post ←
GoPro has released 3 new cameras including the Hero 7 Black which is now the flagship product for the company. The key feature is HyperSmooth which is a predictive stabilization technology based on scene analysis and sensor telemetry to accurately anticipate motion and correct the image to generate a gimbal-like smooth appearance to the video. When you see the footage it is clear it is a huge improvement compared to even the Hero 6 Black which had a pretty good stabilizer.
The Stabilization, however, is limited to 4k 30/60p and other resolutions below 120p but anything above 120fps will use the previous stabilization feature which is not predictive and have no stabilization support at all at 1080p 240fps which is the highest slow motion mode. No 480fps or other higher fps settings are available as the camera uses both the same Hero 6 Black sensor and the same GP1 system chip for this new camera.→ Continue Reading Full Post ←
Linus Tech Tips is probably the most well-known hardware enthusiast show on the net today. You can find all sorts of cool geeky stuff tested, assembled and destroyed in some cases. This time it was the turn for Krontech.ca to get a visit from the Linus team which funnily enough is very close to them geographically in the vicinity of Vancouver BC, Canada.
There is a quick tour around the startup headquarters as well as a nostalgic look back at the prototype cameras that evolved in what we know today as the Chronos 1.4c which is capable of 1,502fps at 720p resolution and recently able to record in RAW 16bit DNG format which makes it professionally usable in any setting given an adequate amount of light.→ Continue Reading Full Post ←
There is an aura over the Panasonic GH5s that has not been seen in a m43 camera possibly ever. It is mainly due to the outstanding low light quality in 4k 24, 30p and 60p that beats full frame cameras like the Canon 5D Mark IV and competes head to head until ISO 25,600 with the king of low light the Sony a7s Mark II. But as always, our focus is on the high frame rates which the camera also does quite good on.
The 4k 60fps quality is very close to the 30p quality which means excellent and you can shoot at 60p at night without worrying about noise. The 240fps mode which is a first for a Lumix camera in full HD means that the camera aims to compete with Sony RX series cameras that have stacked sensors. We believe the quality to be acceptable but not good enough to be broadcast quality as stair stepping jaggies are all over the frame with the occasional moire pattern on fine detail that can break a shot.→ Continue Reading Full Post ←
There is no question the Sony a7 III just announced by Sony is making a splash in the midrange to professional camera markets. We have a $1,998.00 USD Full Frame camera that can shoot 10fps at the full 24MP sensor resolution with probably the best AF tracking system ever shipped on a camera aside from the slightly better Sony a9. The low light performance of the new a7 III is quite frankly impressive with nearly as clean video to the king of low light the a7s II up until ISO 12,800.
It also has the same high-quality 120fps Full HD mode in both full frame downsampling and APS-C crop modes with continuous reliable AF tracking that performs as good as the a9 system because when it comes to spec comparisons they seem identical. You will be better off with this camera if you are looking for 120fps full HD than any we have seen before as quality, low noise, focus tracking and dynamic range all come together to create a superb package.→ Continue Reading Full Post ←